I Could Never Be Your Woman Page #9

Synopsis: Rosie (40), a divorced mother, produces the has-been TV comedy You Go Girl. Her boss no longer allows the show to tackle any vaguely controversial subjects, so it seems doomed. Then she meets at an audition Adam Perl (29), an attractive, spontaneously funny, single actor. She successfully casts him, which revives the show's ratings. She also dates him, but her pathological insecurity, focused on their age difference, compromises the relationship. That culminates when she suspects him of infidelity with the show's star, and the studio gives those two their own sitcom.
Genre: Comedy, Drama, Romance
Director(s): Amy Heckerling
Production: Freestyle Releasing/Bauer Martinez Enter
 
IMDB:
6.0
Rotten Tomatoes:
64%
PG-13
Year:
2007
97 min
249 Views


I liked your song.

You did?

Uh huh.

I liked when you said

you're an alcoholic.

Do you like video games?

Sure.

Do you ever play apes escape?

No but, maybe you could teach me.

Oh my God!

Look at her.

Nothing that could ever happen to me,

comes close to how happy I am to

see her kiss Dylan and get applause.

Hello?

Who do you think set it up this way?

So your body rots.

And your shows are stale.

Look who you're making room for.

Well, when you put it like that...

This is good.

Now you can settle down

and act your age.

What's that supposed to mean?

Easy listening, and orthopedic shoes?

That sounds about right.

Yeah.

Nope, I don't want to do that.

I want to stay passionate.

I want to scream at rock concerts,

and get angry at the news.

And I want to wear miniskirts.

You're going to look ridiculous.

Yeah.

Well, enough people are ridiculous,

it starts to look normal.

Rate this script:0.0 / 0 votes

Amy Heckerling

Amy Heckerling (born May 7, 1954) is an American film director. An alumna of both New York University and the American Film Institute, she directed the commercially successful films Fast Times at Ridgemont High, National Lampoon's European Vacation, Look Who's Talking, and Clueless. Heckerling is a recipient of AFI's Franklin J. Schaffner Alumni Medal celebrating her creative talents and artistic achievements. more…

All Amy Heckerling scripts | Amy Heckerling Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "I Could Never Be Your Woman" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/i_could_never_be_your_woman_10472>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    I Could Never Be Your Woman

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "blocking" in screenwriting?
    A The planning of actors' movements on stage or set
    B The construction of sets
    C The end of a scene
    D The prevention of story progress