Exists Page #3

Synopsis: For five friends, it was a chance for a summer getaway - a weekend of camping in the Texas Big Thicket. But visions of a carefree vacation are shattered with an accident on a dark and desolate country road. In the wake of the accident, a bloodcurdling force of nature is unleashed - something not exactly human, but not completely animal - an urban legend come to terrifying life - a Bigfoot seeking murderous revenge for the death of its child.
Director(s): Eduardo Sánchez
Production: Lionsgate
  1 win & 2 nominations.
 
IMDB:
5.2
Metacritic:
22
Rotten Tomatoes:
32%
R
Year:
2014
81 min
Website
156 Views


- Please.

Hey, Uncle Bob.

It's...

Oh, God.

Matt, is that you? Matt?

- Uncle Bob, it's Matt!

- I'm having a bad connection.

- I'm at the cabin!

- Hello?

- Cabin?

- Uncle Bob, it's Matt. We're at the cabin!

Matt, did you say the cabin?

What the f***?!

Come on!

Holy...

Help!

Somebody!

F***!

Maybe he found somebody

on the road.

They're probably

on their way back right now.

We knew why my uncle never let

anyone come out to this place.

We just didn't believe him.

We should have never

come out here.

I'm sorry.

- We should probably get inside.

- It will get dark soon.

Matt's the man, guys.

He's bringing back help.

All right?

Oh, sh*t!

Holy f***ing sh*t, man.

Go, go!

Come on, Brian, come on!

Oh, sh*t. Move

something. Move something.

That's Matt's bike.

- F***.

Help me with this, man,

help me with this.

I'm trying, man.

Move it!

F***. F***.

F***. Grab that sh*t.

Wait, guys. Where is it?

I don't f***ing know, man.

That's Matt's bike.

- Oh, sh*t.

- Do you see it?

I can't see sh*t.

Check the other window.

- Can you see it? I

can't see sh*t out there.

It's waiting for it

to get dark.

It's waiting

for the night.

It's at the generator.

Oh, sh*t.

- It got the generator.

He's f***ing with us.

He's f***ing with us.

Okay, okay.

He's f***ing with us.

Oh, sh*t.

Todd, shoot it.

I don't want

to waste a shot.

F*** that!

Shoot it!

Be careful, man.

- F***.

Be careful... oh, sh*t.

- Where'd it go?

- It's okay.

Shh. It's gone, okay?

It can't get in.

F***er can't get in, okay?

He can't get in.

- Get in the room!

- Get in the room!

Go, go, go, go!

- Help me!

- Go, man.

What do we do now?

Okay.

Okay, guys.

Okay.

Let's go.

Sh*t.

I can't hold it!

Where did it go?

It ran off.

- It's gone.

- I think you got it.

Yeah.

Help me!

Guys, help her!

Help her!

- Help me!

- Get off her, motherf***er!

Beth!

Sh*t, come on.

Oh, sh*t.

Brian, help me!

Help me, man!

Go, go!

Get to the cellar!

- Got to get the gun. Come on. Get it.

It thinks we're outside.

He doesn't know

we're down here.

Shh.

- Be quiet, okay, baby?

- Please.

Is it gone?

Oh, sh*t!

Oh, sh*t! He looked at

me! He looked right at me.

Shh.

- He knows we're in here.

- Shut up, shut up.

He knows.

- Quiet. Be quiet. Shut up.

He doesn't know.

He doesn't know.

Oh, my God.

He knows.

He f***ing knows

that we're here.

Shoot him!

Motherf***er.

Let's go. Let's go.

Are you okay?

Lizzy.

Lizzy.

Is she breathing?

- Is she okay?

- Oh, my God.

Holy sh*t.

Hey, guys.

It's all clear up here.

We got it.

Oh, my God.

Jesus.

It's his f***ing bike.

We have to go.

We can't stay here.

See you soon, man.

What about Liz?

We'll come back

for her body.

Brian,

your cell phone working?

No.

- Yours?

- F***, no.

Hey. Hey.

It's over this way.

- What?

- It's the trail.

If we take the trail,

it's going to take us

half the time to get to 212.

Look at that sh*t, man.

There's no road out there.

I've been out here before.

Sure?

Ow.

It's straight down there.

Ah. F***.

Some f***ing shortcut

you got, man.

Dora. Dora.

Over this way.

- What?

- Over this way.

No, no, no. We keep going right up here.

I'm serious. We keep just

walking right up here.

Dude, I know

these f***ing woods.

