Man on the Moon Page #3
GEORGE:
Caspiar? I haven't heard of that.
ANDY (AS FOREIGN MAN)
It's a veddy small island in de
Caspian Sea.
(beat)
It sunk.
GEORGE:
Oh. Hm. I'm uh, sorry.
(beat)
Well, look, I'm probably out of my
mind -- but I think you're very
interesting. If you ever need
representation... we should talk.
George hands him a BUSINESS CARD. Andy reads it -- then his
eyes pop. He DROPS the accent.
ANDY:
Mr. Shapiro, it's an honor!!
George realizes it's all been an act. He laughs heartily.
GEORGE:
Caspiar, huh?!
CUT TO:
INT. SOHO HEALTH FOOD RESTAURANT - NIGHT
A Bohemian health food restaurant, staffed by hippie
waitresses in sandals. Andy and George sit together, trying
to get a sense of each other.
ANDY:
You see, I want to be the biggest
star in the world.
George is surprised at this hubris.
GEORGE:
People love... comedians.
ANDY:
I'm not a comedian. I have no
talent.
(he shrugs)
I'm a song-and-dance man.
George looks up at Andy -- and inexplicably there is a giant
MOIST BOOGER hanging from Andy's nostril.
George cringes. He doesn't know what to say.
A waitress brings over two plates of awful 70's HEALTH FOOD
-- seaweed, beans, stringy paste. George frowns. Andy
beams.
ANDY (cont'd)
Mmm! I particularly recommend the
Lotus root.
Andy pulls out a little Handi-wipe and cleanses his hands.
Then he starts arranging the food in compulsive little
piles:
Beans in pinwheel shapes. Sprouts in piles.George peers at the bizarre food behavior.
GEORGE:
You show a lot of promise... but...
my concern is I don't know where to
book you. You're not a stand-up...
your act doesn't exactly translate
to films... help me... where do you
see yourself?
ANDY:
(bright)
I've always wanted to play Carnegie
Hall.
George is unsure if that's a joke.
GEORGE:
Yeah, ha-ha. That's funny.
Andy dips his silverware in the water glass. Two dunks,
then he dries it with his napkin.
George stares, perplexed. He looks back up -- and Andy's
booger has suddenly switched nostrils.
Huh?
ANDY:
See, I don't want easy laughs.
Andy's about to eat -- but first bows his head in silent
prayer. George raises an eyebrow. Andy snaps his head back
up.
ANDY (cont'd)
I want gut reactions! I want that
audience to go through an
experience. They love me! They
hate me! They walk out -- it's all
GREAT!
Andy triumphantly eats a bean. George peers, unable to take
the booger anymore. He hands Andy a napkin and points to
his nose. Andy nods, removes the rubber booger, and
carefully puts it in a little box.
ANDY (cont'd)
After I'm famous, I can sell these
as "Worn by Andy Kaufman."
And at that... George is won over. He smiles broadly.
GEORGE:
You're insane.
(then sincere)
But -- you might also be brilliant.
Alright, Andy... let's do it.
George warmly extends his hand.
Andy slowly smiles, then takes George's hand. The men
shake. A moment of supreme importance.
The glitz strip of Los Angeles. Money. Beauty.
INT. SHAPIRO/WEST - DAY
Real working showbiz offices. No glamour at all. It looks
more like an insurance agency.
George sits in his office, reassuring someone on the phone.
GEORGE:
Sammy, opening for David Brenner is
a fine gig. You'll be on the
road... get some exposure...
SECRETARY (O.S.)
Tony Clifton on the phone!
GEORGE:
Who?
SECRETARY (O.S.)
He says he's an associate of Andy
Kaufman's.
GEORGE:
Oh.
(back to the phone)
Sammy, think about it. I gotta go.
(he punches a line)
On the phone, a STACCATO, ABRASIVE NASAL VOICE blares.
TONY CLIFTON (V.O.)
