Frankie and Johnny Page #4

Synopsis: Johnny on his release from his jail joins the restaurant where Frankie works. Johnny discovered his talent for cooking when in jail. Love at first sight bites Johnny on seeing Frankie. He makes direct attempts to get her heart. But deep a wound in Frankie's heart would not let her give her heart to Johnny. Johnny's divorced wife and kids have moved to a new world of a different person. Frankie opens up her tragic story and Johnny promises to be with her in difficult times.
Genre: Comedy, Drama, Romance
Director(s): Garry Marshall
Production: Paramount Home Video
  Nominated for 1 Golden Globe. Another 4 wins & 1 nomination.
 
IMDB:
6.7
Metacritic:
66
Rotten Tomatoes:
78%
R
Year:
1991
118 min
2,448 Views


I don't even remember

what my order was!

One meatloaf platter

and two chef's salads.

See? I never forget an order.

Cancel the tuna melt, the customer

just died of malnutrition.

I'm giving his lawyer

your number, OK?

Try something a little more festive.

You need these?

No, not yet.

I'm too old for this sh*t.

Come on.

- You look like an Italian widow.

- I wish you'd just come with me.

I can't. I've cancelled this dinner

three times already.

I hate going to parties alone.

I always feel like

everybody's staring at me.

Dressed in that they probably are.

What time is the bullfight?

Let me weave my magic spell.

The land of lost dresses.

And the winner is...!

There. Now that is a party dress.

I feel prettier already.

If you don't want to go

to parties alone, start dating again.

She hasn't had a date in three years.

Not since Phillip...

- I said the "Ph" word.

- It's not true.

What about that Welshman?

I dated him that whole summer.

Please! I don't count him.

What? He asked me to marry him.

That's why I didn't like him.

I knew he wouldn't leave his wife.

What do you know about those things?

- More than you do obviously.

- She doesn't have to date.

I don't date by choice.

Too bad because I love your choices.

We went from Mr Abuse You

to Mr Use You,

plus a fling with a cross dresser

that I blew the whistle on.

Yes! Mama, the pumps. Definitely

the pumps. Bobby, what do you think?

- Leave me out of it.

- I'm giving us six weeks.

Are you expecting someone?

Hello, who is it?

I just got goosebumps.

Do you know that song?

Four weeks.

It says your name but it doesn't

say the apartment number.

- 6A. What?

- It's the new guy at work. The cook.

- Is he cute?

- Yeah, sort of.

Do you have a date with him

or did you order sandwiches?

No, he asked me to go out with him

and I told him no

then he asked me to Peter's party

and I said no, I think.

What did I say?

How should I know? Who cares?

It's a gentleman caller.

What did he do? Run up?

This guy means business.

- Should I get it?

- Wait!

Who are you gonna say you are?

The Man Who Shot Liberty Valance!

What's wrong with you? How do I look?

- I'm supposed to say that!

- Yeah, but you never do.

My God! I look like the Breck girl.

- This is 6A, right?

- 6A.

- Welcome.

- Hello.

- Are you OK?

- My God!

- Can I get you something?

- I'm fine.

I just ran up five flights.

I don't know what got into me,

I just had to run up.

- Wanted to get here.

- You didn't have to do that.

No, it was my pleasure.

- So, you ready?

- Almost.

Yeah? Good.

Nice apartment. Big for a studio.

OK, sit. I guess there's

not an empty chair in the house.

Man, I couldn't figure out

what to wear either.

This is Tim and Bobby,

they're hooking up my VCR.

Right.

I'm Tim, he's Bobby.

I live across the hall

and Bobby lives with

the Von Trapp family.

So, this is your first date?

We just started dating ourselves.

Each other?

That's interesting.

You'd never know it.

This is really nice and homey.

Elephants!

She's collected those

since she was kid.

When the trunks are up,

it means good luck.

But they gotta face the window.

Otherwise it's bad luck.

I read that somewhere.

That explains a lot.

I think I could help you

with that wire.

I think I got it if I could just...

Sure you know what you're doing?

Last time I worked on one of these...

OK, I think

that one goes right there.

- I'm sure.

- No, it goes over here.

You gotta take the plug...

- Are you an electrician?

- No, I'm a cook.

This is so exciting.

I feel like your big sister.

- What do you think?

- He's nice.

That's a rotten thing to say!

He's very nice.

Look, we've both done worse.

Of course, he could be

a mass murderer or a psycho.

Thank you for sharing that with me.

Come on,

hurry up before he changes his mind.

It's better the way I had it.

Yeah, I think you're right.

Maybe I should just learn to leave

well enough alone.

Let me help you. Here. Try this.

I have a cousin who's gay,

by the way.

- Most people do.

- Ready?

- He's a really great guy.

- I'm sure.

He just found out he was gay

a couple of months ago.

I'll look him up in the directory.

Under the new listings.

- Let's go.

- Good one.

Nice meeting you. Nice meeting you,

Bobby. Sorry about the TV.

- Don't worry about.

- Nice meeting you.

- Sure you don't wanna come?

- Next week we'll double.

I hope it works out.

