Melvin and Howard Page #3

Synopsis: This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!
Genre: Comedy, Drama
Director(s): Jonathan Demme
Production: Universal
  Won 2 Oscars. Another 15 wins & 9 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
90%
R
Year:
1980
95 min
211 Views


- Yeah?

- I'm reading The Magic Of Believing.

- What's that?

- It's about you.

- Oh, all right.

It says that you can be

anything that you wanna be,

but you just have to

believe in yourself.

You believe in yourself, it's just that

the believing has not been enough

to let you become

what you believe you can be.

Well, they didn't burn down Rome

in one day. You gotta keep pluggin'.

Yeah. Well, I've been thinking.

I haven't been very good to you.

I haven't believed in you

like you believe in you.

Well, how about this?

How does computer programming sound?

- I've been reading this book about it.

- Computer programming.

Real estate, insurance.

Anything but bagging magnesium.

Yeah.

- Do you really wanna marry me again?

- I've been missing you.

How about it?

[Toilet flushes]

Hurry up, Mom.

[Toilet flushes]

- They're waitin', Mom.

- I know.

Something stinks in here.

- It's the disinfectant.

- Oh.

How do I look?

Fat.

- I do, don't I?

- But nice.

- You look real good.

- Really?

- Yeah.

- Promise?

- OK.

- I got it.

- Really?

- Yeah, you look real good.

- [Melvin] Dress looks good.

- Really?

You guys are getting married

just in time.

[Lynda] Shut up, Red!

[Darcy] I can't believe

my parents are getting married again!

Will you guys hurry up?

- [Lynda] The car looks great.

- [Darcy] Come on!

Hi, we're the Dummars.

The Dummar family.

- Not yet you're the Dummars.

- We're getting married again.

- Would you like a veil?

- Oh, yeah. How much are they?

- Five dollars.

- No!

- We'll take one.

- No, Melvin!

Melvin, five dollars...

[inaudible]

Well, we'll have a veil.

But I want a blue one to match my suit.

Good.

- Nice, huh?

- Yeah.

- [Darcy] Wow.

- [Red] Pretty.

- [Manager] And on the music?

- What do you have?

Well, I got inspirational, Because.

Hawaiian, The War Chant.

- War Ch...

- Because.

- [Darcy] War Chant.

- [Red] War Chant.

War Chant.

Hawaiian War Chant.

Very good.

That'll be $5 on the veil,

$5 on the music,

$15 on the ceremony,

$4 dollars on the licence,

and $10 on the witnesses.

That's $39 dollars all together.

"The Dummars."

Let see...

Right, that's 39 out of 40.

Thank you.

It doesn't leave us much

for breakfast, does it?

See, I didn't count on the witnesses.

- Witnesses...

- They gotta eat too, know what I mean?

Right this way.

- Here we go.

- Oh, Melvin, I'm palpitating.

[# Hawaiian War Chant]

...death do us part.

Till death do us part.

Till death do us part.

Till death do us part.

Lynda, Melvin,

I now pronounce you man and wife.

[# Hawaiian War Chant]

- Well, this is it, Melvin.

- Yeah.

[Manager] Nice. Real nice.

[Clears throat]

[Laughter]

- [Witness] I wish you happiness.

- [Lynda] Thank you.

[Witness] Oh...! Oh...!

Are you all right, George?

Hal!

Hey, I'm sorry.

I'd better get him home.

Hal, we need some help.

[Groans loudly]

Hal, pay him off.

I'm awful sorry.

Now what am I gonna do?

I got three couples coming in at 11.

Maybe we should talk about that.

[# Hawaiian War Chant]

Oh, boy.

[Hubbub of voices and machines]

- Come on.

- Come on, baby.

Gimme a big ten!

Come on, ten!

- Ten! Ten!

- Come on, ten!

[All] Aww!

That's all right,

don't worry about it. It's OK.

Come on, let's go.

- Twenty!

- Come on, twenty!

[Man] Come on, you guys!

What is this, a vacation?

