In Bruges Page #2
I'm f***ing telling you, Harry.
(DOOR LOCK TURNING)
Would you turn
the f***ing light off!
Sorry, Ken.
Keep the f***ing noise down!
Someone's in a mood.
(SOFTLY) You'll never guess what.
Will you shut your f***ing mouth,
please, and go to sleep?
Oh, sorry.
Except I've gotta take me
contact lenses out.
Altogether,
I had
five pints of beer
and six bottles.
No. Six pints of beer
and seven bottles.
And you know what?
I'm not even pissed!
You'll never guess what, Ken.
- Ken, you'll never guess what.
- What?
Got a date for tomorrow night.
I'm very happy for you.
With a girl.
Can you turn
the light off, please?
Only been in Bruges one day, got a date
with a girl in the film business,
the Belgian film business.
They're doing a film about a midget.
Miss?
Marie?
Sorry about the message last night.
The man who left it is a bit of a...
Well, he's a bit of a...
Cock?
Yes. He's a bit of a cock.
Morning.
Harry called last night.
We missed him.
Jeez, he swears a lot, doesn't he?
We're staying in tonight.
Whatever happens.
Hmm.
Except...
Hmm.
Hmm.
Except 'hmm' what?
Except only one of us
needs to stay in, really.
Uh-huh.
And which one of us
would that be, now, Ray?
I thought you didn't like Bruges.
I don't like Bruges,
it's a shithole.
But I did already say I had a date
with a Belgian lady
in the Belgian film business,
which I did already say about before.
Just don't get into
any f***ing trouble.
We're keeping a low profile.
And this morning,
and this afternoon,
we are doing what I want to do.
- Got it?
- Of course.
Which, I presume,
will involve culture.
between culture and fun.
Somehow I believe, Ken, that the
balance shall tip in the favor of culture.
Like a big, fat, f***ing retarded,
f***ing black girl
on a seesaw, opposite
a dwarf.
(DRAGGING FEET)
(SOFTLY) Ray, did we
or did we not agree
that if I let you
go on your date tonight,
we'd do the things
I wanted to do today?
We are doing the things
that you wanted to do today.
And that we'd do them without you
throwing a f***ing moody,
like some 5-year-old who's dropped
all his sweets?
I didn't agree to that.
I'll cheer up.
I'll cheer up.
Up there, the top altar, is a phial
brought back by a Flemish knight
from the Crusades in the Holy Land.
And that phial, do you know what
it's said to contain?
No, what's it
said to contain?
It's said to contain some drops of
Jesus Christ's blood.
Yeah, that's how this church got
its name. Basilica of the Holy Blood.
Yeah. Yeah.
And this blood, right,
though it's dried blood,
at different times over many years,
they say it turned back into liquid.
Turned back into liquid
from dried blood.
stress.
- Yeah?
- Yeah.
So, yeah, I'm gonna go up in the queue
and touch it, which is what you do.
- Yeah?
- Yeah. You coming?
Do I have to?
- Do you have to?
- Of course you don't have to.
It's Jesus' f***ing blood, isn't it?
Of course you don't f***ing have to!
Of course you don't
f***ing have to!
You little f***ing c*nt.
(SIGHS)
RAY:
Murder, Father.PRIEST:
Why did youmurder someone, Raymond?
For money, Father.
For money?
You murdered someone for money?
Yes, Father.
Not out of anger, not out of nothing.
For money.
(CLEARS THROAT)
Who did you murder
for money, Raymond?
You, Father.
I'm sorry?
I said you, Father.
What, are you deaf?
Harry Waters says hello.
The little boy.
RAY:
I quite like this one.All the rest were rubbish by spastics,
but this one's quite good.
What's that all about, then?
- It's Judgment Day, you know?
- Oh, yeah.
What's that then?
Well, it's, you know,
the final day on Earth.
When mankind will be judged for all
the crimes they've committed and that.
And see who gets into Heaven and
who gets into Hell and all that?
Yeah.
And what's the other place?
Purgatory.
Purgatory?
Purgatory's kind of like
the in-betweeny one.
You weren't really sh*t, but you
weren't all that great, either.
Like Tottenham.
Do you believe
in all that stuff, Ken?
About Tottenham?
The Last Judgment
and the afterlife.
Guilt and sins and
Hell and all that?
Um...
Well...
KEN:
I don't know, Ray.I don't know what I believe.
The things you're taught as a child,
they never really leave you, do they?
So, like, I believe in trying
to lead a good life.
Like, if there's an old lady,
carrying her shopping home,
I don't try and help her carry her
shopping, I don't go that far,
but I'll certainly hold
the door open for her and that,
and let her go out before me.
Yeah. And anyway, if you tried to
help her carry her shopping,
just trying to nick her shopping.
Exactly. This is the world
we live in today.
At the same time as trying to lead
a good life,
I have to reconcile myself with the
fact that, yes, I have killed people.
Not many people. Most of them were
not very nice people.
Apart from one person.
Who's that?
This fellow,
Danny Aliband's brother.
He was just trying to protect
his brother. Like you or I would.
He was just a lollipop man.
He came at me with a bottle.
What are you gonna do?
I shot him down.
Hmm.
In my book, though, sorry,
someone comes at you with a bottle,
that is a deadly weapon,
he's gotta take the consequences.
I know that in my heart.
I also know that he was just trying
to protect his brother, you know?
I know. But a bottle,
that can kill you.
It's a case of
it's you or him.
If he'd come at you with his
bare hands, that'd be different.
That wouldn't
have been fair.
Well, technically, your bare hands
can kill somebody, too.
They can be deadly weapons, too.
I mean, what if he knew karate, say?
You said he was
a lollipop man.
He was a lollipop man.
What's a lollipop man doing
knowing f***ing karate?
I'm just saying.
- How old was he?
- About 50.
What's a 50-year-old lollipop man
doing knowing f***ing karate?
What was he,
a Chinese lollipop man?
Jesus, Ken, I'm trying to
talk about...
I know what you're
trying to talk about.
You keep bringing up f***ing lollipop men!
You didn't mean
to kill a little boy.
I know I didn't mean to.
But because of the choices I made and
the course that I put into action,
a little boy
isn't here anymore.
And he'll never be here again.
I mean here in the world,
not here in Belgium.
Well, he'll never be here in Belgium,
either, will he?
I mean, he might have wanted
to come here when he got older.
I don't know why.
(SIGHS)
And that's all because of me.
He's dead because of me.
And I'm trying to...
I'm trying to get me head
around it, but I can't.
I will always have
killed that little boy.
That ain't ever
going away. Ever.
Unless...
Maybe I go away.
Don't even think like that.
(EXHALES)
You look good.
What's it matter anyway?
(PEOPLE CHATTERING)
So, what do you do, Raymond?
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"In Bruges" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/in_bruges_10698>.
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