I Call First Page #4

Synopsis: Bobby (Anthony Cillo) is a typical young man on the streets of Denver, Colorado. Even as an adult, he stays close to home with a core group of friends with whom he drinks and hangs around. He gets involved with a local girl (Hannah Richter) he met on the RTD Light Rail, and decides he wants to get married and settle down. As they get deeper into their relationship, he declines her offer to have sex because he thinks she is a virgin and he wants to wait. One day, the girl tells him that she was once raped by a former boyfriend. This crushes Bobby. He rejects her and attempts to return to his old life of immaturity with his friends. However, after a particularly wild party with friends, he realizes he still loves her and returns to her apartment one early morning. He awkwardly tells her that he forgives her and says that he will "marry her anyway." Upon hearing this, the girl tells him marriage would never work if her past weighs on him so much. Bobby becomes enraged, but quickly recants
 
IMDB:
8.0
Year:
2015
70 min
45 Views


l don't understand.

l gotta leave the city.

l gotta come up here.

l gotta spend the weekend in a bar

with a bunch of hillbillies.

All right, that's one thing.

You know, l ought to have

my head examined.

This is the whole way l spend the day.

What are you doing

with a holy candle on the table?

-l just thought it would be nice.

-You don't do that with a holy candle.

Put it back.

Yeah, okay.

-What am l gonna do with you?

-l just thought it would be nice.

Do you have any more coffee?

Enjoy the country?

lt was all right.

l heard you climbed a mountain.

Yeah, l climbed a mountain.

lt was great on the top. . .

. . .but, boy, on the way up

it was murder.

J.R.?

What?

l think l'm gonna have

to tell you something.

All right, what?

Look, l want only for us

to be as happy as we can.

And l don't want anything

to come between us.

ls anything wrong?

l do love you,

and l want this to last.

Well, what is it?

-Another guy?

-No.

Nothing like that.

Well, all right, then what?

Anyway, when. . . .

Well. . .

. . .a few years ago,

l was going with a boy.

He was nice.

He always acted like a gentleman.

Well, we used to go for drives.

And the last time we went,

he seemed different, nervous.

ln fact, he hardly talked.

There was a long road. . .

...and he pulled up into a clearing.

I didn 't think much of it.

We had never really necked...

. . .so l figured he was gonna try.

The radio was loud.

l remember that about the radio.

l felt dirty. l felt l wasn't

as good as anyone else.

l felt ashamed.

l couldn't even talk. l didn't talk.

l love you.

And l don't wanna lose you.

With you it'll be the first time.

l can't. . . .

l can't understand.

l mean, if anyone else

hears a story like that. . .

. . .well, how could they believe it?

But. . .

. . .you're not anyone else.

That's right.

l'm not anyone else.

How could l believe you?

Well, how could l believe you?

How can l believe that story?

lt just doesn't make any sense.

How do l know you didn't go

through the same story with him?

Well, look. . . .

Look at me.

You go out with a guy

and don't even know what he's like?

You let him take you out on some

goddamn road and you don't mind it.

lt just. . . . lt doesn't. . . .

lt just doesn't seem real, does it?

lt just doesn't make any sense.

-lt's true.

-What's true?

You let him take you out on a goddamn

road and you don't even mind it?

-Three scotch and water.

-Three scotch and water?

-Johnnie Walker.

-Red.

One for me, one for it. . .

-. . .one for that.

-l'm who?

You're ''that. ''

-lt's a pleasure.

-lt's a pleasure. . . .

lt's a pleasure. . . .

What's a pleasure?

lt's a pleasure. . . .

-What's going on in there?

-What's with that guy?

This is the party he promised us?

Listening to a bunch of engaged couples?

l'm gonna talk to him.

-What's wrong?

-What are we supposed to do all night?

-What's wrong now?

-Sit here and talk all night?

-This is the party you promised us?

-Where are the broads, huh?

-They'll be coming.

-Get them and get rid of these people.

-These are great guys.

-Get rid of them.

We'll worry about that later.

Go down and get the girls.

-You want me to go now?

-Yeah.

-But don't blame me for what happens.