Let's go! You're not gonna

make no money at that pace.

[Indistinct voices]

Hey, Melvin, let's see that

Milkman of the Month form.

- Howdy, Melvin.

- Hey.

- Mornin', Melvin.

- Hi, Pete.

There's 225 this time, Bonnie.

Really.

- 225 is right.

- See? I'm gonna win that TV.

- I'm gonna be Milkman of the Month.

- You're in the lead.

Wanna know somethin'?

I'm rootin' for you.

- Are you married, Bonnie?

- Hey, Melvin.

- Listen, you're doing a real good job.

- Well, thank you.

Only thing is, remember that engine

you blowed up your first week?

Not now, fellas.

I talked to Mr Rockwood. The only thing

we can figure out to do is deduct it.

- What?! Now, wait a minute.

- We'll take it real slow, make it easy.

Few dollars a week,

you won't even feel it.

It wasn't my fault. The truck was

a piece ofjunk when you gave it to me.

You signed the note, Melvin.

I'm on the top of the list to win the

Zenith 190K with triple scope screen.

Look, Melvin.

Look, Melvin, what can I tell you?

We base Milkman of the Month on the net.

With these deductions,

I don't see you in the running.

No, that's my TV, understand.

For my wife and my kids.

- I'm gonna be Milkman of...

- Let go!

You let go or you don't

come back here tomorrow.

Well, what about it, huh?

Come on, am I

Milkman of the Month or not?!

- Yeah, you're Milkman of the Month.

- I get the TV set, too?

Yeah, you get the set.

Well, then, go ahead

and deduct whatever you want.

You know it.

Hey... You hungry?

[Gurgles]

He's so cute.

I just love him.

[Bicycle bell rings]

[# The Bait Brothers: Shake The Ground]

# If you got the time

Come on and jump and shout

# Come onl

# If you feel the rhythm

Come on and beat it out

# Shake the ground

Shake the ground

# Shake the ground

Shake the ground

# Shake the ground... #

Hey, everybody.

- Hey, Dad.

- What's that you're drinking?

Just a little brandy.

They repossessed the car today.

Us guys have got to stick together.

- Did you hear me?

- Yeah, I heard you.

Right in the parking lot,

outside K-Mart.

Oh, that's all right.

- Sure.

- What's for supper tonight?

Bell peppers.

Lynda, you know

I don't like bell peppers.

- I got bell peppers.

- [Darcy] Shh!

It's the Gateway to Easy Street.

Gate Number Two.

- [TV] Which gate do you want?

- [Darcy] It's gonna be two.

- One. It's gonna be one.

- Two.

- Three.

- Two!

- [Mom] Two!

- [Darcy] Come on!

- Three!

- One!

- [Darcy] Two!

- [TV] Number Onel

- See?

- [TV] Gate Number One.

Every time.

...smooth skiing pleasure

for up to four people.

Powered by Hardin Marine.

Features moulded fibreglass...

Wow!

...horse-power engine.

Retails for $12,000I

$12,000!

When you get up there to the gateway,

just keep betting up, OK?

Come on. Don't settle for nothin'!

If we're ahead a few hundred dollars?

Think what we could do.

Try a few thousand on for size.

We could be in Hawaii with cash besides.

Don't worry, just be brave, baby.

- "Baby"?

- Yeah, this is show business.

[Drum roll and fanfare]

And now, ladies and gentlemen,

the star of Easy Street,

Wally "Mr Love" Williams!

Don't stop, keep that love comin' in!

OK, you know how it works.

I won't bother you with silly rules.

Love is what it's about.

We have acts, you judge 'em.

If they go back to squalor and

poverty row, it's your fault not mine.

If you love 'em,

they go on maybe to fame and fortune.

The show is all about love, so without

further ado, let's get more love.

- Tell us, Freddy, who's our next guest?

- From Anaheim, California...

- Lovely Lynda Dummar!

- [Wally] Lynda Dummar, where are you?!

[Wally] Come on down, Lynda.

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Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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