Infinitely Polar Bear Page #11
INT. LIVING ROOM. MOMENTS LATER
Gaga looks extremely displeased, both hands on her cane. Cam
stands across from her, hands in his pockets.
CAM:
We live in a rent-controlled
apartment.
GAGA:
I know that. I pay your rent.
CAM:
And we’re very grateful -
GAGA:
Piffle. It’s dirt-cheap.
CAM:
The point is... I can’t afford to
take care of the Bentley. I can’t
even afford to fill up its gas
tank.
GAGA:
If you’re asking me for gas money -
CAM:
I’m not asking for gas money, Gaga.
Cam suddenly becomes nervous, uneasy. This is hard for him.
66.
CAM:
The girls are both phenomenal
students... they’re not being
challenged. If you really want to
help, I think they would flourish
in private school.
Beat. She scowls at him.
GAGA:
I don’t think that’s teaching the
girls a very good lesson, do you?
Cam looks confused, then resigned:
CAM:
I suppose not.
Gaga takes his hand in an attempt to be supportive:
GAGA:
We all believe in you, Cameron. We
know it’s not too late for you to
amount to something.
INT. VALIANT. NIGHT
They drive home in silence. The girls pout in the back seat.
CAM:
Girls, look. I’m sorry we can’t
take the Bentley. It just doesn’t
make sense. I know it’s
disappointing.
They don’t respond. Then, in a coldly rational voice:
AMELIA:
You should’ve taken it and then
sold it and bought the crepe cart
and then you could’ve made lots of
money and we wouldn’t be so poor.
CAM:
Sweetie, although crepes may be
delicious, they’re not exactly the
goldmine you think they are.
Especially during a recession.
AMELIA:
Well, then we could’ve sold the
Bentley and just had some money.
67.
CAM:
(sighing)
Gaga would never let me sell that
car.
AMELIA:
But she was giving it to you.
CAM:
That’s not how it works. It’s hard
to explain.
Beat.
FAITH:
It was our one chance to have
something that other people might
want. Nobody wants what we have.
They ride on in silence.
EXT. TRAIN STATION. DAY
Maggie walks out of the station, with Cam and the girls. Cam
carries her suitcase. The girls brim over with excitement.
AMELIA:
We have a surprise for you.
They can’t contain themselves. They run to the Valiant.
Maggie slows as she approaches the car. Inside, a DOG is
barking like mad and scrambling back and forth over the
seats. Cam whistles and when the dog sees him, he starts
whining and wagging his tail, scratching at the windows.
FAITH:
That’s Jock! That’s our dog!
AMELIA:
Daddy got him for us!
FAITH:
Amelia named him!
MAGGIE:
Why is he acting like that?
AMELIA:
He was abused by his last owner.
So any time Daddy leaves him he
gets really upset.
68.
FAITH:
Because he loves Daddy! Because
Daddy saved him!
As Cam puts the suitcase in the trunk:
CAM:
We’re working on it.
Maggie looks unenthusiastic.
MAGGIE:
And this is the new car?
CAM:
It was abused by its last owner.
But Daddy saved it!
Cam opens the passenger side door for her, with a flourish.
Jock streaks out and tears down the sidewalk, going after
another dog who is on a leash. Cam and the girls race after
him.
CAM:
Jock! No! Bad dog! Jock!
It is chaos.
EXT. RAYMOND PARK. DAY
Bundled up, the family kicks a soccer ball around. Jock runs
between them. Some distance away Kim and Ali watch from the
swings. Cam sees them.
CAM:
Don’t those little girls live in
our building?
AMELIA:
Yes. But they’re really mean.
CAM:
(amused)
Mean? They’re wearing identical
pink parkas. How mean can they be?
(calling)
Hey! Hey!
He waves at them to come over. Hesitant, they do.
69.
EXT. RAYMOND PARK. LATER
Maggie sits on a bench with Faith in her lap. Cam plays a
spirited soccer game with all the little kids in the park.
The ball comes toward Cam, who is smoking. He throws down
his cigarette and dodges a kid, then passes the ball to Kim,
then picks up his cigarette again when the ball is gone.
INT. APARTMENT BUILDING HALLWAY. NIGHT
The girls both hold onto Jock’s leash as they walk toward the
apartment. Cam and Maggie follow behind.
CAM:
They seem like nice kids. You
should have them over sometime.
Both girls scowl at him over their shoulders.
AMELIA:
No way.
FAITH:
I’d rather die than have people
over to our shithole.
The girls take off running down the hall. Cam looks
exhausted. Maggie looks at him; he shrugs, beleaguered.
CAM:
They crush my soul.
EXT. APARTMENT BUILDING. DAY
Spring. The early crocuses are coming up.
INT. APARTMENT. NIGHT
The apartment is a disaster. Art materials lie all over the
table. Amelia bangs out a song on the piano and sings at the
top of her lungs while Faith does a dramatic dance. They are
both in their nightgowns.
AMELIA:
“Here we come, here we come, we’re
the pirates, and we’re going to
make you swab the decks...”
70.
CAM (O.S.)
(calling from the kitchen)
Faithie-bear, could you clean your
stuff off the dining room table?
FAITH:
(twirling)
I’m busy.
Cam emerges from the kitchen, a mixing bowl in his arms. He
is whisking something and wearing a utilitarian apron.
CAM:
Dinner will be ready soon. It would
be awfully nice to have a place to
sit down and eat it.
FAITH:
Later!
Cam watches, frustrated.
CAM:
Now. Now.
She keeps dancing. Suddenly Cam explodes, HURLING THE BOWL
AT THE WALL.
CAM:
NOW!
Both girls are startled out of their musical reverie. Then
Faith explodes:
FAITH:
You are so MEAN! I am not your
SERVANT!
CAM:
No! I’m the goddamn servant! All
I do is cook for you and drive you
around and tend to your every
need...
He watches, furious, as she stomps by him.
CAM:
...you treat me like a goddamn
maid!
Cam turns off the stove. Grabs his overcoat and scarf.
CAM:
I’ve got to get out of here.
71.
Amelia jumps up from the piano and gets in his way.
AMELIA:
We don’t have a babysitter.
CAM:
You don’t need a babysitter.
AMELIA:
But it’s night-time. We get
scared. Faith gets scared.
Cam looks for his keys, wallet.
CAM:
You need to toughen up. What is
there to be scared of? Wolves?
Vampires?
AMELIA:
Rapists.
Cam shakes his head and puts on his coat.
CAM:
If a rapist knocks, don’t let him
in.
AMELIA:
What if they force their way in?
That’s what rapists do!
CAM:
Just kick him in the balls!
Amelia runs to block the door. Jock starts barking and
jumping around.
AMELIA:
(panicked)
No, Daddy. Don’t go.
Amelia drops to the ground and grabs Cam’s leg.
CAM:
I don’t get it. You never want to
be seen with me, you won’t have
your friends over, you won’t let me
talk to people -- I can’t take it
anymore! I need to spend time with
adults, not a bunch of bossy brats!
Unhand my foot!
72.
Cam leaves the apartment, slamming the door behind him. The
dog barks constantly.
INT. HALLWAY. NIGHT
Cam steams down the hall. Punches the elevator button.
Waiting at the elevator, he pulls a pack of cigarettes from
his pocket.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Infinitely Polar Bear" Scripts.com. STANDS4 LLC, 2025. Web. 23 Jan. 2025. <https://www.scripts.com/script/infinitely_polar_bear_594>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In