-Don't worry about what happens.

-Just don't blame me, all right?

-Don't worry about blame.

We gotta hope

Gaga comes back.

Yeah, he better come back.

l'll drag him back.

Excuse me, Charlie. The phone's

over there. You can 't miss it.

How many times do I have to tell you?

-Didn 't you say I could be a guest?

-I didn 't tell you to be a pig.

Well, if you invite me,

you gotta invite my pigpen.

All right. All right.

Hey, Gaga.

-Hey, yeah!

-Come on in. Don't be shy.

-l'm Joey.

-This is Susan.

-And this is her girlfriend. . . .

-Rosie.

-Rosie, this is Joey.

-Hello.

This is J.R. over here.

The idiot with the glasses, that's lggy.

That's Hal over here.

There's Terrence over here.

This is Robby.

-This is Susie, and this is. . . .

-Rosie.

-Rosie.

-You want us to get rid of your coats?

Let us take your coats.

Why don't you get some drinks

for the girls?

Could l. . .?

Could l have a scotch and ginger ale?

Scotch and ginger ale.

All right. Rosie?

-Scotch and ginger ale.

-Make that two, Gaga.

-Right.

-Make that two, Gaga.

-Where you from?

-The Bronx.

The Bronx?

What are you doing up there?

We live there.

Listen, hey, are you guys ltalian,

or what?

-Yeah, we're ltalian. Why?

-Yeah?

What are you thinking about?

What are you thinking about?

lt's a little turtle. Come on.

-Come on, sit down.

-No. No.

Where are you going?

Come on. lt was only a joke.

-Hey, no more. No more.

-What's the matter?

l don't like things that crawl.

She's a nice girl. Sit down.

-Can l have some ginger ale?

-l can't stand things that crawl.

-l don't think we have any.

-You have--?

-Do you have any plain Coke?

-No.

-Are you sure you're ltalian?

-No. l'm Jewish.

-Say something ltalian.

-Yeah, go ahead. Say something.

Hey, l got one. l got one.

Beautiful. Oh, man. Now we're ltalian.

Good evening, Mr. Rhadini.

Nice of you to invite me.

I'm glad to have you.

Make yourself at home.

Thank you. I'll do my best.

Say, Bessie, you know everybody.

Who 's that fellow over there?

Thank you.

He's a new one to me.

He looks interesting.

-You do not know own guest?

-I never laid eyes on him before.

Mr. Chan, you're wanted

on the telephone.

-I'll show you the way, Charlie.

-Excuse, please.

Hurry back, Mr. Chan.

I want all the news about Honolulu.

You worry about that husband....

Boy, this picture's so bad. . .

. . .that only l could watch

a thing like this, you know?

-This is terrible.

-What's he doing? Digging for gold?

Who knows? Who knows?

Look, let's figure out who's gonna

go in there next.

What are we going to do?

Who's gonna go next?

-First.

-What do you mean, ''first''?

-l called first.

-What do you want me to do?

-Call second.

-First. l like first better.

-l called first. l'm next.

-We got to figure out a way.

-Wait. No, l called first.

-You want to choose?

l want to watch the picture.

Leave me alone.

-Anybody could call first.

-l called first.

-Do you want to choose?

-l want to.

What about you?

Come on. Choose. Come on.

-l ain't choosing, l called first.

-You can't. You call first.

-First.

-Yeah, see, he called it.

You wanna call first?

Everybody's first.

-We're choosing.

-l ain't choosing.

-What? What?

-We'll choose who goes in there.

-What? That's not good enough?

-Get up.

-Come on, get up!

-You gotta get up.

l always lose these damn chooses.

l know l'll lose.

-l want to watch the picture.

-We'll choose.

1 , 2, 3, shoot.

Hey, Bobby's the lucky man.

You'll be next. You'll be next.

1 , 2, 3, shoot!

-Hey, baby.

-l didn't get it, either. What do you want?

-Come on, it's two more times.

-1 , 2, 3, shoot!

-You'll get this one.

-Last one, okay?

Shoot!

Hey, sweetheart.

Quite the good movie here.

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