Grandma Page #5

Synopsis: Grandma is a 2015 American comedy-drama film written, produced, and directed by Paul Weitz. The film premiered at the 2015 Sundance Film Festival on January 30, 2015 and served as the closing night film. The film is Lily Tomlin's first leading role in 27 years after co-starring with Bette Midler in 1988's comedy film Big Business. It is the second collaboration between Tomlin and Weitz, who previously directed her in his 2013 film Admission. The film was released on August 21, 2015, by Sony Pictures Classics.
Genre: Comedy, Drama
Production: Sony Pictures Classics
  Nominated for 1 Golden Globe. Another 5 wins & 11 nominations.
 
IMDB:
6.7
Metacritic:
77
Rotten Tomatoes:
92%
R
Year:
2015
79 min
Website
1,790 Views


A woman sitting at a table pipes up.

CUSTOMER:

Is that my quesadilla?

OLIVIA:

Yes. Sorry.

Olivia brings the customer her quesadilla.

Elle tries to compose herself.

ELLE:

Okay.

(to Carla)

Okay, you want to buy these orwhat? You said you wanted to buythem.

CARLA:

Well, I don’t know. I have to

think about it.

OLIVIA:

(to customer, distracted)

You want - you want hot sauce?

CUSTOMER:

You have Tabasco?

OLIVIA:

Tapatio. We have Tapatio.

Olivia is glancing over at Elle.

Sage is watching their interaction.

ELLE:

Come on, do you want them or not?

CARLA:

I’m thinking.

Olivia takes a deep breath and comes back over.

OLIVIA:

Hey.

ELLE:

Hey.

OLIVIA:

Are you going to introduce me toyour granddaughter?

ELLE:

Sure.

(turns)

Sage. Olivia.

SAGE:

Olivia. Hi.

OLIVIA:

I’ve seen pictures of you.

SAGE:

Oh. Cool.

OLIVIA:

Bit of a...surprise meeting you

like this.

SAGE:

Yeah...

OLIVIA:

Okay. Wow. Well. F***.

ELLE:

(to Carla)

Well?

CARLA:

Look, I’ll give you sixty dollarsfor them.

ELLE:

All of them?

OLIVIA:

So you need money? Because

ELLE:

I do not need money from you.

Thank you.

OLIVIA:

Okay. ‘Cause

ELLE:

Are you f***ing kidding me? Are

you kidding me Olivia?

Olivia turns to Carla.

OLIVIA:

(to Carla)

These books are worth more than

sixty dollars.

ELLE:

I can do my own haggling. Jesus,

stop being so nice.

OLIVIA:

Well stop being so mean! Stopbeing such a mean a**hole! How

about that?

ELLE:

Me? Mean? I’m not mean, I’m justnot a hypocrite!

OLIVIA:

So I’m a hypocrite now?!

ELLE:

(to Olivia)

Did you call me earlier? Did youcall me and hang up? Twice?

OLIVIA:

(pause)

...Yes.

ELLE:

Why?

OLIVIA:

I don’t know. I don’t know why.

ELLE:

You just want power. You want to

exert your dominance over me! You

want to be the Alpha Bonobo!

OLIVIA:

No!

CARLA:

Guys, take it outside.

Elle turns on Carla.

ELLE:

And you! How come you don’t pay adecent wage, you cheap a**hole!

CARLA:

What?

ELLE:

You heard me! You call yourself afeminist?! It should be illegal,

what you pay these kids!

OLIVIA:

I’m not a kid

ELLE:

It probably is illegal! You’re not

a Bonobo, Carla! You’re a gorilla!

You’re a Silverback male gorilla!

(MORE)

ELLE (CONT'D)

And she is right! These books are

worth way more than sixty dollars!

SAGE:

Grandma, let’s go!

ELLE:

DON’T call me f***ing GRANDMA!

SAGE:

(pause)

What should I call you?

ELLE:

(to Olivia)

GO BACK TO SCHOOL. Finish yourdoctorate. Get your head out ofyour ass! Stop working at thisdump!

CUSTOMER:

Could I get that hot sauce please?

OLIVIA:

What?

CUSTOMER:

Sorry - hot sauce?

OLIVIA:

Here. You want hot sauce? You

want hot sauce?!!

She grabs some Tapatio and DUMPS IT ALL OVER THE WOMAN’S

QUESADILLA.

OLIVIA (CONT’D)

HOT ENOUGH FOR YOU?

ELLE:

(laughs)

HAH! You’re really off the deepend!

CARLA:

That’s it!

(picks up books)

Take these. I don’t want them.

ELLE:

Great and take your sixty bucks andshove em up your ass.

Elle leaves.

SAGE:

I’ll carry them.

Olivia follows.

23 EXT. STREET BY CAFE - DAY 23

Olivia comes out after Elle and yells.

OLIVIA:

Why are you acting like these lastfour months didn’t mean anything?!

Why?!

