From Up on Poppy Hill Page #7

Synopsis: A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.
Genre: Animation, Drama, Family
Director(s): Gorô Miyazaki
Actors: Masami Nagasawa, Jun'ichi Okada, Keiko Takeshita, Yuriko Ishida
Production: Independent Pictures
  6 wins & 11 nominations.
 
IMDB:
7.5
Metacritic:
71
Rotten Tomatoes:
84%
  From Up on Poppy Hill Movie Quotes »
Collection  Edit  Watch  PDF  Buy   
PG
Year:
2011
91 min
$696,519
Website
1,937 Views

Dialogue:
0,0:45:30.33,0:45:32.79,poppy,,0000,0000,0000,,I'll be home by dinner.

Dialogue:
0,0:45:51.18,0:45:53.10,poppy,,0000,0000,0000,,Did something happen?

Dialogue:
0,0:45:55.23,0:45:56.69,poppy,,0000,0000,0000,,Not a thing.

Dialogue:
0,0:45:58.48,0:45:59.98,poppy,,0000,0000,0000,,See you tomorrow.

Dialogue:
0,0:46:55.33,0:46:57.79,poppy,,0000,0000,0000,,Dad, can I ask you something?

Dialogue:
0,0:46:59.42,0:47:01.71,poppy,,0000,0000,0000,,I'm working. Make it short.

Dialogue:
0,0:47:03.34,0:47:07.67,poppy,,0000,0000,0000,,Yuichiro Sawamura.\NHe's my real father, right?

Dialogue:
0,0:47:12.14,0:47:14.51,poppy,,0000,0000,0000,,We've been over that.

Dialogue:
0,0:47:17.60,0:47:18.89,poppy,,0000,0000,0000,,You're my son.

Dialogue:
0,0:47:58.43,0:48:01.81,poppy,,0000,0000,0000,,It was blowing hard\Nthe night Sawamura brought you.

Dialogue:
0,0:48:02.60,0:48:07.32,poppy,,0000,0000,0000,,He had his Family Register with him.

Dialogue:
0,0:48:19.79,0:48:22.62,poppy,,0000,0000,0000,,We'd just lost a child of our own.

Dialogue:
0,0:48:24.21,0:48:27.38,poppy,,0000,0000,0000,,Next thing I knew,\Nyour mother was nursing you.

Dialogue:
0,0:48:27.71,0:48:29.46,poppy,,0000,0000,0000,,She wouldn't let you go.

Dialogue:
0,0:48:34.68,0:48:37.01,poppy,,0000,0000,0000,,Sawamura was a good sailor.

Dialogue:
0,0:48:37.01,0:48:41.52,poppy,,0000,0000,0000,,His supply ship sank\Nduring a battle in the Korean War.

Dialogue:
0,0:48:42.23,0:48:44.69,poppy,,0000,0000,0000,,Until the end, he helped us out.

Dialogue:
0,0:48:46.94,0:48:49.94,poppy,,0000,0000,0000,,You remind me of him more every day.

Dialogue:
0,0:48:50.61,0:48:52.53,poppy,,0000,0000,0000,,But you're still our son.

Dialogue:
0,0:48:54.70,0:48:56.99,poppy,,0000,0000,0000,,Thanks, Dad.

Dialogue:
0,0:49:21.81,0:49:23.56,poppy,,0000,0000,0000,,Is it out there?

Dialogue:
0,0:49:23.56,0:49:24.85,poppy,,0000,0000,0000,,Not yet.

Dialogue:
0,0:49:36.24,0:49:38.41,poppy,,0000,0000,0000,,Guess it's not coming by today.

Dialogue:
0,0:50:29.50,0:50:30.13,poppy,,0000,0000,0000,,May I...?

Dialogue:
0,0:50:30.92,0:50:32.88,poppy,,0000,0000,0000,,Come in, Umi.

Dialogue:
0,0:50:38.34,0:50:40.14,poppy,,0000,0000,0000,,You're really leaving.

Dialogue:
0,0:50:40.14,0:50:41.68,poppy,,0000,0000,0000,,Thanks for all your help.

Dialogue:
0,0:50:42.14,0:50:43.47,poppy,,0000,0000,0000,,I wish I could see you off.

Dialogue:
0,0:50:43.81,0:50:46.35,poppy,,0000,0000,0000,,Go on, I'll be fine.

Dialogue:
0,0:50:47.48,0:50:48.52,poppy,,0000,0000,0000,,We'll miss you.

Dialogue:
0,0:50:49.69,0:50:53.32,poppy,,0000,0000,0000,,I'll drop by now and then.\NYou'd better get to school.

Dialogue:
0,0:50:57.78,0:50:59.61,poppy,,0000,0000,0000,,Good luck with Shun.

Dialogue:
0,0:51:05.54,0:51:06.66,poppy,,0000,0000,0000,,Take care.

Dialogue:
0,0:51:22.51,0:51:25.85,poppy,,0000,0000,0000,,Extra, extra!

Dialogue:
0,0:51:27.02,0:51:31.02,poppy,,0000,0000,0000,,Extra edition of\NThe Latin Quarter Weekly.

Dialogue:
0,0:51:31.02,0:51:32.77,poppy,,0000,0000,0000,,We'll need your help today.

Dialogue:
0,0:51:32.77,0:51:36.40,poppy,,0000,0000,0000,,Latin Quarter gets a facelift!\NExtra, extra!

Dialogue:
0,0:51:37.74,0:51:40.03,poppy,,0000,0000,0000,,I'll be there again today.

Dialogue:
0,0:51:40.03,0:51:42.49,poppy,,0000,0000,0000,,Hi. You're working hard.

