Kazaam Page #4

Synopsis: Being a lone young boy in the 'hood" is dangerous and unpleasant. This is what Max experiences when he fools a gang of local toughs who cornered him at school. The gang finds out that the key he gave them is of no value in committing a robbery, and they chase him through the streets of his neighborhood, bent on revenge. He tries to escape by slipping into the open door of an old warehouse, but they follow him there, too. While running from them through aisles filled with all kinds of stuff, he bumps into an old boom box. By doing that, he manages to release Kazaam, a genie who has been held captive for thousands of years. In order to stay free, Kazaam must give Max three wishes.
Director(s): Paul Michael Glaser
Production: Touchstone Pictures
  2 nominations.
 
IMDB:
2.8
Metacritic:
24
Rotten Tomatoes:
6%
PG
Year:
1996
93 min
1,020 Views


The thing is...

I'm looking for Max.

He's with Nick. And I think

we'll just be in the way.

Please, my favorite.

- Nubian goat eyes?

- The food of kings!

I haven't had these

in 3,000...

days.

You have old-fashioned taste.

I don't get out much.

That we can change.

No, go around

to the other side.

Shh!

- You're late!

Come on!

Hurry up!

- What, are you crazy?

All right.

Hey, Shep,

bring it down here!

- Traffic at 2:
00 in the morning?

- Yeah.

Come on. It was supposed to already

be here. I told you five minutes ago.

Mr. Matteo, I got the tape!

It's finished!

Wait right here. I'll be right

back down. Close the door.

- What door?- The loading dock

door. Just press the button.

- What button?

- The button on the side!

Hey, wait!

- Downstairs!

Come on!

- Let's go!

- All right, you punks!

All right, let's go!

Let's go!

Come back here, you guys!

Hey--

Hey, hold it right there!

- Hey!

- Come on back here!

Mom?

# 'Cause I am Kazaam ##

- # I'm more than I seem #

- Get off me!

- #You are looking at the dream #

- Let me go! Ow!

- # In your coffee I'm the cream ##

- Get off me, you pervert! Ow!

Get out of my bed!

You know, you were right for me to get out

there last night. They totally loved me.

- What are you

doing here anyway?

Look, Virgo.

That wasn't here yesterday.

- Hey, what's this?

- What are you doing here anyway?

- What you looking for?

- Nothing! I'm looking for nothing!

Nothing is good.

What's this, science?

''Polar covalent bonds have an

ionic-- '' You know this stuff?

My mom wishes I did.

Hey!

Wow. You're a genie too.

You should've seen us last night

in Malik's limo,just chillin'.

Having a good time,

eating goat eyes,just chillin'.

What's that?

You-You smell like

hippopotamus butt!

Damn.

You know, your father

sure is lucky to work

with Malik. He says I

got a future in the biz.

Is Asia gonna love me

or what?

Especially now. So, you and your

father have a nice night too?

- Nice night?

Max!

- French toast!

- Ahh. Ooh.

Rotie francaise?

I love it beaucoup,

beaucoup, beaucoup!

Mmm.

Max. Hey.

Hey, hey, hey.

That's right,

it's poison.

I figured if I ended your

suffering, mine would end too.

Max. Last night--

don't do that again.

I made your favorite, with

chocolate chips and peanut butter.

- I'm not hungry. Do I have

to have this-- - Max! Please!

For once in your life,

let me have the last word.

Okay?

So, so sorry.

Max insisted.

He's told me so much

about you.

I- I'm sorry.

H- Have I met you before?

No, ma'am, I haven't had the pleasure.

I am Jefferson Allensworth Lamb.

''Jefferson'' for he who

framed our fine constitution...

''Allensworth'' for he who founded

a community of free blacks...

and ''Lamb'' because I like

to eat lamb chops.

- And you're

a friend of Max 's?

How sweet of you

to call me a friend...

but the school district more

commonly refers to me as a tutor.

A tutor?

Oh, the school got you a tutor?

Oh, I-I'm sorry.

I- I didn't hear the door.

Uh, you've

been studying?

Y- Yeah, yeah, I have, inverse

ratios of height to intelligence.

He gets that wit

from me.

