Gran Torino Page #6
(CONTINUED)
31.
33 CONTINUED:
33SUE:
Because... because you saved Tao.
WALT:
No, I didn’t. All I did was get a
bunch of jabbering gooks off my
lawn.
SUE:
Well, you’re a hero to the
neighborhood.
WALT:
No, I’m not.
SUE:
Too bad, they think you are and
that’s why they’re bringing you
the gifts.
WALT:
Just take your plant and leave me
alone.
Walt turns and starts to walk away.
Tao’s mother speaks rapidly in Hmong to Sue. They look
at Tao and then to Walt.
SUE:
There’s another thing.
WALT:
What?
SUE:
This is my mother, Vu, I’m Sue and
this is my brother, Tao. We live
next door.
WALT:
So?
SUE:
Tao is here to apologize.
Sue shoots a hard look at Tao, who shifts uncomfortably.
TAO:
I’m sorry.
WALT:
For what?
(CONTINUED)
32.
33 CONTINUED:
(2) 33TAO:
Walt’s eyes go wide in recognition. He turns white with
rage.
WALT:
Get this straight, I see you on my
property again, you’re done.
Walt turns on his heels and storms into his house.
34 INT. WALT’S ENTRYWAY 34
The doorbell rings. Walt opens it to find Father
Janovich standing on his front step.
FATHER JANOVICH:
Good afternoon, Walt.
Walt’s eyes narrow.
FATHER JANOVICH:
I mean, Mr. Kowalski.
WALT:
I already told you I’m not going
to confession.
FATHER JANOVICH:
Why didn’t you just call the
police?
WALT:
Pardon?
FATHER JANOVICH:
I do work with some of the Hmong
gangs and I heard there was some
trouble in the neighborhood. Why
didn’t you call the police?
WALT:
Oh, I prayed for them to show up,
but guess what? No answer.
FATHER JANOVICH:
What were you thinking? Someone
could have been killed. We’re
talking life and death here.
(CONTINUED)
33.
34 CONTINUED:
34WALT:
Not that it’s any of your
goddamned business, but when
things happen quickly like that,
you have to react. In Korea, we
never ‘called the police’ when a
pouring into our lines. We
reacted.
FATHER JANOVICH:
We’re not in Korea, Mr. Kowalski.
Walt says nothing.
FATHER JANOVICH:
discussion on life and death.
About what you said. About how
things you were forced to do.
Horrible things that won’t leave
you. It seems that it would do
you good to unload some of that
burden. Things done during war
are terrible, being ordered to
kill, killing to save others,
killing to save yourself. You’re
right, those are things I don’t
know anything about. But I do
know about forgiveness. And I’ve
seen a lot of men who have
confessed their sins, admitted
their guilt and left their burdens
behind them. Stronger men than
you. Men at war who were ordered
to do appalling things and are now
at peace.
Walt nods. Father Janovich threw a bull’s-eye. Almost.
WALT:
I’m impressed. You came with your
guns loaded, for once.
FATHER JANOVICH:
Thank you.
WALT:
You have balls, Father. And what
you said, you’re right. I’m sure
stronger men than me have found
their salvation. Hallelujah. But
there’s one thing you’re way wrong
about.
(CONTINUED)
34.
34 CONTINUED:
(2) 34FATHER JANOVICH:
What’s that, Mr. Kowalski?
WALT:
The thing that haunts a guy is thestuff he wasn’t ordered to do.
35 INT. OLD SCHOOL BARBERSHOP 35
The old, balding BARBER finishes cutting Walt’s hair.
BARBER:
There, you look like a human beingagain. You shouldn’t wait so longbetween haircuts, you cheapbastard.
WALT:
I’m just amazed that you’re stillalive. I keep hoping you’ll dieand they’ll get someone good inhere, but you just hang in there,
you dumb, Italian-Wop-Dago, you.
BARBER:
That’ll be ten dollars, Walt.
WALT:
Ten dollars? Jesus Christ,
Martin, you keep raising theprice. You sure you’re not partJew?
Martin the Barber laughs at Walt.
BARBER:
It’s been ten bucks for the last
five years and you know it, youthick-skulled, old Pollack son of
a b*tch.
WALT:
Here’s ten, keep the change.
BARBER:
See you in three weeks, you prick.
WALT:
If you live that long, dipshit.
Walt and Martin shake hands and Walt walks out.
35.
36 EXT. BARBERSHOP -SAME TIME 36
Walt gets in his old Ford pickup and drives off. This is
a very bad, rundown neighborhood.
37 EXT. SIDEWALK -SAME TIME 37
Sue walks with her ridiculous Wigger (urban white kid)
boyfriend, TREY. Trey wears big baggy pants, a sports
jersey and an Oakland Raiders visor upside-down and
backwards.
They walk past three BLACK GUYS leaning against a
building. The TALL BLACK GUY spots Sue and smiles.
TALL BLACK GUY:
Hey, girl, you come over here and
talk to me. Come on, baby, don’t
be shy.
Trey and Sue move as far over on the sidewalk as they can
to avoid the black guys. They try to ignore them.
TALL BLACK GUY:
Come on, sweetie, don’t be like
that. You talk to me, don’t be
all stuck up and sh*t.
ACROSS THE STREET
Walt waits at a stoplight. He watches Sue and Trey and
the three black guys who block their path.
One black guy flips Trey’s VISOR onto the ground. The
Tall Guy makes “kissy faces” at Sue as he touches his
crotch.
Walt sits there for a second; he shouldn’t help, but Walt
solves every situation by being aggressive.
Walt drives off, then makes a U-turn.
The Tall Black Guy now focuses on Trey.
TALL BLACK GUY:
What are you ‘sposed to be?
Trey puts up his hand to “hi-five.” The Tall Black Guy
just looks at him.
TREY:
Yo, it’s cool, dog.
(CONTINUED)
36.
37 CONTINUED:
37TALL BLACK GUY:
What the f*** are you doing in my
neighborhood, boy?
TREY:
Nothing. We’re going to Red Roost
to get some CDs. That place is
trippin’, bro.
TALL BLACK GUY:
What you call me, you f***ing with
me, b*tch? You think you’re
funny?
TREY:
Nothing. No.
TALL BLACK GUY:
I’m warning you, boy. What you
all come up in here for? You here
to bring me this present?
TREY:
Huh?
TALL BLACK GUY:
This Oriental yummy for me? Don’t
worry, I’ll take good care of her.
SUE:
Great, another a**hole with a
fetish for Asian girls. God, it
gets so old.
TALL BLACK GUY:
What’s your name, girl?
SUE:
My name? It’s ‘take your crude,
overly obvious come-on to every
woman who walks past and cram it.’
That’s my name.
TALL BLACK GUY:
You should keep your b*tch on a
leash, put a choke chain on this
whore and yank.
SUE:
Oh, of course, right to the
stereotype thesaurus. Call me
‘whore’ and ‘b*tch’ in the same
sentence.
(CONTINUED)
37.
37 CONTINUED:
(2) 37The Tall Black Guy grabs Sue by the arm. Trey moves
slightly towards Sue and is pushed down into a pile of
garbage.
TALL BLACK GUY:
You think you’re pretty funny,
don’t you?
SUE:
What, are you gonna hit me now?
That’d pretty much complete the
picture.
The Tall Black Guy pushes Sue hard against the wall.
TALL BLACK GUY:
You don’t know when to quit.
The old, black pickup pulls up and stops next to them.
Sue, Trey and the black guys look over.
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"Gran Torino" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/gran_torino_78>.
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