Dialogue:
0,0:51:43.66,0:51:45.49,poppy,,0000,0000,0000,,Hey, see you there, okay?

Dialogue:
0,0:51:45.49,0:51:47.54,poppy,,0000,0000,0000,,Here, Matsuzaki.

Dialogue:
0,0:51:51.00,0:51:54.79,poppy,,0000,0000,0000,,Extra, extra!\NGet your Latin Quarter.

Dialogue:
0,0:51:55.50,0:51:57.84,poppy,,0000,0000,0000,,Extra!

Dialogue:
0,0:52:06.18,0:52:07.52,poppy,,0000,0000,0000,,Next label, please.

Dialogue:
0,0:52:14.52,0:52:16.19,poppy,,0000,0000,0000,,He's so brave.

Dialogue:
0,0:52:25.28,0:52:26.49,poppy,,0000,0000,0000,,This is great.

Dialogue:
0,0:52:26.49,0:52:27.37,poppy,,0000,0000,0000,,Let's go look.

Dialogue:
0,0:53:08.58,0:53:11.20,poppy,,0000,0000,0000,,If you don't like me, just say so.

Dialogue:
0,0:53:22.51,0:53:25.72,poppy,,0000,0000,0000,,Yuichiro Sawamura. He's my real father.

Dialogue:
0,0:53:27.72,0:53:29.85,poppy,,0000,0000,0000,,It's like some cheap melodrama.

Dialogue:
0,0:53:32.89,0:53:34.35,poppy,,0000,0000,0000,,I don't understand.

Dialogue:
0,0:53:34.81,0:53:38.65,poppy,,0000,0000,0000,,Dad told me years ago.\NI even checked at City Hall.

Dialogue:
0,0:53:38.65,0:53:39.86,poppy,,0000,0000,0000,,But then...

Dialogue:
0,0:53:41.15,0:53:43.32,poppy,,0000,0000,0000,,We're brother and sister.

Dialogue:
0,0:53:47.49,0:53:49.24,poppy,,0000,0000,0000,,What should we do?

Dialogue:
0,0:53:49.66,0:53:53.25,poppy,,0000,0000,0000,,We forget whatever it was\Nwe felt about each other.

Dialogue:
0,0:53:57.21,0:53:59.75,poppy,,0000,0000,0000,,We'll just be friends, like before.

Dialogue:
0,0:54:24.57,0:54:27.70,poppy,,0000,0000,0000,,Sora, did something happen\Nto Umi at school?

Dialogue:
0,0:54:28.49,0:54:31.70,poppy,,0000,0000,0000,,No, at least I don't think so.

Dialogue:
0,0:54:32.16,0:54:34.04,poppy,,0000,0000,0000,,Are you sure?

Dialogue:
0,0:54:34.04,0:54:37.00,poppy,,0000,0000,0000,,That dinner tonight was pretty strange.

Dialogue:
0,0:54:37.00,0:54:39.00,poppy,,0000,0000,0000,,And she was soaked.

Dialogue:
0,0:54:39.54,0:54:44.71,poppy,,0000,0000,0000,,Something must've happened.\NShe's never come home that late.

Dialogue:
0,0:54:53.10,0:54:55.14,poppy,,0000,0000,0000,,Umi, the bath's ready.

Dialogue:
0,0:54:56.39,0:54:57.77,poppy,,0000,0000,0000,,Not tonight.

Dialogue:
0,0:54:59.23,0:55:00.73,poppy,,0000,0000,0000,,Don't you feel well?

Dialogue:
0,0:55:47.61,0:55:49.49,poppy,,0000,0000,0000,,Umi...

Dialogue:
0,0:55:50.49,0:55:51.61,poppy,,0000,0000,0000,,Umi...

Dialogue:
0,0:55:53.45,0:55:54.41,poppy,,0000,0000,0000,,Umi...

Dialogue:
0,0:56:43.42,0:56:46.17,poppy,,0000,0000,0000,,Good morning, Umi.\NDid you sleep well?

Dialogue:
0,0:56:47.00,0:56:49.67,poppy,,0000,0000,0000,,Mom? When did you come back?

Dialogue:
0,0:56:50.55,0:56:53.93,poppy,,0000,0000,0000,,Don't be silly.\NI've been here all along.

Dialogue:
0,0:56:55.68,0:56:59.56,poppy,,0000,0000,0000,,Umi, I'm hoisting the flags.\NCome give me a hand.

Dialogue:
0,0:57:14.53,0:57:15.91,poppy,,0000,0000,0000,,Dad...?

Dialogue:
0,0:57:18.20,0:57:20.70,poppy,,0000,0000,0000,,I'll be home for a long time.

Dialogue:
0,0:57:33.55,0:57:36.05,poppy,,0000,0000,0000,,You're such a big girl now.

Dialogue:
0,0:59:11.77,0:59:14.69,poppy,,0000,0000,0000,,Need more supplies?\NJust ask this guy.

Dialogue:
0,0:59:14.69,0:59:16.28,poppy,,0000,0000,0000,,He's in construction.

Dialogue:
0,0:59:16.28,0:59:18.07,poppy,,0000,0000,0000,,Come on, no more freebies.

Dialogue:
0,0:59:18.07,0:59:20.53,poppy,,0000,0000,0000,,Why not? Business is good.

Dialogue:
0,0:59:20.95,0:59:22.66,poppy,,0000,0000,0000,,Hope you guys win.

Dialogue:
0,0:59:22.66,0:59:24.54,poppy,,0000,0000,0000,,Thank you.

Rate this script:3.8 / 4 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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