ELLE:

Because they didn’t.

OLIVIA:

I HATE you!

ELLE:

Great!

OLIVIA:

I WISH I’D NEVER MET YOU!

ELLE:

You never did!

OLIVIA:

Right, cause you never showed methe real you, right?!

ELLE:

That’s exactly right.

OLIVIA:

WELL I’VE GOT NEWS FOR YOU, I SAW

THE REAL YOU, I SAW IT, YOU SELFISH

A**HOLE! AND I STILL STUCK AROUND!

ELLE:

Your medal’s in the mail.

OLIVIA:

I’m returning it!

ELLE:

You - you NEOPHYTE! You INGENUE!

OLIVIA:

SOLIPSIST! WRITER-IN-RESIDENCE!!!

Elle walks off.

SAGE:

Uh...nice to meet you...

Sage hurries to the car.

24 INT. CAR - DAY 24

They drive.

SAGE:

You okay to drive?

ELLE:

Fine.

(pause)

You can call me Grandma. That was

just

SAGE:

I know.

SAGE (CONT’D)

Why’d she call you “writer in

residence?”

ELLE:

...She’s calling me a sellout.

Cause that’s how I used to make

bread. You go someplace, a privatecollege, usually, cause they havethe money. You do some readings,

you teach some seminars, then youleave, cause you don’t have tenure.

SAGE:

How is that selling out?

ELLE:

Well. It’s not “suffering for yourart.” But I had a kid.

(pause)

I used to drag your mother alongwith me when she was little. Spenta lot of time in cars, your motherand me.

SAGE:

Well...I’m learning some new

insults. My friends pretty muchjust call each other “b*tch” or“ho.” “Slut.”

ELLE:

Well that’s ignorant bullshit.

SAGE:

(pause)

So do you think I’m one? A slut?

ELLE:

(looks at her)

No. And I don’t want to hear youuse that word again.

(pause)

You know in the 14th century,

Chaucer used the word “sluttish” to

refer to an untidy man

SAGE:

(pause)

What’s that noise?

There’s a noise from the car.

ELLE:

That’s the noise the car makes.

Let’s go buy a few dollars worth of

gas.

24A EXT. REAR OF GAS STATION - DAY 24A

Elle comes out from a gas station rest room.

SAGE:

She’s pretty. Olivia.

ELLE:

Yes, she’s pretty. That’s what itmeans, “Olivia.” It means “most

beautiful.” So what was she doingwith me? Right?

SAGE:

No.

ELLE:

That’s what you were thinking.

SAGE:

It wasn’t. It wasn’t actually.

ELLE:

She mailed me an essay she wroteabout my poetry. Asked if I’d have

coffee with her someday.

(MORE)

ELLE (CONT'D)

Because I’m so vain, I said okay.

We met for coffee...she was cute.

And smart. And she just kept after

me. I did more writing in the lastfour months than in the five yearbefore that.

(pause)

Anyway, that’s over.

SAGE:

(pause)

Grandma, you got any other ideas?

ELLE:

...I’m afraid I do.

25 EXT. HOUSE - DAY 25

Elle pulls up outside a house with an old motorcycle in frontof it. There’s a metal seesaw in the front lawn.

26 INT. CAR - DAY 26

Elle looks at the house.

SAGE:

What?

ELLE:

Nothing. Wait in the car

(pause)

On second thought, come with me.

The front door of the house opens. KARL steps onto theporch. He’s about 70, muscular, with a pigtail.

KARL:

Elle?

Elle gets out of the car.

ELLE:

Hi there. Hi Karl.

KARL:

What a surprise to get your call.

ELLE:

Well, it’s been too long.

KARL:

Thirty years, Elle. Been thirtyyears since we last saw each other.

ELLE:

God, we’re thirty years older.

KARL:

That’s how it works. It don’t gobackwards. Who’s the young lady?

ELLE:

This is my granddaughter. Sage.

KARL:

“Sage.” Nice name. Pungent.

SAGE:

Hi.

KARL:

You want some zucchini?

ELLE:

That’s alright.

(to Sage)

Do you?

SAGE:

No thank you.

KARL:

How about some corn. I just boiled

some corn. Come on.

He goes into the house. Elle and Sage follow him.

27 INT. KARL’S KITCHEN - DAY 27

Elle is eating some corn, looking at some framed photos on atable. Sage hangs back.

KARL:

(to Sage)

Sure you don’t want some corn?

SAGE:

No thanks. I have...a bit of an

upset stomach.

Rate this script:5.0 / 1 vote

Paul Weitz

Paul John Weitz (born November 19, 1965) is an American film producer, screenwriter, playwright, actor, and film director. He is the older brother of filmmaker Chris Weitz. He is best known for his work with his brother, Chris Weitz, on the comedy films American Pie and About a Boy, for which the brothers, who co-directed, were nominated for an Oscar. more…

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Submitted by aviv on November 13, 2016

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