From Up on Poppy Hill Page #8

Synopsis: A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.
Genre: Animation, Drama, Family
Director(s): Gorô Miyazaki
Actors: Masami Nagasawa, Jun'ichi Okada, Keiko Takeshita, Yuriko Ishida
Production: Independent Pictures
  6 wins & 11 nominations.
 
IMDB:
7.5
Metacritic:
71
Rotten Tomatoes:
84%
  From Up on Poppy Hill Movie Quotes »
Collection  Edit  Watch  PDF  Buy   
PG
Year:
2011
91 min
$696,519
Website
1,938 Views

Dialogue:
0,0:59:25.16,0:59:26.20,poppy,,0000,0000,0000,,Unbelievable.

Dialogue:
0,0:59:26.20,0:59:29.54,poppy,,0000,0000,0000,,We owe this to Dr. Hokuto.\NNo, even more to Umi.

Dialogue:
0,0:59:30.46,0:59:32.92,poppy,,0000,0000,0000,,She's our goddess of good luck.

Dialogue:
0,0:59:32.92,0:59:34.46,poppy,,0000,0000,0000,,Hi guys.

Dialogue:
0,0:59:36.34,0:59:38.88,poppy,,0000,0000,0000,,This is practically a construction site.

Dialogue:
0,0:59:46.68,0:59:48.18,poppy,,0000,0000,0000,,What are you doing?

Dialogue:
0,0:59:49.48,0:59:51.77,poppy,,0000,0000,0000,,Give me that for a sec.

Dialogue:
0,0:59:52.15,0:59:55.65,poppy,,0000,0000,0000,,Let me show you how the pros do it.

Dialogue:
0,1:00:05.37,1:00:06.83,poppy,,0000,0000,0000,,Incredible!

Dialogue:
0,1:00:06.83,1:00:09.79,poppy,,0000,0000,0000,,My dad's a plasterer.

Dialogue:
0,1:00:09.79,1:00:11.42,poppy,,0000,0000,0000,,Beautiful...

Dialogue:
0,1:00:11.96,1:00:13.29,poppy,,0000,0000,0000,,What's that?

Dialogue:
0,1:00:13.29,1:00:14.84,poppy,,0000,0000,0000,,The wall, I mean.

Dialogue:
0,1:00:14.84,1:00:16.17,poppy,,0000,0000,0000,,WHAT?

Dialogue:
0,1:00:22.43,1:00:23.68,poppy,,0000,0000,0000,,Hey.

Dialogue:
0,1:00:24.01,1:00:25.89,poppy,,0000,0000,0000,,That's it for today.

Dialogue:
0,1:00:27.60,1:00:30.93,poppy,,0000,0000,0000,,Thanks for staying late.\NYou don't have to go back?

Dialogue:
0,1:00:31.44,1:00:35.44,poppy,,0000,0000,0000,,Sora's covering for me.\NCan I help out with anything?

Dialogue:
0,1:00:40.07,1:00:41.86,poppy,,0000,0000,0000,,Could you do this?

Dialogue:
0,1:00:46.41,1:00:48.04,poppy,,0000,0000,0000,,Can I have two days?

Dialogue:
0,1:00:48.41,1:00:51.33,poppy,,0000,0000,0000,,That'll really help, thanks.

Dialogue:
0,1:00:51.33,1:00:52.58,poppy,,0000,0000,0000,,See you.

Dialogue:
0,1:00:52.58,1:00:53.71,poppy,,0000,0000,0000,,So long.

Dialogue:
0,1:02:14.66,1:02:16.83,poppy,,0000,0000,0000,,Ready, everybody?

Dialogue:
0,1:02:44.53,1:02:46.36,poppy,,0000,0000,0000,,Umi, don't go.

Dialogue:
0,1:02:46.95,1:02:49.32,poppy,,0000,0000,0000,,Shun, it's bad news.

Dialogue:
0,1:02:49.32,1:02:52.20,poppy,,0000,0000,0000,,The board just voted to tear us down.

Dialogue:
0,1:02:55.70,1:02:58.17,poppy,,0000,0000,0000,,The principal won't listen to reason.

Dialogue:
0,1:02:58.17,1:03:00.04,poppy,,0000,0000,0000,,All our hard work!

Dialogue:
0,1:03:00.04,1:03:01.46,poppy,,0000,0000,0000,,They won't even come?

Dialogue:
0,1:03:02.17,1:03:04.38,poppy,,0000,0000,0000,,Then they'd have to back down.

Dialogue:
0,1:03:04.38,1:03:05.34,poppy,,0000,0000,0000,,Right!

Dialogue:
0,1:03:05.76,1:03:08.26,poppy,,0000,0000,0000,,Mob the principal's office!

Dialogue:
0,1:03:09.01,1:03:10.89,poppy,,0000,0000,0000,,Let's go straight to the chairman.

Dialogue:
0,1:03:11.72,1:03:15.81,poppy,,0000,0000,0000,,Of the Tokumaru Foundation?\NHe's pretty hard to see.

Dialogue:
0,1:03:15.81,1:03:19.44,poppy,,0000,0000,0000,,You guys go see him.\NTell him how it is.

Dialogue:
0,1:03:19.44,1:03:21.73,poppy,,0000,0000,0000,,Yes, please go.

Dialogue:
0,1:03:22.65,1:03:24.90,poppy,,0000,0000,0000,,Mizunuma, we've got to go to Tokyo.

Dialogue:
0,1:03:27.82,1:03:28.90,poppy,,0000,0000,0000,,Please!

Dialogue:
0,1:03:31.74,1:03:35.24,poppy,,0000,0000,0000,,It's worth a shot.\NUmi, we need you too.

