Louis C.K. : Oh My God Page #2

Synopsis: In February, 2013, Louis brings his impish nihilism to Phoenix, Arizona. He talks about an old lady and her pet, living in Manhattan, experiencing his body's aging (he's 45), men's fascination with women's breasts, the beauty of living outside the food chain, his quickness to anger while driving, and murder. It's theater in the round, so he's in constant motion, a grin nearly always on his face.
Director(s): Louis C.K.
Actors: Louis C.K.
  Won 1 Primetime Emmy. Another 1 win & 6 nominations.
 
IMDB:
8.4
TV-MA
Year:
2013
58 min
483 Views


That's why they do it like that.

"f*** it. I'm eating babies.

This is bullshit."

"grownups ain't worth

the meat."

Whoops, all right.

All right.

sh*t.

Goddamn it.

Idiot.

This isn't a gay voice,

by the way.

It's not.

Shut up.

yeah.

I live in new york city,

and it's ok there.

I live in a nice building.

I never lived

in a nice place before.

When I was growing up,

I had no money.

I mean, my mom didn't.

Didn't matter. I was a child.

But I'm not used to it

'cause it's nice.

There's, like,

a pretty courtyard

With flowers and a fountain

with little marble boys pissing.

I don't know.

What is it with fountains?

Like, all fountain sculptors

are pedophiles, basically.

You can't get a fountain

made without--

"can you make me a fountain?"

"yes, I'll get started

right away!

"Yes!

Yes!

It's finished!"

And it's just little boys

pissing on the face

Of a greek god

that looks like him a lot.

"just piss on me forever!"

Anyway, there's one of those

in the courtyard of my building,

And my first week in

the building about a year ago,

I went down to the courtyard

for the first time,

And I didn't look

too good, you know?

It was a Sunday morning.

That's my

least presentable hour.

There's a lot of, you know,

just stains,

Just like, you know,

food and me and whatever...

And so I'm sitting there.

So? Shut up.

Ha ha ha!

Anyway, but so there I was.

I'm sitting on the stone bench

of this courtyard

And feeling a little

out of place.

You know, there's

these fancy doormen and stuff,

And then there's this guy

looking at me.

I notice he's looking at me

from across the courtyard,

And he's all spiffy-looking.

He's got brown shoes, and he's

looking at me like, ""

I can tell he was thinking

I don't live in the building.

He thinks I just wandered in

off the streets

And sat in the courtyard.

I can tell he's thinking

of coming over

And dealing with me on his own,

and I'm sitting there thinking,

Like, "please do that. Yes.

Please, come on, come on.

Come on, come on, come on,"

And I'm trying to look

even more gross,

And I'm, like,

pulling up my shirt, ""

And then I see him go, "no.

That's not gonna do at all,"

And he comes over to me,

"" and I'm like,

"Num num num!"

I'm so excited to have

this thing, a confrontation

Where I'm not wrong at all

and he thinks I am.

"rrgh!"

So he comes over, says,

"excuse me,

"do you live in this building?"

And I said, "no,"

'cause why not start there?

I said, "no."

He goes, "well then,

what are you doing here?"

And I said, "I just need

to rest.

I'm having a hard time."

He says,

"this is private property,"

And I said, "well, I don't

really believe in that."

You know, just the worst things

I could say

From his point of view

Is basically all the things

I was saying,

And he goes,

"well, if you don't leave,

I'm gonna talk to the doorman."

I was like, "can I just stay,

like, five more hours?"

So he's--"no,"

and he goes over to the doorman

And I see him talking about me

to the doorman like this,

And then I see the doorman

going, "no.

That guy lives here. It's ok,"

And the look on his face--

mwah mwah! Num num!--

It was just so--

It was this beautiful cocktail

of anger and confusion.

It's like I had invented a new

way to hurt somebody's feelings.

That's how excited I was.

I'm 45 now,

So I'm either halfway through

a healthy life

Or almost done

with a not-so-healthy life.

I don't know which one.

I won't know till it's over

where this was.

I don't know how long

I'm gonna live.

I don't know.

Nobody knows, I guess.

I think human life expectancy

is pretty good.

We get a good run, you know?

Some people die early, you know?

If I die now, people will be

like, "that's too bad."

If I die five years from now,

they'll be like,

"well, all right,"

like it's not even--

It's--

Like, as soon as you're 50,

you're a candidate.

You know, there's

no candlelight vigils

For 50-year-old guys that die,

And you start pushing--

You know, some people get to be

like, 80s, 90s.

You know, there are people

that get to, like, 114,

And then they're in the news,

and it's always some old guy,

"I met napoleon."

No, you didn't, you liar,

You oldest liar in the world.

But 45, you know,

you're not old yet,

But you start having moments

Where you kind of start getting

what old is,

Especially if you didn't

take care of yourself, you know?

