Melvin and Howard Page #4

Synopsis: This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!
Genre: Comedy, Drama
Director(s): Jonathan Demme
Production: Universal
  Won 2 Oscars. Another 15 wins & 9 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
90%
R
Year:
1980
95 min
211 Views


[Wally] That is Lynda. Come on,

a little more love for Lynda, please.

[Whistling and cheering]

Come on, Lynda!

I wish I could reach...

Come on, Lynda. Come on, you princess.

Beautiful aquamarine lady, come up here.

You just look lovely.

- They love you out there.

- Thank you.

I bet you're just as talented

as you are beautiful.

I don't know.

Candy-box hat. Your hands are cold.

Put them in Uncle Wally's pocket?

No? Smarter than

Uncle Wally, aren't you? OK.

- So tell me where are you from?

- Anaheim, California.

That's where Disneyland is.

Do you have any little ones?

Yes, I have a daughter, Darcy,

and a son, Farron, who's watching today.

With my mother, also,

I'd like to say hello to them.

- You're divorced, I hope?

- No!

- You're not?

- I'm here with my husband.

- He's right up there.

- What does he do?

- He's a milkman for Rockwood Dairy.

- That's great.

Without milkmen, hey,

how would we get our milk?

- What are you going to do for us?

- I'm gonna do a tap-dance.

OK, Lynda. Lynda Dummar,

I love you, from Anaheim, California.

You are on! Music please!

[# The Rolling Stones.

Satisfaction (Can't Get No)]

# I can't get no

# Satisfaction

# I can't...

[booing]

Go take some lessons!

[Whistling]

# And I try

# And I try

# And I try

# I can't get no

# No, no, no

# Hey, hey, hey

That's what I say

[audience clap in rhythm]

# I can't get no

# Satisfaction

# I can't get no

# Satisfaction

# Cos I try

# And I try

# And I try

# And I try

# I can't get no... #

[cheering]

[Man] All right!

Hold it, hold it! Whoa!

Lynda, come here. That was fantastic.

You know how the game works.

Love or hate? Yay or nay?!

Yeah, they love you!

[Whistling, some booing]

Come here, they just love you,

they love you.

Carol, our golden girl guide to the gate

of goodies. How much is that cheque?

- $500.

- $500 for Lynda Dummar.

You know how the game works, Lynda.

You can keep that cheque for $500

or go through Gate One,

Two or Three to Easy Street.

What would you like to do?

Keep the cheque?

[Crowd] Play!

- I'll give you the money.

- She wants to play!

OK, Lynda. Make your selection wisely.

Fame and fortune

could lie behind one of these gates.

Gate One, Two or Three? What do you say?

[Crowd yells numbers]

- Three!

- Two! Two! Two!

Three!

Tick-tock, tick-tock...

- Two!

- The young lady's chosen two.

Lynda Dummar has chosen Gate Number Two.

Freddy, tell us.

What's in Gate Number Two?

Broyhill's Rutherford II Collection,

American traditional at its best.

Features solid pine trim,

deep seating and high backs,

covered in sturdy 100/% nylon.

Retails for $1,307I

That's a lot of stuffing, Lynda!

[Drum roll]

Wait! Rolling thunder,

timpani swelling!

The Golden Gate Bonus!

[Freddy] A Currier pianol

Currier, the piano with quality,

for today's student

and tomorrow's performer.

I'll learn!

...resists scratches and stains.

With a new piano, you'll want

to have it tuned and take lessons.

You'll need a tuning fork

and some sheet music.

To take care of some of those expenses,

take a look at the restl

[alarm bells ring]

[Screams]

Lynda Dummar, your Golden Gate total.

Thirteen thousand and seven dollarsl

Take the cheque,

before they take it back.

Come here, ladies and gentlemen.

Hold it, please, please.

Settle down forjust a moment.

Please, tell me, this is very important.

Lynda Dummar, do you know

what you're going to do with that money?

Yeah, I sure do know

what I'm going to do with the money.

OK, which will it be?

The Sentinel or the Landlord?

- The Sentinel.

- Oh, good.

[Lynda] How much are they?

[Agent] The Sentinel's $59,900

and the Landlord's $44,000.

- We'll take the Landlord.

- Wait a minute, honey.

I won the goddamn money

and we'll take the goddamn Landlord.

So, it's the Landlord?

Utilities, $62. Food, $210.

Entertainment $35, no $45.

Doctor bill, $60.

- If we're very, very careful...

- Do I get the piano lessons?

- I think so.

- Great.

What about the girl scout uniform?

- It'll have to wait till next month.

- Oh, crap, Mom.

Watch your mouth, Darcy.

[Novelty car horn]

Is that Daddy?

- It is Daddy.

- Melvin, Melvin, Melvin...

[Darcy] Wow!

All right!

- Well, what do you think?

- Take it back.

We'll lose our down payment.

Darcy Lee Dummar, get off that ship!

- It's beautiful, huh.

- Take it back, Melvin.

Darcy Lee, get away from that car!

It's got a twilight sentinel,

lights go on if you go into a tunnel.

It's got an eight-track tape-player...

Santa Monica coastguard,

request weather information.

[Faint voice on radio]

This is Santana calling

the Santa Monica Coastguard. Come in.

Come in, Santa Monica Coastguard.

[Car horn toots]

What are you doing?

- I'm leaving you, Melvin.

- I won't ask you back.

I'm never coming back.

I'm never coming back.

And remember, half that house is mine.

- If you leave, you won't get anything.

- Melvin, you're a loser!

- Don't call me that!

- What do you call it?

First time we got a prayer

of getting ahead,

you buy a big fancy boat

and a big fancy car.

That stuff is an investment,

I told you that.

- An investment?!

- Yeah.

OK, come here.

Listen, I want to tell you something.

Now, see that car?

That's notjust a car, you know.

That's our car.

I used to see cars like that

on the highway from Vegas to Reno

all the time

when I was working with my Dad.

They went so fast,

you could hardly even see 'em.

I used to want one.

Now I got one, understand?

- We are poor, Melvin. We're poor.

- We're not poor.

Broke maybe, we're not poor.

We won the Golden Gate.

I won the Golden Gate.

Well...

Don't go, I don't want you to go.

- C'est la vie, Melvin.

- What's that?

It's French. I used to dream

I'd be a French interpreter.

- You don't speak French.

- I told you, it was a dream.

- Will I see you again?

- Of course you will.

I love you, Dad.

[Darcy] Bye, Dad!

[Radio]

Santa Monica Coastguard to Santana.

Calling Santana.

Responding to a request

for weather conditions for Southern...

- Is that you, Melvin?

- Yes, Ma'am.

- I thought it was you.

- Hi-line two quarts, cottage cheese

- Ten pound box of laundry compound.

- Sounds right.

- Wouldn't you like a cup of coffee?

- I got a whole route ahead of me.

It's cold out, Melvin. Come on.

Don't you want some coffee?

Wait.

- A nice hot cup of coffee.

- Well...

Oh, why not?

- Excuse me, Mrs Worth...

- Oh, Melva.

Melva-Melvin, get it?

Yes, Ma'am.

Melvin! Melvin!

Don't forget tomorrow. A quart of

low-fat and a pound of nippy cheddar.

You had a $1,500 note, I got it here.

You got $1,000...

Not now, please!

What you doing, milking that thing?

You got the $1,000

you still owe on the truck.

I got $250 dollars on your uniform,

which I'll deduct next week.

[PA] George, line 12.

That's real cute. Merry Christmas.

$90 a week interest?

How am I supposed to catch up?

I won't do this. I can't.

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Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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