Frankie and Johnny Page #3
- R
- Year:
- 1991
- 118 min
- 2,446 Views
Sure he did. His first day
was her last... I think.
Helen can use all the mourners
she can get.
- Nedda!
- I didn't mean it unkindly,
I'm just glad
we didn't book St Patrick's.
Tino and Luther were here earlier,
Nick got the flowers.
- They're nice.
- I gotta go.
I'm gonna go with you.
Funerals give me the willies.
- You gonna come?
- We just got here.
- It's the thought.
- I don't wanna leave her alone.
Yeah, sure.
Come on, Nedda, we don't need
a brick wall to fall on us.
Shut up, don't be ridiculous.
You're picking up a guy
in a funeral parlour
in front of a freakin' stiff!
In my wildest dreams
I didn't do anything like that.
Blow it out your ass.
Charming.
Sorry, Helen.
Who do I have to f***
to get a waffle?
Forget about the waffle.
Thank you, Tino,
Oscar's a lot better.
Hot plates, look out. Here's another
present for you, Luther.
Can I ask you something?
Yeah, shoot.
Tino, give me a moment here.
Thank you.
- I'll clean that later.
- Did you know Helen?
- It looked like you were crying.
- Death is very sad.
But you didn't even know her.
You don't have to know someone to
feel sad for them. It's empathy.
Yeah. Empathy, yeah.
Empathy. The sympathetic vibrations
of two human beings.
- I know what it means.
- No, you don't.
I didn't know either
till I looked it up.
You see, every day when I'm shaving,
I look up a new word.
It's a little piece of turkey,
that's all.
How can you have empathy
with someone you've never met?
I didn't have to meet her. I just
looked at her picture and I knew.
I knew she lived alone,
I knew she had these dreams
that weren't quite enough
to keep her heart beating
so she kept it going by
putting a bottle of Four Roses
under her pillow - nobody knew about.
Vodka.
You should get a crystal ball and a
turban, you'd make a lot more money.
I'm no fortune teller.
I just tell it the way I see it.
She had that look. My mother
had that look her whole life.
Disappointed.
I need a blood sausage
and hash browns.
Nedda! She's just asking me out!
I am not! I am not asking you out.
- I'm sorry I'm interrupting.
- You're slicing the turkey too thin!
That's OK, I'll wait.
Baby, you know
how I feel about you, right?
Don't monopolise the phone.
Thank you, Cora.
Did you come?
Yes. I usually
can hold it longer than that.
- Sorry.
- But it didn't seem like you came.
I came. I did. That was terrific.
Are you sure?
Are you kidding? Of course I did.
Yeah, but usually a guy will moan
and yell or something,
you didn't even clear your throat.
I trained myself to do it quietly.
- Why?
- Let's just say I've been in places
where full-throated orgasm
would be highly inappropriate.
- You mean like a monastery?
- Yeah, sort of.
I'm dizzy.
Maybe the shoes
was too much for you.
It could have been.
- Or position maybe.
- Position! Yes!
I like that position.
Woman astride. Yes.
Why didn't you say something?
I would have done it.
You did it.
That's what this is, astride.
- What, on top?
- Yeah, on top. Like this.
Though my lips were sealed,
my mind and my body
were just shooting off fireworks.
So, it wasn't exactly perfect.
I wasn't exactly 100% - these shoes
are cute but they kill my feet.
Can I stay over?
Why not?
Because if you stay over, the two
of us will lay here all night, awake,
pretending to be asleep but
wondering why we didn't hit it off.
Johnny, you're just lonely.
I'm just lonely.
We don't have to be Romeo and Juliet.
Lonely.
You got a boyfriend, you said.
I got two boyfriends.
I'm looking for one Mr Right.
- I'll see you tomorrow.
- See you at the salt mines.
- Bye.
- Good night.
- It's not the end of the world.
- I know.
I seen the end of the world.
"But look, the morn,
"Walks o'er the dew
of yon high eastward hill."
- The morn?
- What the hell does it mean?
It means the sun is up.
Why doesn't he just say so
instead of this bullshit?
Because he's Shakespeare.
The greatest poet ever.
Are you saying
you don't respect me any more?
- I could care less!
- I don't respect you any more.
I think you're both a pair of tramps.
Look, I did you both a favour,
I tried him out.
Did he really...?
Two minutes tops!
- I hate that!
- And so quiet. Like a mouse.
Marcel Marceau
comes louder than this guy.
Maybe you scared him.
That isn't out of the question.
Well, maybe so
but I don't read poetry.
As I see it, you need two words
to make it in this town -
"f***" and "you".
- Someone didn't get laid last night.
- I get laid every night.
I bet you do.
- No, not the wig!
- No! I knew not to use the wig.
Do you know those gold pumps I got?
The stilettos? I put 'em on,
things are looking good,
but then I...
I know what you two
are talking about.
- You do?
- Of course I do.
What are we talking about?
Say the word.
- Leave her alone.
- Just one time. Just for me.
- Copulate. Say it.
- Cora, leave her alone.
- Once in your life.
- You are so mean!
You can do it! On the count of three.
One, two, three!
I watch Dr Ruth.
Peter, telephone.
Yeah. How much?
What's with you?
Ladies and gentlemen, staff,
I have an announcement.
- Crazy busboy.
- I sold my first script.
Right! They're flying me
to begin shooting Bloods On The Moon!
I'll give you one last day
and I'm off to Hollywood.
Son of a b*tch! Pardon my French.
Nice shot.
OK, serving for the game,
this is it.
I got you now! Go, Joe!
Sh*t! Pardon my French.
- Out!
- There it is, good game. Good game.
- Good one, Joe.
Why won't you go to
Peter's going-away party with me?
- I don't want to.
- I'll pick you up at seven.
- Sometimes you're really obnoxious.
- I'm not obnoxious.
I'm just eager to go out with you.
That's a big difference.
545 West 54th Street, right?
- How do you know that?
- Come on, it's on your punchcard.
my punchcard? You stay away from it.
What's your apartment number?
- 6A.
- No, I don't believe you.
6B? 3F? Am I close?
- Am I talking to myself over here?
- Just a minute.
What can I do to make you respond
to me? Can I write little notes?
I don't respond to little notes.
- What about if I give you presents?
- You can afford that?
- I'm saying little.
- I don't like presents and things.
I know, I gonna back off
but I gotta tell you something.
- I got a crush on you.
- Burger Deluxe, pick up.
Why do you want to go out with me?
Because the heart does things
for reasons
that reason cannot understand.
Does Nick know about this?
I'm gonna tell Nick.
You got her jealous, you see?
You got her all riled up.
I want to know why
you want to go out with me.
We're gonna go to the party
and walk in alone?
Our whole life
So we walk in together,
it's not so bad. So bad?
No, it's not. We can do it.
- What? Do what?
- What's the matter?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Frankie and Johnny" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/frankie_and_johnny_8528>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In