I have moments where I'm like,

"wow, this seems early

for this."

Like, this is something

that happens to me a lot.

I'll be sitting watching tv

or doing nothing,

And all of a sudden,

I'll realize,

"I need to wipe my ass

right now."

"I mean, nothing happened,

But I really gotta

wipe my ass right now.

Right now."

Gotta make trips to the bathroom

just to wipe my ass.

How does this happen already?

I'm 45.

Already, my a**hole's just like,

"Just-- "

My a**hole--

My a**hole's like the waistband

on old pajama bottoms,

Just kinda...

Loose and ineffectual.

My a**hole's like a bag

of leaves that nobody tied up.

It's just sitting on the lawn,

full and open,

Puking leaves onto the grass

with every wisp of wind.

Some kid kicks it over

on his way home

From a tough day

at middle school.

"rats."

That's a pretty accurate

description of my a**hole.

Here's another thing

about my age right now.

If I'm--

ok. Say I'm sitting down.

If I'm sitting anywhere,

which--ha ha ha!--

I love sitting so much--

I would take sitting

and doing nothing

To standing and f***ing any day.

This is way better than coming.

This is way better.

This is what--

At my age, if I'm sitting down

and somebody tells me

I need to get up

and go to another room,

I need to be told

all the information why first.

You gotta explain

all that sh*t to me.

"what? Why do I--

no. Why, though?"

"your car is being towed

right now!"

"well, that's what happens

to me, then. That's--

I accept that."

'cause getting up

is a whole thing.

It means first,

I have to decide,

"do I really want

to be alive anymore?"

Like, let's start with that,

And then I gotta, "" start

kind of rocking to get momentum,

"" like I'm trying to get

an old honda out of a snow bank.

"sh*t."

The worst part of my day,

worst part of every day

Of my life, is when

I have to put on my socks.

Putting on my socks

is the worst part

Of every day,

and it always will be.

Even if I have a terrible day

in the future

Where my grandmother is murdered

by my other grandmother,

If that ever happened to me,

the worst part of that day

Will be when I put on

my socks because--

Putting on my socks,

that means I have to--

Here's what I have to do.

I have to get my hands

past my pointed toe.

I don't even know how I do it.

I'm sitting here.

I don't know how I do that.

It's 'cause you have to--

It's like folding

a bowling ball in half.

Soon as I start, I can feel--

I'm pushing all the fat up

into my vital organs,

And I just feel

Rate this script:0.0 / 0 votes

Louis C.K.

Louis A. Székely (born September 12, 1967), better known by his stage name Louis C.K. (), is a Mexican American stand-up comedian, writer, actor, and filmmaker. He is known for his use of observational, self-deprecating, dark, and shock humor. In 2012, C.K. won a Peabody Award and has received six Primetime Emmy Awards, as well as numerous awards for The Chris Rock Show, Louie, and his stand-up specials Live at the Beacon Theater (2011) and Oh My God (2013). He has won the Grammy Award for Best Comedy Album twice. Rolling Stone ranked C.K.'s stand-up special Shameless number three on their "Divine Comedy: 25 Best Stand-Up Specials and Movies of All Time" list and ranked him fourth on its 2017 list of the 50 best stand-up comics of all time.C.K. began his career in the 1990s writing for comedians including David Letterman, Conan O'Brien, Dana Carvey, Chris Rock, and also for other comedy shows. Also in this period, he was directing surreal short films and went on to direct two features—Tomorrow Night (1998) and Pootie Tang (2001). In 2001, C.K. released his debut comedy album, Live in Houston directly through his website and became among the first performers to offer direct-to-fan sales of tickets to his stand-up shows, as well as DRM-free video concert downloads, via his website. He has released nine comedy albums, often directing and editing his specials as well. He had supporting acting roles in the films The Invention of Lying (2009), American Hustle, Blue Jasmine (both 2013), and Trumbo (2015). C.K. created, directed, executive produced, starred in, wrote, and was the primary editor of, Louie, an acclaimed semi-autobiographical comedy-drama series aired from 2010 to 2015 on FX. In 2016, C.K. created and starred in his self-funded web series Horace and Pete. He also co-created the shows Baskets and Better Things for FX and voiced Max the dog in the animated film The Secret Life of Pets in the same year. His 2017 film, I Love You, Daddy, was pulled from distribution prior to its scheduled release date after multiple women accused him of sexual misconduct which he then admitted to. more…

All Louis C.K. scripts | Louis C.K. Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Louis C.K. : Oh My God" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/louis_c.k._:_oh_my_god_12885>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Louis C.K. : Oh My God

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "The Social Network"?
    A Aaron Sorkin
    B William Goldman
    C Charlie Kaufman
    D Christopher Nolan