Green Card Page #6

Synopsis: George Faure is a Frenchman who has been offered a job in the U.S. But in order to get the job he must obtain a work permit - green card, and the easiest way is to marry an American. Bronte Parrish is a New Yorker who is a keen horticulturist and just found the perfect flat with its own greenhouse. Unfortunately the flat is for married couples only. A marriage of convenience seems the ideal solution to both problems. To convince the immigration officers they are married for love, they must move in with each other. As the mismatched couple attempt to cope with life together, they start to fall in love.
Genre: Comedy, Drama, Romance
Director(s): Peter Weir
Production: Touchstone Pictures
  Nominated for 1 Oscar. Another 3 wins & 3 nominations.
 
IMDB:
6.2
Metacritic:
58
Rotten Tomatoes:
56%
PG-13
Year:
1990
103 min
569 Views


When are you coming, chrie?"

"Dear Georges...

"the apartment is looking beautiful.

"I only have to look

in the fish pond to think of you.

"Hurry home.

"You are never

far from my thoughts.

Much love, B."

- This is ridiculous!

- No, no, no. Look.

For the green card,

I do anything. Look.

Give me camera, huh?

- We need blue sky. Ah!

- Mm-hmm.

We are on honeymoon,

and we have to smile like oafs.

Okay, now, do it, yes.

- Do on the skis, okay?

- Okay, I'll do one. I-I'll do one.

Okay. On the slaloms, you know?

I'm very good on slalom.

Will you remember, hmm?

Oh.

- Okay. I need some blue sky.

- We're loadin'up our Woody

- With our boards inside

and headin'out singin'our song

- Okay.

- That's good.

- Come on, baby, wait and see

- Okay, that's it.

That-That-That's great!

- Yes, I'm gonna take you surfin' with me

- Come along, baby, surfin'safari

- Okay. That's good.

- Yeah, I'm gonna

take you surfin' with me

- Surfin'safari

- Let's go surfin'now

everybody's learnin' how

- Oh, lovely, lovely.

Come on and safari with me

- Okay.

- Come on. Political ballet.

- What?

- I make the oppressed.

You make the victory.

- Okay.

- Victory!

- Victory.

Yeah.

- Victory.

- Okay?

- Okay. One more.

- Oh!

Okay.

The green... Yes.

Put the plant behind you.

Uh, Faites attention.

- Put-Put-Put the green plant...

- Of course. The green plant...

There. That's-That's good. Okay.

- We feel the elephants?

- I feel them, but, oh,

maybe with the knife, like you could...

Yes. Ah, uh... Th... Uh, yes.

- This is so silly.

- No, no, no, no. That's all right.

- One more. Smile.

- Okay.

- Okay. One more.

- What now?

- Handyman.

- Handyman?

- Yes.

The good husband

always does handyman things.

- Oh! Okay, okay.

- Yes.

How 'bout these?

Oh, great. Great.

Oh.

Smile.

- Okay, do some handyman things.

- Yeah?

Stay here.

- Hello?

- Surprise! It's us, darling.

We're in your lobby.

Mother!

Why didn't you call?

- Can we come up?

- Of course! I... Look, um...

- You're sure it's all right?

- Of course. Come on up.

Georges!

Georges, it's my parents.

- This is the worst.

You've gotta go. They'll kill me.

- Okay. I'll change.

- No, no. There's no time.

- Okay. No time.

- Take, uh, the skis.

Put them back in the closet.

- The skis, yes. The skis.

Open... Open this, please. Fine.

Okay. Thank you.

- Open!

- Oh. I'm sorry. I'm sorry.

- It's okay.

- Come on.

Just go.

I'll make something up.

Could I have a chat with you

and your husband, Mrs Faur?

- He was just leaving, Mrs Bird.

- Yes.

- But I want to know

about these government people.

- And last night I heard drums,

jungle drums.

- No, no, no.

- No, no, no.

- Not now, Mrs Bird. Please.

- They keep asking all sorts of

questions about you and your husband.

He's not a spy

or something, is he?

Of course not, Mrs Bird.

Georges. Oh, Mom, Dad!

- What's going on?

- Hello, darling.

- Hi. I'll speak to you later, Mrs Bird.

- How about the drums?

- Later.

- What?

I'll talk to you later.

- If you'd have called,

I would have prepared something.

- I made you something.

Since you never come visit these days,

I guess it's up to us.

Oh, no, it's not that.

Your father had to see someone.

- Hokey sort of entrance.

- Oh, it's lovely.

- This is Georges.

- Hello.

Hi.

A handyman.

- Oh.

- Ah.

- If you could just

finish up the work, Georges.

- Yeah. Right. I just finish my work.

- Oh, darling, it's beautiful.

- I know now why you were so excited.

- It's awfully small.

Did they sign

the big contracts, Dad?

- No. We're not gonna talk about that.

- Ah, did they sign the contracts?

