Husbands Page #6

Synopsis: A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be short-lived.
Genre: Comedy, Drama
Director(s): John Cassavetes
Production: Columbia Pictures
 
IMDB:
7.5
Rotten Tomatoes:
71%
PG-13
Year:
1970
131 min
1,673 Views


- Rolling numbers here.

- Go get them, Gus.

- Right back, that's the 10, honey.

Let's not waste time.

Win at 10. Point 10, 64, pay line.

Here we go. Here we go.

That's right. Now, we've doubled

their money, you see that?

Take it first bet back.

- ?10.

- Harry. Leave your first bet...

- I know what I'm doing, Gus.

- Take some off,

you need some to put

on the back of the line.

- Hold it.

- Discuss it with him, come on.

- Your roll now coming out.

- Now, he gets?4 for that.

- Can you take off your coat here?

- Yes, sir. It's off on the come-out roll.

- What?

- Off on the come-out roll.

Off on the come-out.

Yes, yes, any joint will tell you that.

- It's automatically off on the come-out roll.

- Here we go there!

Five hits, five pay line.

Shake five, shooter.

Go get them, Gus. Come on.

All right, Gus. All right.

That's right, yeah.

- Throw.

- You almost gave me a heart attack.

Throw!

- Five right back. Look at this!

- Five a winner.

Five a winner. Five a winner.

- Fairy Harry!

- We're off! Fairy Harry anything!

- Five.

- Crap. Press it. That's the number.

Fairy Harry, where are you?

- All right.

- Let's not lose our composure.

You won't get angry with me

if we walk away with your club?

- What's the name of this club?

- Sportsmen's.

Sportsmen's! Sportsmen's! Go, Gussie!

If we're making too much noise for you,

just let us know.

That's all right, sir. We roll.

I don't think they know we're American.

- Here we go.

- You have no courage.

- You have no courage.

- You don't need courage with Gus.

You don't need courage with Gus,

you need money.

Nine.

- Press the nine.

- Better.

The point is nine. The point is nine.

Back up the bet with the nine.

Put it on the six. Here.

And the four, and the five,

and the eight, and the ten.

- Give me the ten, the nine.

- Don't get excited!

Attaboy, Archie.

They never saw so much money

in their lives.

- Live dangerously.

- Here we go. The rich Americans strike back.

Nine a winner.

- Nine is the winner.

- Yes, sir! Yes, sir, yes, sir!

- What a country! It's a great country!

- Told you!

Eight. Press the eight.

- We roll nothing but numbers.

- Hold the dice, Gus.

You remember Paris, do you, sweetheart?

- Nine. A field nine.

- Press the nine.

Press the nine.

The whole art to this game is the numbers!

- You're right, I'm with you.

- Not this.

- Come on, baby! Ten.

- Press the ten.

- Press the ten.

- Look at this man roll numbers! Numbers!

Go!

Go. Let him roll. Quiet.

May we have quiet, please?

Wait a minute, what's the number?

It's all ours. It's all ours. Send them out!

Let him place...

- Here we go. Eight again.

- Ten, one time.

Seven out, lose seven. We're on our way.

Take your nut. The last time was a winner.

All right, that's it.

Come on, we'll get a drink.

Thank you very much. Let's go.

That's for you. That's for you.

That is for you, sir.

And that is for you, sir.

- Thank you.

- You're welcome.

We're lovers. We don't need money.

Harry. Harry.

- Come on, we're all together. Wait for Gus.

- Come on, let's go.

- Gus, come on. Come on. Get your chips.

- Come on.

Let's go.

- Pardon me.

- Gus.

- Nineteen, thirteen.

- Card.

- Fifteen.

- Card.

- Hello.

- Good evening.

- What's your limit?

- ?100, sir.

- Fifteen.

- Card.

- ?100.

- Twenty-one, seventeen.

- A marker, please.

- ?10 marker?

Yeah.

- Sixteen.

- Hello.

- Nineteen, thirteen.

- Card.

Nineteen.

You know, the English... People tell you

the English are cold and reserved.

I really like them.

I mean, they're warm. They're giving.

They give.

At least, I hope they give.

Know what I mean?

- Here.

- Too late, sir.

- Fourteen.

- Card.

Well, you keep them here then,

and if you win, I win.

I'd rather you played for me anyway.

That's why I don't have any

of those masculine pretensions, you know,

that the man has to run things.

I don't believe that's necessarily true.

If a woman has a brain,

give her the opportunity to use it,

along with other parts.

- Fourteen.

- Card.

Right?

- You think I'm charming?

- Your bet again.

Say,

you're not going to believe this.

I'm looking for a woman.

What do you think? What do you say?

Well, I don't know anything about that.

Because I'm going to tell you the reason.

There are these two guys.

There's two guys,

and they want me to do this thing, and...

- Go away.

- You mean it now, don't you?

- I certainly did mean it. Yes.

- Or we'll call the manager.

Here's the thing that I'm going to tell you.

I'm going to tell you a...

I'm going to tell you something.

I'm going to tell you something now.

I...

Excuse me, ma'am, don't leave.

Don't leave.

Listen to me.

Here's the thing. I'm looking for...

I'm looking for a girl.

- Do you know any?

- Well, yes, but not the sort...

- Come on, lad.

- Why are you telling us all this?

Because I don't know

anybody else in London.

That's a joke. It's a joke!

I don't think it's very funny.

I'm sorry, but we are waiting for somebody.

- Right, right.

- Lf you don't mind.

- Thank you.

- Right.

Awful. Right? Awful!

- Yes.

- Just awful!

He's mad.

Why don't you sit down?

I'll buy you a drink.

What do you drink? That's terrific.

- What do you drink?

- I'll have a whiskey, please.

You'll have a whiskey. Is that like Scotch?

- Yes, same thing.

- Two Scotch.

I could drink you under the table.

- Bet you couldn't.

- Yeah, I can drink you

right under the table.

I bet you couldn't.

Thank you.

- How did you know I was a Leo?

- How did I know you were a Leo?

There were certain indications.

I looked into your eyes,

I saw it right away. Leo.

You must be a...

You must be a Sagittarian.

Aren't you?

Give me a cigarette there, please.

That's the most amazing thing

I've ever heard.

- But you're very short.

- I'm a Sagittarian, and I'm short.

- Short Sagittarian.

- You have such observation powers,

I can't believe it,

but I have a lot of charm, don't I?

Thing is I'm quite tall.

Yes, I believe that,

but you're also very intelligent

and you're...

You have a biting tongue.

And you're... You... You...

I don't know what you do. Let's see.

You're a...

Gosh, I don't know anything about you.

You're a...

You're a...

Just give me an hour, and I'll think of it.

You're...

Do you like art, theater, music,

language, religion, politics?

- No, I don't like politics.

- What languages do you speak?

- None.

- None?

- English, I'm afraid.

- Do you understand French?

- No.

- I'm going to give you a little bit of French.

Sounds awful. What is it?

It was so dirty, I can't tell you.

You like Italian?

You're making it up. It's not real.

It's not real?

It's not real to you, but it's real to me.

Now watch, can you understand this better?

I love you.

Or can you understand this better?

It doesn't matter

if I repeat it again and again.

You like...

What else do you like?

What are

the Romance languages that interest you?

- What, the sound of them, you mean?

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John Cassavetes

John Nicholas Cassavetes (; December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative. His income from acting made it possible for him to direct his own films independently.Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers. more…

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Submitted on August 05, 2018

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    "Husbands" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/husbands_10411>.

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