Dialogue:
0,1:03:36.91,1:03:38.58,poppy,,0000,0000,0000,,Tell him, Umi!

Dialogue:
0,1:03:48.26,1:03:51.30,poppy,,0000,0000,0000,,Umi, good luck tomorrow.

Dialogue:
0,1:04:08.57,1:04:09.99,poppy,,0000,0000,0000,,Good morning.

Dialogue:
0,1:04:11.28,1:04:12.57,poppy,,0000,0000,0000,,Did you skip class?

Dialogue:
0,1:04:12.95,1:04:15.83,poppy,,0000,0000,0000,,No, I told them yesterday I'd be absent.

Dialogue:
0,1:04:16.45,1:04:19.58,poppy,,0000,0000,0000,,Then we'd better get going.

Dialogue:
0,1:05:05.00,1:05:06.88,poppy,,0000,0000,0000,,Let's give it our best shot.

Dialogue:
0,1:05:08.42,1:05:11.84,poppy,,0000,0000,0000,,Yes, that's what they say.

Dialogue:
0,1:05:12.84,1:05:14.34,poppy,,0000,0000,0000,,No appointment?

Dialogue:
0,1:05:14.34,1:05:16.85,poppy,,0000,0000,0000,,We're appealing directly to Mr. Tokumaru.

Dialogue:
0,1:05:17.39,1:05:20.06,poppy,,0000,0000,0000,,Something about a direct appeal.

Dialogue:
0,1:05:20.06,1:05:22.85,poppy,,0000,0000,0000,,Yes, students from Konan Academy.

Dialogue:
0,1:05:23.52,1:05:24.98,poppy,,0000,0000,0000,,Three of them.

Dialogue:
0,1:05:26.02,1:05:27.52,poppy,,0000,0000,0000,,All right.

Dialogue:
0,1:05:29.11,1:05:33.11,poppy,,0000,0000,0000,,Take the elevator\Nto the fourth floor and wait there.

Dialogue:
0,1:05:34.03,1:05:35.53,poppy,,0000,0000,0000,,Fourth floor.

Dialogue:
0,1:05:35.53,1:05:38.37,poppy,,0000,0000,0000,,Don't forget to sign in.\NOne name is fine.

Dialogue:
0,1:05:48.59,1:05:50.25,poppy,,0000,0000,0000,,Are you the Konan students?

Dialogue:
0,1:05:50.71,1:05:51.88,poppy,,0000,0000,0000,,Yes.

Dialogue:
0,1:05:53.05,1:05:55.26,poppy,,0000,0000,0000,,The president's very busy.

Dialogue:
0,1:05:55.26,1:05:58.68,poppy,,0000,0000,0000,,I can't guarantee\Nhe'll have time for you.

Dialogue:
0,1:05:59.14,1:06:00.64,poppy,,0000,0000,0000,,We're sorry to disturb him.

Dialogue:
0,1:06:00.64,1:06:04.68,poppy,,0000,0000,0000,,We didn't think he'd agree\Nto an appointment.

Dialogue:
0,1:06:06.27,1:06:10.36,poppy,,0000,0000,0000,,You may just be wasting your time...

Dialogue:
0,1:06:10.36,1:06:12.69,poppy,,0000,0000,0000,,but please wait here if you like.

Dialogue:
0,1:06:13.82,1:06:15.32,poppy,,0000,0000,0000,,We'll wait!

Dialogue:
0,1:06:16.24,1:06:19.16,poppy,,0000,0000,0000,,Oh come on,\NKimura has the best pastries.

Dialogue:
0,1:06:19.16,1:06:20.91,poppy,,0000,0000,0000,,Nakamura's hard to beat.

Dialogue:
0,1:06:20.91,1:06:24.79,poppy,,0000,0000,0000,,I can't believe you'd say that.\NYou don't know your pastries.

Dialogue:
0,1:06:30.25,1:06:31.42,poppy,,0000,0000,0000,,Thank you.

Dialogue:
0,1:06:59.36,1:07:02.49,poppy,,0000,0000,0000,,It's as plain as the nose on your face.

Dialogue:
0,1:07:14.63,1:07:17.34,poppy,,0000,0000,0000,,Come on in, kids.

Dialogue:
0,1:07:22.35,1:07:23.64,poppy,,0000,0000,0000,,Excuse us.

Dialogue:
0,1:07:29.23,1:07:30.98,poppy,,0000,0000,0000,,Have a seat.

Dialogue:
0,1:07:30.98,1:07:32.98,poppy,,0000,0000,0000,,Be with you in a minute.

Dialogue:
0,1:07:33.65,1:07:38.03,poppy,,0000,0000,0000,,So you see how it is.\NYes, give him my regards.

Dialogue:
0,1:07:45.83,1:07:47.66,poppy,,0000,0000,0000,,Sit.

Dialogue:
0,1:07:47.66,1:07:50.50,poppy,,0000,0000,0000,,Now, why aren't you kids in school?

Dialogue:
0,1:07:50.50,1:07:52.46,poppy,,0000,0000,0000,,We escaped.

Dialogue:
0,1:07:52.46,1:07:56.00,poppy,,0000,0000,0000,,Escaped?\NI did that a lot myself.

Dialogue:
0,1:07:56.84,1:07:59.63,poppy,,0000,0000,0000,,You're here about\Nyour clubhouse, I suppose.

Dialogue:
0,1:07:59.63,1:08:04.89,poppy,,0000,0000,0000,,Yes, we'd like to ask you\Nto come and inspect it yourself.

Rate this script:3.8 / 4 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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