No! They backed out. Liars!

- They lied to me.

- Dear, don't upset yourself.

- One thing I can't stand is a liar.

- You read your paper, dear.

We're gonna look

at the greenhouse. He's upset.

- Oh, yes.

- Oh, it is too beautiful to imagine!

- Do you want a hand, there, Georges?

- Oh, no, thanks.

I'm just... just measuring.

Oh. Measuring.

- She's had the baby already. Premature.

- Oh? Premature? What'd they name her?

Tiffany. Now they have a Tiffany

and a Tarquin.

- Thank you.

- Pretentious.

- Dear!

- Well, he's a pretentious writer too.

- Ho-ho.

Well, he is.

Well, don't you think so?

- You are in a bad mood.

- I need a screw.

- Pardon?

- I really need a screw.

- I thought you were leaving.

- I just fixed the door, but I need a...

I heard what you said.

In the cupboard under the sink.

I'm gonna help Georges.

He seems a bit lost.

Oh, you have to taste this.

Never mind your principles.

Taste this.

Let's get those orchids, Mom.

I'm sure you want to be on your way.

Oh, no, dear.

We're not in a hurry, not at all.

You're not really a handyman,

are you Georges?

- No. I'm a composer.

- Oh.

I used to be a cleaner

when I first started writing.

Long, long time ago.

We'd just got married...

against the wishes

of my parents, I might add.

Didn't have a bean.

We fell in love right off.

Oh, it was difficult,

very difficult.

But, yeah,

when you're in love, you know.

- Shipboard romance is what it was.

- Excuse me.

- Oh, I'll get it.

- No. It's okay. It's okay. No.

Bront, come here a minute.

What is this?

Thank you.

It was right in the middle

of a lifeboat drill.

We suddenly found ourselves

in the same boat.

- Shouldn't you be going, Georges?

- Now, you go on outside

with your mother. Outside.

- But?

- Georges and I have everything

under control.

Go on. Out you go.

We've been talking about music

and love and skiing...

and all manner of things,

haven't we, Georges?

- Oh, yeah. Oh, yeah.

- Sit down.

Oh, I like your Georges, Bront.

- A charming man.

- He's not my Georges, Mother.

- He should have left by now.

- Well, he's keeping your father happy.

And you know how restless

he gets in the city.

So let's be grateful.

Height, five feet seven.

- Five eight.

- Five eight.

- Weight, 140 pounds.

- No!

- Huh?

- No, 125.

- Twenty-five?

- Yeah.

Eyes?

- Brown.

- Brown, yeah.

- Small scar on your ankle.

- How did you know?

I know. I saw it.

Birthday, 24th August, 1959.

Correct. Okay, my turn.

Uh, eyes, green.

- Height...

- Nose, big!

- Oh, no!

- Yes, sure it is.

- Height, five eleven.

- Yeah.

Um, weight?

Oof! Weight!

You worry too much about weight.

- Um, at 17, you met Helene.

- Yeah.

She was at the University of Paris.

- She taught you to read and write music.

- Mm-hmm.

- And you lived together

for seven years, until she died.

- S-Seven. Seven years, yeah.

And then you gave up your music

for many years, right?

Yes, but I don't write any music.

I just play piano,

always in the bars.

Yes!

- And Anton heard you

one night in Paris...

- Yeah.

And said that he would help you

start over in America.

Yes! And I wake up in America.

Beautiful country, land of opportunity.

Uh-huh, ha, ha, ha.

Okay, back to work.

Um, you live with two men.

First Peter, then Stephen.

Rate this script:0.0 / 0 votes

Peter Weir

Peter Lindsay Weir, AM ( WEER; born 21 August 1944) is an Australian film director. He was a leading figure in the Australian New Wave cinema movement (1970–1990), with films such as the mystery drama Picnic at Hanging Rock (1975), the supernatural thriller The Last Wave (1977) and the historical drama Gallipoli (1981). The climax of Weir's early career was the $6 million multi-national production The Year of Living Dangerously (1983). After the success of The Year of Living Dangerously, Weir directed a diverse group of American and international films covering most genres—many of them major box office hits—including Academy Award-nominated films such as the thriller Witness (1985), the drama Dead Poets Society (1989), the romantic comedy Green Card (1990), the social science fiction comedy-drama The Truman Show (1998) and the epic historical drama Master and Commander: The Far Side of the World (2003). For his work on these five films, Weir personally accrued six Academy Award nominations as either a director, writer or producer. Since 2003, Weir's productivity has sharply declined, having directed only one subsequent feature, the critically successful but financial flop The Way Back (2010). more…

All Peter Weir scripts | Peter Weir Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Green Card" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/green_card_9316>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Green Card

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriter wrote "The Big Lebowski"?
    A Joel and Ethan Coen
    B David Lynch
    C Paul Thomas Anderson
    D Quentin Tarantino