Todd, he's been here before. Come on.

Yeah, whatever.

It better be over this way.

Come on.

Holy sh*t.

I think we did

something to it.

What the f***

did we do?

We didn't do sh*t.

We didn't do anything.

Holy sh*t.

It's Matt's bag.

Oh, sh*t.

- Matt?

- Wait, Dora.

Matt?

- Matt? Dora, slow

down. Slow down, Dora.

I see more blood.

Oh, God.

Matt...

No, no, no, no.

Sh*t.

Hey. Hey, baby.

Watch out, watch out.

Just leave me here.

Slow down, slow down.

I can't see sh*t.

Oh, sh*t. Oh, sh*t.

You all right, man?

We got to rest, bro.

Cut that light off.

Don't keep it on too long.

All right.

We got to find some cover,

somewhere not out...

somewhere not

out in the open.

Where the hell's

the 212, man?

We're getting close.

I remember this little

bridge and this road.

Hey, man.

I'm sorry about Liz, bro.

I think it found us.

Chill out, chill out.

F*** that.

That thing killed Liz.

- Todd! Todd!

- Brian, stay here. Stay here.

- I'm right here! Let's go!

- Stay here. Get under that.

Where this f***er at?!

- Todd!

I can do this all night,

motherf***er!

What are you doing?

Shut up!

How you going to kill

my friends?!

Shut up, Todd. Todd!

I'm killing this motherf***er

right now!

- Where you at?!

- Where you at, huh?!

- You can't even see it.

- What are you shooting at?

What's up?! I'm right...

- What the f***?

- Okay, okay.

Oh, sh*t!

- F***ing save the shell.

- Save the shell, bro.

- F*** it. Dude,

don't waste the shells.

The shell's

not coming out, man.

The shell's not

coming out, man.

Yo, we can't stay here.

We got to move.

We got to move. Dora,

come on. Dora, let's go.

- Let's go, let's go.

- We got to go.

Watch out, watch out!

Go, go, go, go, go, go.

Come on, y'all!

F*** that sh*t, nigga!

Go. Come on, man. We got to f***ing go.

- Brian, come on.

- Careful. Coming.

- You guys see it?

- No.

- Do you see it?

F***ing be careful, dude.

All right, man.

Where the f*** are we, bro?

Where the f*** are we, bro?

What is that?

Guys, guys.

There's people here.

There's people here.

They can help us.

- That looks deserted.

- That looks deserted, Brian.

Where the f*** are we, bro?

Where are we, bro?

Must be close to the 212.

Okay, let's get the f***

out of here, man.

Where...

Matt?

It's Matt! It's Matt!

- Matt!

- Yo, Matt!

- That's Matt.

- Matt!

- Matt!

- Matt!

- Brian.

- Brian, hold on a second.

- Shut up. I can hear him.

Oh, what the hell is that?

Matt?

- Where is he?

- Matt.

I don't hear him.

Matt?

Whoa, whoa. Yo.

Matt.

He sounds hurt.

- Matt.

- Come on.

Let's go in here.

Slow down.

Holy f***.

Matt?

Matt?

It's some sort

of a tunnel.

Or a nest

or something.

Matt.

He's down there.

He's down there.

- Hold this.

- Whoa, whoa, whoa.

What are you doing?

- What are you doing?

- I'm going in to get him.

- Come on, dude.

- You can't be going in there.

I don't have a choice.

That's my bro down there.

I've got this. I'll be

able to see in the dark.

Brian, it's all

we got left.

All right.

He'll be

all right, Dora.

You're all right.

Matt?

F***.

Which way?

Which way?

- Matt?

- Matt:
Huh?

- Huh?

- Matt?

Brian? Brian?!

Matt.

- Brian.

- Matt.

Brian, Brian, over here.

Oh, sh*t. Oh, sh*t.

Matt, how you doing, buddy?

It's in here, man.

You got to go.

- You got to get out of here, man.

- Okay, okay, okay.

- Let's go. Let's go.

- You got to get out of here.

Why?

- What, what, what?

- He smashed my legs.

Sh*t.

- He smashed...

- He smashed my legs.

- I'm going to get you out of here, bro.

I'm going to get you

out of here. Grab on to me.

Where are you?

I need you to grab onto me.

- Grab on to me!

Grab on to me.

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Jamie Nash

Jamie Nash is a fictional character from the British Channel 4 soap opera Hollyoaks, played by Stefan Booth. The character appeared between 2001 and 2002. more…

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Submitted on August 05, 2018

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