Uh, yeah. Is this GEORGE SHAPIRO?
GEORGE:
(beat)
Er, yes. Speaking.
TONY CLIFTON (V.O.)
"Speaking"! Reeking, seeking,
creaking... Freaking!
George is baffled.
GEORGE:
Can I help you with something?
TONY CLIFTON (V.O.)
Yeah! You stay away from that Andy
Kaufman, if you know what's good for
you!
GEORGE:
(stunned)
Who is this?
TONY CLIFTON (V.O.)
You -- you know damn straight who it
is. Tony Clifton! A name to
respect. A name to fear.
(beat)
Beer. Gear. Deer. Ear.
GEORGE:
Look... I don't know what your
problem is...
TONY CLIFTON (V.O.)
Kaufman's a lying bastard! If you
sign him, I'll RUIN YOU!
CLICK. Clifton hangs up. George is bewildered.
INT. MEDITATION INSTITUTE UNIVERSITY, CLASSROOM - DAY
The light is magical. Soothing SITAR music plays. Andy and
fifteen other BAREFOOT STUDENTS sit on mats in a semi-
circle. Eyes shut, bodies in different yoga positions, they
are all meditating.
Facing them on a throne-like chair sits a reverent, Indian
YOGI. At his feet is the class teacher, LITTLE WENDY, a
teeny lady with an absurdly high-pitched voice.
LITTLE WENDY:
Now, while continuing your deep
breathing, slowly open your eyes.
You should feel rested, relaxed, and
alert.
The students all open their eyes.
YOGI:
Do any thoughts come...?
STUDENT #1
My mind is clear. I feel great.
YOGI:
Good...
STUDENT #2
All the tension is gone from my
body.
The Yogi's eyes go to Andy. Andy smiles sweetly.
ANDY:
I want to thank you, your Holiness.
My heart is radiating with pure
energy.
The Yogi nods kindly.
YOGI:
You always had a good heart. But
I'm proud of the progress you've
made in your discipline.
ANDY:
Yes. TM got me focused. In fact,
my manager got me a TV gig! It's
just some new show with no budget,
but I'm still excited.
Oh. The Yogi peers intently.
YOGI:
Are you at peace with your family?
ANDY:
Um, yes. I haven't fought with
YOGI:
Goals are important.
ANDY:
I stopped drinking. I gave up
drugs. And I'm meditating three
hours a day. It's the center of my
life...
YOGI:
We are all impressed.
Andy smiles beatifically. This means a lot.
LITTLE WENDY:
Okay. Anyone else --?
ANDY:
Oh, wait! I have a question.
(beat; working up
his nerve)
Is there... is there a secret to
being funny?
Huh? The Yogi thinks hard... squinching up his face.
Then... he finally speaks.
YOGI:
Yes. Silence.
CUT TO:
An AUDIENCE sits, waiting for the commercial to end.
TECHIES tweak lights. CAMERAMEN get ready.
Sitting in VIP seats are Andy's FAMILY. Stanley and Janice
are in their late 50's, Michael and Carol in their 20's.
They're all anxious.
CAROL:
I still can't believe my brother's
gonna be on TV...!
JANICE:
I hope he doesn't get nervous.
STANLEY:
What's the difference? This thing's
on in the middle of the night -- no
one's even gonna see it.
The commercial ends, and the "APPLAUSE" sign blinks. The
crowd APPLAUDS. An "ON THE AIR" sign lights up.
HOST:
Welcome back to Saturday Night Live!
And now, as a special treat on our
first show... musical guest ANDY
KAUFMAN!!!
The SNL orchestra starts the intro into a song. Andy enters
the stage with a boom box, and positions himself in front of
the microphone. When the vocals are supposed to start, Andy
doesn't open his mouth. Instead he looks around --
frightened. The band stops... and starts again. Andy
remains mute. The Band stops again.
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"Man on the Moon" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/man_on_the_moon_718>.
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