Loving Miss Hatto Page #5
- Year:
- 2012
- 90 min
- 89 Views
just the sheer sparkle of the Hatto.
'In fact, I hope to be taking
a look at more Hatto
'recordings on a future programme.
'This lady seems to be having
something of a late flowering -
'can one say that,
or should I say a renaissance,
'that's possibly more polite.
'Anyway, that's my choice
for Building A Library,
that's
Joyce Hatto - Chopin Complete Etudes
and that's on the Concert Artist
label and...
Sounds like you might have your own
radio programme, Ducky.
Hardly,
but he seemed fairly intelligent.
Well, this isn't going to buy
the baby a new bonnet.
I've got to pop to the printers,
check the new cover for your Rach
Three,
because the one they faxed through
was absolutely shocking.
The things you have to
keep an eye on. And you love it.
Orders coming in, parcels going
out, fans all over the world,
of course I love it!
And because it's all for you, all
for Joyce Hatto.
Fan-dabby-dozy.
Right, and I'll pick up the bird
seed.
they should be in today.
Roger Wilco,
no peace for the wicked.
Barrie?
We're not wicked, are we?
Get away!
I'll tell you what's wicked.
The fact that it took forty years
to get Joyce Hatto on to the BBC.
That's wicked.
Did you put the machine on?
Oh, Barrie, you never remember!
Oh, er, Concert Artists,
can I help you?
'Yes, my name is Philip Hill.
about one of your artists.
'I actually did the review of the
Joyce Hatto Chopin this morning
'on Radio Three
on Building a Library
'and A:
I wanted to ordermore Hatto discs,
'but also I wondered whether you
had any way of contacting her
'as I'd be interested in talking
to her for a piece
'I'm writing for
Gramophone Magazine.'
Oh. Well, you are actually
speaking to her.
'One doesn't really expect a concert
pianist to answer the phone.
'I don't know if you heard
my review this morning?'
Er, no, I was playing the piano,
I'm afraid. I forgot to tune in.
My husband says that I'm
ridiculously non-publicity-minded,
very behind the times in that way.
I hope you were kind to me?
Ducky? Do I smell baking?
Buns? This is a turn up.
I've had a gentleman caller.
Oh, yes?
Well, telephonic caller, because you
didn't put the answer phone on.
Darn it. Sorry.
When I picked up, who should
it be but the gentlemen
who was so enamoured of
on the wireless this morning.
Oh, Philip thingy.
He was very delighted to find that
he was talking to the lady herself.
I bet he was. And we had a very nice
chat about Chopin
and the Liszt Transcendental Etudes
and Godowksys
and all sorts of things.
And it rather lifted my spirits
and I thought, we shall have buns,
buns is what we shall have.
Jolly good.
He phoned Concert Artists did he?
He's doing a piece
for the Gramophone
and he wants to talk to me.
About what, though, Ducky?
About my recording techniques.
Well, that's going to be a bit
awkward, isn't it? Why?
You don't have a recording
technique.
No, but I can tell him
how I play the pieces
and how I tackle a new piece.
Yes, I suppose so...
Well, when he rings, Joyce,
keep it vague.
You can talk about how you feel
about the music,
but we don't want to get into
the nuts and bolts of where we
record the things.
He's not ringing, he's taking us
out for lunch in Cambridge.
Are you potty?
No! I'm not potty!
He's got a lot of my CDs.
In fact, he was calling to order
some more, it's all on the pad.
Joyce, selling online,
getting reviews online,
the radio, that's all fine,
but you can't sit down
with a journalist, face-to-face
and talk about how we make
these records.
Why? Because we didn't make them!
Think, sweetie! I mean, yes, they
sound like you, but they're not you!
Joyce, trust me, this is a bad idea!
Trust you? I remember trying
that a long time ago,
so, I'm very much once bitten there!
Oh, don't worry, I'll call him back.
I'll explain that
I'm not able to have
a nice lunch with an intelligent,
cultured music critic,
limited view of my capabilities
and would rather I stayed at home
with nothing else to think about
but how long I've got to live!
Not too mutton?
Not mutton at all.
There you go!
Merci.
Hair? Luxuriant. Hmm.
I wasn't trying to spoil your fun,
Ducky,
putting the kibosh on meeting
Philip, I just thought,
we're safer flying under the radar.
I just fancied flying
a little higher.
Fly too high, your wings fall off.
My wings aren't going to last me
much longer anyway, are they?
Get your skates on,
Bags I forward.
I said it first.
Come on then Mrs Barrington Coupe,
let's take Joyce Hatto out to lunch.
Thank you.
So, basically, Joyce,
since you gave up live performance,
you've just been working away
and when you feel a piece is ready,
you record it.
So, what do you do?
Just book a studio?
Well, I leave all that to Barrie.
I say my job is to make the bread
and Barrie has to put it
in the oven!
working on a piece
is like making a loaf of bread - you
know, first you have to work it...
Yes, you work it and you knead it
and then you leave it to rise.
You have to let it become
what it wants to be.
Yeah, and once it's recorded,
Joyce never listens to it again.
Really? Not interested.
No, not interested. I don't do
retakes or whatever they're called.
I record it, I go home
and what people want to make of it
is up to them,
it's none of my business.
So, not much editing time,
then, Barrie?
Yes, as far as recording goes,
Joyce is a very cheap date!
When Barrie and I met, I was giving
a concert at the Strathmore
and he was a little bit bowled
over, weren't you?
He took me for a cup of tea
and he said,
"Would you like a cup or mug?"
I was desperate for a mug but I
thought it wasn't very ladylike,
so I said, "I'll have a cup ..."
A cup was thrupence.
And a mug was fivepence. That made
me a cheap date in Barrie's eyes!
Tired, sweetie?
Do you know, I'm absolutely not.
Wasn't it lovely talking about music
While you were in the ladies, he
said he was going to e-mail me
to get some facts straight.
We can cobble something together,
at least on the e-mail
you've got thinking time.
I thought we did very well with our
ducking and diving over lunch.
While you were in the gents, I told
him I was working on the Godowskys.
You didn't say you were
bringing them out?
I think I may have done.
You don't make life easy, Ducky.
You know there are only about
three versions to choose from.
Did you set the video
for Monkey World?
I did. End of a perfect day.
'Where do you usually
do these recordings?
'Well, you use a studio one year
'and the next
'Or one of those tanning places,
we have one of those
'down the road, don't we, Barrie?
And if you can believe this,
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