Uh, well, Mr. Lamb, would,

uh-- Have you had breakfast yet?

Chocolate and peanut butter

French toast? Heavenly.

Oh, please. Sit down.

What are you doing here?

Get out of here. Get out.

- I'll make some more.

- Don't bother. I'm not hungry.

- Breakfast wars. Yes, you are.

- Not even a little hungry?

- Oh, Max?

- What?

Max, wait up!

So, what did you and

your father do last night?

Do?

Uh, lots of stuff.

- ''Stuff'' is good. What kind of stuff?

- Stuff, okay?

Oh. Hmm, I used to do

stuff a long time ago.

Shouldn't you

be going to school?

- I'm not going.

- Say what?

No, I'm not going

to school!

So, what do you think about this

shirt? Do I look cool or what?

Hey...

what's like the worst thing

you've ever seen in your life?

The destruction of Pompeii.

- That was a wish? That was you?

- Look, I didn't have a choice.

Besides, I did some hard time

under that ash. Try 342 years.

So, like, I mean,

what about you?

You ever take anything

you shouldn't have...

- or somethinglike that,you know?

- Me?

Yeah. Like, what's the

worst thing you've ever done?

Look, can we talk about this later? I

got things I gotta do, people I gotta see.

- What?

- I gotta get ready.

- Ready for what?

- For tonight.

- Tonight?

- I'm gonna perform.

- You?

- Yeah, you said I was cool.

Yeah, well, what are you

gonna rap about?

You're right. The whole

thing is giving me tension.

- I can't even decide what to wear.

- It doesn't matter what you wear.

I mean, but you gotta have

something to rap about, your rhymes.

I mean, you gotta have

something to say.

- Now what do you know about rapping?

- I know a few things.

- Yeah, right.

- My name is Max, so get these facts.

I'm on my heavy B.M.X.,

and I make some tracks.

That's whack!

- That's horrible! Oh, my God, that's awful.

- You do better.

# My name is Kazaam I got the

whole plan So listen to the man #

- # 'Cause I'm the sultan

of sand #

# Is that it

Is that the whole deal #

#You want to be a hit

You better get real #

# I did have this friend

in 1000 B.C. #

# We discovered a bevy

of bathing beauties #

# Hbur looks to me

and I says to he #

#Why don't we jump

in that old Euphrates #

#So that's the whole story

That's all you gotta tell #

#You got to listen to my rap

from bell to bell #

#Those babies had rabies

and we was in Hades #

# 'Cause we moved with the harem

of the Prince Akba d'Karem #

# So it's you and Hbur

in 1000 B.C. #

# Buried to our necks

in sand like the sea #

# By a sultan with a sword

and a lock and a key #

# Ooh, they're in deep

Will they ever get free #

# So, it's me

and Hbur in 1000 B.C. #

- # Praying to the gods #

- #And what do you see #

#A man with a halo

and a nasty decree #

# I'll save your butt

But you gonna serve me #

# I nod to Hbur

He nods to me #

#And when the magic is over

We ain't men #

- #We genie #

- #We genie #

# Bob your head, Max #

#We were buried to our necks

in sand like the sea #

# By a sultan with a sword

and a lock and a key #

#And I looks to Hbur

and he says to me #

#And when the magic is over #

#We ain't men, we genie #

What are we, Max?

#We genie #

- I can't hear you, Max!

I cannot hear you!

What are we?

#We genie ##

Man, it must be great

to be a genie.

Sure, except

you're locked up.

A couple of millennia later,

your lamp breaks.

Oh, you think you're free, but

you're sucked into a compass.

You go down with the ship.

One day, you're salvaged.

You wind up in a radiator, a trombone.

You got it; a broken boom box.

But you can just snap your

fingers and have anything.

Yeah, but I can't

make myself free.

Or make someone

fall in love.

Or even make someone fall in love

with me. I can't even touch destiny.

Well, I just wish I could

change things, you know?

Make things different.

Rate this script:5.0 / 1 vote

Christian Ford

All Christian Ford scripts | Christian Ford Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Kazaam" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/kazaam_11642>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Kazaam

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The background music
    B The visual elements of the scene
    C The literal meaning of the dialogue
    D The underlying meaning behind the dialogue