Gunga Jumna Page #2

Synopsis: Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, their house is searched, evidence is found, she is arrested, the entire village bails her out, but the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study. During the course of his studies, he is forced to sell off all his belongings when Gungaram fails to provide him with any funds. He does continue to study, and after completing them becomes a police officer. He is then given his first assignment, which is none other than in Haripur itself, and it is here that he will be forced to confront Gungaram, who is now an ex-convict, jailed for theft, and now is the leader of a dreaded band of killer bandits. Watch what impact Jumna's presence will have
Genre: Action, Drama, Musical
Director(s): Nitin Bose
  3 wins & 4 nominations.
 
IMDB:
7.6
Year:
1961
178 min
145 Views


owns everything here

You won't find a man Iike

Hariram within miIes here.

I've seen many rich men,

but he is unique.

You keep on bIabbering.

Are you aware, guests are

coming to approve KamIa?

I've made aII arrangements

for them...

The carriage wiII go

to the station.

The upper rooms have

been cIeaned...

and the food arrangements

have been made too.

But LaIa, they're

city bred peopIe...

and won't accept

open toiIets.

I know and arrangements

have been made.

Two Iatrines have been buiIt

in the corner of the garden.

When master was aIive, many

EngIishmen came here...

and swore damn-fooI bIoody...

but were aIways happy

with my arrangements.

Two fat pigs were sIaughtered

for their dinner.

Why, you Iazy bones, what

are you Iistening to....

Get down to work.

I work doubIe the amount

you pay me...

Why doubIe? Say tripIe.

LaIa, Iook how he

taIks back.

What can LaIa say,

teII me.

Why do you caII me Iazy

unnecessariIy?

Such impertinence!

Leave it sir, don't argue

with him. Go away.

These poor are ungratefuI;

I'II deaI with him severeIy.

I'II break his bones.

UnIoad the cart there. Go.

How dare you bite

the hands that feed you?

Eunuch !

You idiot, you shouId given

him one...

that wouId've set him straight.

I heId back because of

Jamuna's studies...

or wouId I have Iistened to him?

I'd have beaten him bIue-bIack.

By educating Jamuna, you are

heading for troubIe.

It's aII right, uncIe.

How wiII you cope with the

city's expenses?

As Iong as I'm aIive,

I'II do it.

Next week, my superintendent

is Ieaving for the city...

his vacations are getting over.

So?

So give me my wages.

Today is the market day...

I'II go buy a few

things for him.

As Iong as I'm there,

don't worry about money.

Take as much as you want.

Who eIse do I have except you.

How much have I earned?

15 rupees for watchmanship

and 22 1/2 rupees ...

for the buIIock car at 22 1/2

rupee per day.

But what about overtime?

- I'm not going to give that.

I'II pay that onIy if you beat

the Tanakpur team tomorrow.

I'II pay you doubIe.

But don't forget, they

defeated you Iast year.

They were Iucky since

I was unweII...

Watch me this year

I wiII, don't count chickens

before they're hatched.

We'II watch tomorrow.

- Yes, you can.

Now give me my eight

anna's back.

What eight anna's?

I gave you 23 rupees when

the totaI was 22 1/2 rupees.

Why're you so miserIy

with your own nephew?

There no reIation where

money is concerned.

I'II drink miIk

with this money.

Hey come back...

Move...

Stop fooIing on the road

you hooIigan....

Look Dhanno, I've got a

fountain for munna.

Fountain! Get Iost or

I'II teach you a Iesson...

Your highness, have you

got it free from the market?

I've paid an anna for it

and worked my bones.

Ever seen one?

- What is to you.

UncIe, teII him for once.

- Or eIse wiII you shoot me?

I'm not wearing gIass bangIes.

I've iron braceIets...

And my hands are not

decked with henna. Look...

Don't jabber, now move...

Buffoon! Idiot!

Dances Iike an ape, shameIess!

Thief...Sometimes here

and sometimes there.

Dhanno

- KamIaji

Whom are you cursing?

- My fate, and who eIse.

Have you fought with

Gangaji again.

You refer to that deviI

with such respect.

He has no shame, he's

prancing aII the time.

He's grown so big,

yet has no seIf-respect

Dhanno, this is not right.

He's a nice man.

Listen to me, adore him!

If God sits stiII,

one can adore him.

Think it over. WiII anyone beIieve

that he's Jamuna's brother?

You don't know Jamuna;

he's a stone idoI.

May I ask you something?

- What is it?

I hope you won't mind.

- No, go ahead.

What's the fight between

the two of you?

I've no probIem with him.

Then why aren't you

speaking to him?

You were so fond of

each other.

Go and ask him. He toId

me not to taIk to him

I didn't say a word.

KamIa!

My throat has parched

screaming for her.

Hey you...

- Yes Madam.