There's lots of reasons. At work, the

little things you do that I watch.

I love the way you swig.

You don't think we'd fit, do you?

We fit, Frankie. We fit like...

peas in a pod, like a lock and a key.

I'm not so sure I like

where your key's been.

You mean Cora, right?

You think that was something?

Come on, you know what that was.

It's a Band-Aid on loneliness.

So, how old are you?

None of your business.

How old are you?

What do you think?

Late forties.

- What? Then don't ask.

- Don't ask!

...but before I go any further,

I'd like to introduce you all

to my heart, Cheryl.

And the man this couldn't have

happened without, Mutzie Calish.

Finally, to all of you

who helped me when I was a nobody,

I'd like to thank you all now

because I'm sure I will forget you

when I'm big and in Hollywood!

I have something to say.

I wish to make salute to Peter.

He worked for me at the Apollo Cafe.

For Peter, my cousins

will play some Greek music.

Let's break some plates!

Would you like some cake?

So, wanna dance?

No. Ask Nedda, that's her thing.

If something happens between us,

I hope you can handle it.

- Nedda?

- What?

- Would you like to go Greek with me?

- Yeah! Hang on, my bra snapped.

For old times' sake.

Me and three of the guys

tightened that up.

Johnny's teaching me

how to be a cook. This is Maria.

- Great party.

- Confession time.

On my first day,

I stole some of your tips.

I know.

But you put it back the next day.

I was broke. I was really broke.

I'm really glad things

are working out for you, you know.

- I wish you all the best.

- Thanks.

See you Johnny.

- Hey, baby. Let's cut a rug.

- Are you bra-less?

Let's go, Nick!

When do we break the plates?

That's good. Go.

Nedda, come on!

- It's not Greek but it's good.

- Party!

Let's go, Johnny!

That's right. All right.

Bravo!

- Come on, there must be a reason.

- Dumbo.

- Dumbo? The movie?

- Yeah.

No deep hidden meaning.

Plain Dumbo the elephant.

Just before my father left,

he took me to see Dumbo

and I liked it so I save elephants.

I like that movie Dumbo.

The flower market. My secret place.

Only me and 3,000 florists

know about it.

How about a lovely corsage

for the lady?

Good.

- Which one?

- On the bottom, third one in.

This one?

OK, I got it.

You want me to do it?

You never went to the prom, did you?

No. Did you?

I wish you'd stop looking at me

like that.

Like what?

Like that. It's too intense.

You don't look, you stare.

It makes me nervous.

Thank God! You finally got here.

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Terrence McNally

Terrence McNally (born November 3, 1938) is an American playwright, librettist, and screenwriter. McNally has been described as "a probing and enduring dramatist" and "one of the greatest contemporary playwrights the theater world has yet produced". He has received the Tony Award for Best Play for Love! Valour! Compassion! and Master Class, as well as the Tony Award for Best Book of a Musical for Kiss of the Spider Woman and Ragtime. His other accolades include an Emmy Award, two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, three Hull-Warriner Awards, and a citation from the American Academy of Arts and Letters. He is a recipient of the Dramatists Guild Lifetime Achievement Award as well as the Lucille Lortel Lifetime Achievement Award. In 2016, the Lotos Club honored McNally at their annual "State Dinner," which has previously honored such luminaries as W.S. Gilbert and Arthur Sullivan, George M. Cohan, Moss Hart, Richard Rodgers and Oscar Hammerstein, Saul Bellow, and Arthur Miller. In addition to his award-winning plays and musicals, he also written two operas, multiple screenplays, teleplays, and a memoir.He has been a member of the Council of the Dramatists Guild since 1970 and served as vice-president from 1981 to 2001, and was inducted into the American Theater Hall of Fame in 1996. In 1998, McNally was awarded an honorary degree from The Juilliard School in recognition for reviving The Lily Acheson Wallace American Playwrights Program with the playwright, John Guare. In 2013, he returned to his alma mater, Columbia University, where he was the keynote speaker of the graduating class of 2013 on Class Day. He is a 2018 inductee of the American Academy of Arts and Letters. The honor of election is considered the highest form of recognition of artistic merit in the United States.He has a career spanning six decades, and his plays, musicals, and operas are routinely performed all over the world. The diversity and range of his work is remarkable, with McNally resisting identification with any particular cultural scene. Simultaneously active in the regional and off-Broadway theatre movements as well as Broadway, he is one of the few playwrights of his generation to have successfully passed from the avant-garde to mainstream acclaim. His work centers on the difficulties of and urgent need for human connection. For McNally, the most important function of theatre is to create community by bridging rifts opened between people by difference in religion, race, gender, and particularly sexual orientation.In an address to members of the League of American Theatres and Producers he remarked, "I think theatre teaches us who we are, what our society is, where we are going. I don't think theatre can solve the problems of a society, nor should it be expected to ... Plays don't do that. People do. [But plays can] provide a forum for the ideas and feelings that can lead a society to decide to heal and change itself." more…

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Submitted on August 05, 2018

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    "Frankie and Johnny" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/frankie_and_johnny_8528>.

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