M*A*S*H Page #9
- TV-PG
- Year:
- 1972
- 25 min
- 970 Views
Completing the group is Ho-Jon, who sits on the floor,
silently taking in everything that is done or said.
Finished with his decorating effort, Trapper reaches into
the depths of his parka to produce a can of beer. He digs
into the other side, finds an opener and opens the beer.
Then his head goes back inside the parka along with the can
as he takes a swig from it.
DUKE:
(to Hawkeye)
Now I got you for a witness, I'm
going to try again. So far all I
dragged out of him is he's from
Bahston and he's only been in the
Army two months.
(to Trapper)
Where were you when they drafted
you?
TRAPPER:
Home.
DUKE:
I mean, what were you doing? Were
you a resident or on a staff
someplace?
TRAPPER:
That's right.
DUKE:
Where?
TRAPPER:
Hospital.
DUKE:
Which hospital?
TRAPPER:
Back home.
DUKE:
Is there any reason why we shouldn't
know the name of it?
TRAPPER:
No.
(a long swig of beer)
Or why you should.
HAWKEYE:
(to Duke)
I think I've seen this nut somewhere.
(to Trapper)
Haven't I?
TRAPPER:
If you don't know what you've seen,
why should I?
Hawkeye is unsatisfied. He keeps staring at Trapper, sure
he's seen him before.
DUKE:
(to Trapper)
You ready to switch to a little tonic
we generally take us about this time?
Ho-Jon...
Ho-Jon goes to the table and takes a few ice cubes from a
hospital ice-bag, puts them into the pitcher along with gin
and a dash of vermouth.
TRAPPER:
Don't you use olives?
DUKE:
Where you think you are, boy? They
probably never seen a olive in this
country.
Ho-Jon pours three water-glasses full of martini and starts
to distribute them.
HAWKEYE:
(to Trapper)
That's the front up the road a few
miles. We have to get by without
some of the comforts of home.
TRAPPER:
I like an olive.
He reaches into his parka, comes up with a bottle of olives,
takes one out and puts it into the martini Ho-Jon serves
him. Then, as Hawkeye and Duke gape at him, he offers them
the bottle.
TIME LAPSE:
There are two operations going on, one of them being a simple
procedure requiring one surgeon and one nurse. The other by
contrast is a very special event. Trapper is operating,
assisted by another surgeon, a couple of nurses, a corpsman,
and the anesthesiologist, UGLY JOHN BLACK. Beside these actual
participants almost all the nurses and doctors from both
shifts, including Duke, Hawkeye (with Lieutenant Dish), Frank
and Henry, are in a circle around the operating table as
spectators.
Trapper's job is repairing a lacerated pulmonary artery, or
some other delicate piece of surgery close to the heart and
involving a large chest incision. We see enough of the process
to observe that it is gory and deep inside a critical area,
but necessarily it is the reactions of the people watching,
especially Duke and Hawkeye, that tell us how tricky an
operation it is and how expertly Trapper is handling it.
The sequence is silent except for incidental operating room
noises.
Even Trapper's occasional terse instructions to his assistants
and his brief exchange with Ugly John are spoken too low for
us to hear.
There are four stages to the action:
1. The beginning of the operation before an attentive
audience, drawn by their interest in the new man and by the
fact that this is a surgical procedure they have never dared
to attempt.
2. Limited approval and professional respect for the assurance
with which Trapper plots his incision and starts working his
way to his destination.
3. Mounting tension as the crucial stage is reached. The
suspense reaches its crest during the few moments when Trapper
is doing the actual mending job to which all the preliminaries
have led. The faces of his colleagues express anxiety and
hope that he can accomplish what he set out to do, and
accomplish it quickly enough to permit the patient to survive.
Henry, not certain of his own judgment, looks to Duke for
confirmation, and Duke nods to indicate he thinks Trapper
has the situation under control.
4. The tension breaks as Trapper finishes the job to his
satisfaction and begins, along with his assistant surgeon,
to close up. Henry's smile of relief is unsure and only
tentative until he catches Hawkeye's signal that the job has
been done to perfection.
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"M*A*S*H" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/m*a*s*h_200>.
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