Jackass Presents: Bad Grandpa .5 Page #4

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- Yes, sir. Good to meet you.

I did a search on the...

We're still not that

good at what we do.

So, we were going to film

this very simple matching

shot of me making a U-turn.

It was the decision for me to go

back and get Billy at the bar.

Windows are up until

we make the U-turn.

Okay, yeah, I'll put

it in the floor.

We had filmed the

exterior of the U-turn,

now we were filming

the interior of the U-turn,

and all I needed to know, Sean,

was, is the window up

or the window down.

When you're filming, this

window has to be up, okay?

- Okay.

- Thanks, bud.

And the best thing is I'm gonna go

shoot a scene where I have to kinda

get a little worked up.

It's an emotional scene.

The director, Jeff Tremaine, comes up

to me right before we shoot and goes,

"Hey, can I stay back

"and color this sign while

you go shoot this?"

I'm like, "Yeah, of course,

Spielberg, you stay back and color,

"I'm gonna go shoot a

dramatic scene. No sweat."

Joe, can you tell me to roll my

window up right before we shoot?

It's too hot in here

to keep it up for now.

Copy that.

Joe, remember the only time

that has to be down is

when he actually pulls

the actual U-turn.

I was so confused

what the hell was going on.

You know I wasn't there for that.

That's not my fault.

I mean, that was,

that was Trip and Joe.

Did he really blame me for that?

He blamed me for the

window up, window down?

Trip, you said the only time

the window has to be down

is when I make the U-turn?

You make the U-turn is when you make

the U-turn. Other than that it's up.

PJ, the whole time it's up

For continuity,

the only time after you come

out of the montage

the window is down

is when you pull the actual

U-turn to go back to the bar.

Jennifer and I just went through all

the frame-grabs, and that's how it is.

So I make the U-turn,

then roll my window down?

No, it's the sequence

when you do the U-turn

that's when you have to

roll your window down.

You do it before we

make the U-turn.

So let's get on the main road,

and then we'll keep moving.

Then we'll roll up the window

and start rolling.

Correct.

Don't roll that passenger window down,

PJ, because the camera's attached to it.

I am not following.

Do... Look, is my...

Do I have to touch my window

the whole time?

You do not. Before your window is

down for your comfort right now

your driver side window is up.

Don't even touch it until

we get to the U-turn

and then Joe will come out

and open your window.

I've showed that to people and they

just can't believe it happens.

I'm like, "It happens."

For continuity sake, the only

time your window is down

is when you actually pull

the U-turn in the cut.

All right, so let's bring your window up so

that it's up now and we'll start rolling.

But the longer it

went on, I thought,

"You know what? Maybe

everyone's f***ing crazy."

Well, f***, I still don't

f***ing follow, but whatever.

All right, window should be up...

We work some days

at a really high level,

and then other days it's like we've

never seen a camera before in our life.

Dude, hold on one second, I just

want to fix something back there.

Good job, Rick,

that made all the difference.

To make it less daunting, it was

easier just to wrap your head around

"write funny scenarios for Irving."

That's what we always did for

the Jackass movies.

- Rick.

- What?

Put tap dance shoes

on and tap dance.

Stay still.

Can you sit up, please?

Can you adjust the cameras?

Jesus Christ.

Can you hear it?

Then shut the f*** up!

Look at all the sh*t you've got.

Rick, you're doing great, kid.

You're doing great,

don't change a thing.

He's got two sets of keys

and he's f***ing...

All right, all right. Camera hides.

Oh, my gosh. Almost like

they made these boxes for it.

What are you doing right here?

Making camera hides.

On our first trip, we didn't

have it figured out at all.

I thought we had. But no.

Just a prototype but, you

know, it's a starting point.

Well, I remember walking on

the set in... Was it, Columbus?

We were at a cafe,

and we had, like, a camera,

I mean, it wasn't much different

than a camera, like, bag like this

with a hole right there and the

guy just sitting there holding it.

And I was so f***ing pissed.

The family sees, saw that camera

with the girl and the bag.

This might be a bust

before it even begins.

You see him looking at the

camera guy and walking away?

After the first trip, we rallied,

and all the things that

were wrong as a production,

we all talked and we fixed them for our

next trip out to Cleveland, I think it was.

So, our camera hides and bags

were much better.

What camera?

So, this is our baby carriage,

since I couldn't be trusted

with a real baby,

I got me one of these instead.

We had birdhouse hides,

and we had a shopping cart,

we had two shopping carts.

There was a helmet that

we shot through.

It's a video camera. Looks

like an old photo camera,

but it's a video camera.

You want to put it

on this end or something?

You never know where the

best reactions are gonna be,

so you really want as many cameras,

kind of making a circle

around the whole location.

I had a button cam on.

We had a Port-A-Potty, and

sometimes people would come up

and try to use it and so the

camera gets wiggled because

someone's trying to

get in there to poop.

We had a funny trash can hide.

It's the most comfortable hide

I've been in yet, actually.

Oh, yeah, and then,

the soda machine.

Looks like a soda machine and there's

a cameraman shooting through it.

That's actually one of

the stars of the movie.

Push, push. Push, push.

Oh, God. Oh, God.

Oh, yeah, I felt sorry for

the cameramen. I really did.

I have a bad problem

with claustrophobia,

so I was really feeling for them.

They're just stuck there

behind their camera

shooting for, I mean, sometimes

it was six, seven hours.

I mean, they had to have a little

pee bottle with them in there.

We never gave them a poo bottle, but

I don't think anyone ever pooped.

Should I take a sh*t before

or after I go in there?

- We got a little bucket.

- I'll use the bucket.

- Don't use the bucket.

- That's what it's there for.

There's a bucket. There is really

a bucket. Just in case, you know?

But if someone has to use

that, you're screwed.

Most of the time on the street

we'd shoot out of vehicles

with the bigger cameras.

Here's one of our

shooting vehicles.

I would never let Kosick go out, 'cause

I think Kosick's too recognizable,

so he was always stuck in the van with

me, shooting out of a tinted window.

So, I've always got Kosick fading

in the backseat of where I am.

Excuse me? You faded all the time.

I'm telling the story

here, Rick, not you.

Your story is not legit.

- Telling people...

- You faded a lot.

- Bullshit.

- You faded as much as me.

Seamus, explain to me

what's going on here.

It's for the wireless microphones,

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