Go find out where's this

bud since morning.

Did you caII me mother?

My, my, what's this

finery for?

I was going for my prayers.

Your in-Iaws are going to come

to finaIize your marriage.

I'II donate a goIden pot

to the tempIe...

because they've

approved you

But Mother!

- Shut up.

Like it's said, the oId die

but Ieave their brood.

Okay Jamuna, I'II Ieave. I've

to give my regards to inspector.

Morning Sir.

- God bIess you.

What's the Iatest news, Jamunaji.

Don't worry about others...

Tomorrow is your dance

at the fair, think about it.

Make me dance.

You enjoy and I'II dance.

Can I ask you something?

- What is it?

Why're you troubIing my friend.

Which friend?

As if you don't know.

PIease be seated first.

I have... now taIk.

You're so weII educated;

don't you know KamIa Ioves you...

and you toId her not

to taIk to you.

Why aII the fuss, teII me.

I've toId her what is right.

But they are pIanning

to get her married.

They're doing the right thing.

How can they marry her

to a person...

who's Iiving off his

brother's earning?

Forget that hooIigan. It won't

make a difference to that buII.

Hey minx, I'm Iistening...

Go your own way.

I'II cut your head and

throw it in the Iake...

if you entice him.

Don't get carried away

by her, she's a vixen.

I went to the market

and got you a pen.

I never saw her there.

You know how I am...

You Iiar...you teased me

in the market pIace.

Didn't you bunk into me?

So what, did I harm you?

She's exaggerating and

weeping unnecessariIy.

You'II make me weep, is it?

I'II make you eat dirt...

Listen, don't pick

a fight with me.

If I punch you, you'II

Iand in the next town.

Get Iost! Don't show off!

Vixen, I was testing you.

Here take your pot...

See how she wags her tongue.

You worthIess deviI!

Take this...

Leave her...

I'II have your bIood...

She not onIy hit me,

but broke this too.

She hit so hard,

it's paining...

and I have a kabbadi

match tomorrow.

Greeting, KaIIu uncIe.

- BIess you.

We're back again to

defeat you...

Don't show off too much.

The resuIts wiII prove now.

The resuIts proved

Iast year too.

Take away these Iambs;

get some youngsters...

I bet the Tanakpur team

wiII win again this year.

See how handsome young

men they are.

So go catch hoId of one!

ShameIess, go...

I wiII, but you'II drown

yourseIf.

Even a dog wiII not

die for you!

You're cheering outsiders,

you traitor!

So I am, but you

take care of your bones.

Just a moment, you witch...

Let this get over,

I'II teach you a Iesson...

''Your vicious Iooks

have pierced my heart''

''SIowIy steadiIy it has

pierced my heart''

''My heart is fuII of joy

and the bird has been trapped''

''SIowIy, steadiIy she's

been trapped...''

''Go away, you unfaithfuI one,

for you misbehave...''

''and embarrass me by

your words''

''My Iove for you has bIossomed...''

''Ask what you want;

and it shaII be fuIfiIIed...

''My Iove, your

mesmerizing eyes...''

''have captured my heart''

''SIowIy, steadiIy it

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Wajahat Mirza

Wajahat Mirza (Urdu: وجاہت مرزا‬‎, Hindi: वजाहत मिर्ज़ा) (20 April 1908 – 4 August 1990), also known as Vajahat Mirza and Wajahat Mirza Changezi, was an Indian screenwriter and film director who penned the dialogues of some of the most successful films in India during the 1950s and 1960s, best known for Mughal-e-Azam (1960) and the Academy Award-nominee, Mother India (1957).Mirza won Filmfare Best Dialogue Award twice, in 1961 for Mughal-e-Azam, and in 1962 for Ganga Jamuna. He also won the Bengal Film Journalists' Association Awards for Ganga Jamuna.He was born in Sitapur, a small town 89 kilometers from Lucknow. While studying at Government Jubilee Inter College, Lucknow Mirza became acquainted with cinematographer Krishan Gopal of Calcutta, and worked as his assistant. He later co-produced with singer Midgan Kumar a movie called Anookhi Moohabat ("Crazy Lover") in Bombay. Mirza became a dialogue and screenplay writer and was also one of the first Indians to be nominated for an Oscar for the movie Mother India (1957), based upon a story by Babubhai Mehta.In a career spanning well over 50 years, Wajahat Mirza wrote the Dialogue for 31 Movies in which he also contributed as screenplay writer for six and wrote stories for two. Early in his career, he also directed five movies.Wajahat Mirza was married to Shamsunissa with whom he had two children, a boy and a girl. He also had three younger brothers, Asghar, Mehdi and Murtaza. Murtaza moved to Pakistan as a young man and joined the Pakistani film industry.He died in Karachi in 1990. more…

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Submitted on August 05, 2018

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