Melvin and Howard Page #5

Synopsis: This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!
Genre: Comedy, Drama
Director(s): Jonathan Demme
Production: Universal
  Won 2 Oscars. Another 15 wins & 9 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
90%
R
Year:
1980
95 min
211 Views


- All right, it's up to you.

- [PA] George, line 12.

- You want me to get anotherjob?

- Any place you go, you work for us.

- What about this insurance claim?

- No, talk to Bonnie.

- Did you sell that boat?

- Yeah.

- What about the Cadillac?

- They took it.

That's right, they did.

Well, I don't know.

You're gonna have to

hustle a little more.

Look, we got Ralph over here in Artesia.

He can use a little help.

It's way across the county.

The milk won't even be cold.

- Did it occur to you to get up earlier?

- Hey, I get up at 2.30.

Look, I know it's tough.

You have to organise your time better.

I've told you once,

I told you a thousand times.

Planning is the name of the game.

Just sign it.

[Hawaiian-style music]

[PA] Ladies and gentlemen,

Tiki Restaurant

wishes the employees of Rockwood Dairy

a Merry Christmas.

Or, as we say on the island...

[Merry Christmas in Hawaiian language]

Now, relax and enjoy the entertainment,

featuring The Tiki Sextet.

[Man] I told my wife you sing country,

she's crazy about country.

- Tell her I'm sorry, will you.

- Delgado said you was yellow.

I said, if Melvin don't wanna,

it's his right.

What'd he say?

Ain't what he says, it's what

he don't say, know what I mean?

All right, you Rockwood people!

Let's hear a big round of applause

for The Tiki Santa Claus Sextet.

As part of tonight's entertainment,

Melvin "Milkman of the Month" Dummar

was supposed to sing us a song

but I'm afraid - or am I thrilled? -

that he's chickened out on us.

- [All] Aww!

- I didn't chicken out...

You want a song?

All right, I got a song.

[Cheering, whistling]

Oh!

Go get 'em, Melvin.

Where's you guitar, Melvin?

Did they repossess it?

- Here, hold this for me, will you?

- Let's hear it for Melvin!

I wrote this song to Six Days

on the Road. Do you know that?

That's a Dave Dudley song.

OK.

# Well, I pulled out of Rockwood

Headed down the Santa Ana freeway

# I got my Divco wound up

And I guess it's runnin' OK

# I know it's the middle of the night

But heck, that's all right

# Cos I'm a milkman for Rockwood

And everything's OK

# Well, my truck's kinda old

And it's awful slow

# The temperature's hot

And the oil pressure is low

# If I make it through my route tonight

Everything will be all right

# Ten hours on the road

And I hope I make it home tonight

# I know Delgado

will be checkin'my books today

# There's a big milk bill

he said I'd have to pay

# That don't bother me tonight

Cos I can dodge old Jim all right

# Twelve hours on the road

I hope I make it home tonight

# Well I work like a dog

Trying to collect my pay

# All my customers say

"Can't you come back some other day?"

# Well I don't know what to say

But I'd sure like a raise in pay

# Twenty hours on the road

I just hope I make it home tonight #

Are you married, Bonnie?

No, I'm not, Melvin Dummar,

and neither are you any more.

- So what do you say?

- What do you mean?

I'll take care of you

till you get back up on your feet.

- I got my kids' child support money...

- Got a kid?

I got two kids. Now, listen, Melvin,

My cousin in Utah

lost his lease on a gas station.

We run it right,

we got a thousand a month clear.

I have been waiting for this moment

and the moment is now.

Is that net?

Don't come swingin' your dick

around my cashiers office no more.

- You're Mormon. You talk like that?

- You bet your ass.

Well...

- When do we leave?

- Tonight.

[Bell rings]

[Bonnie] Melvin, come upstairs!

Mr Rodgers is on the phone.

That's five.

Gonna get a coronary,

hurrying around like that.

It's better than starvin', ain't it?

[Bonnie] Sorry, Mr Rodgers, I went all

the way down and he just wasn't there.

[TV]... the nation's highest

compliments, a ticker-tape parade...

Yes, I understand. Yes, of course,

I'll give him the message.

OK. Yes, goodbye.

He's not gonna deliver the gas on Monday

unless he gets a cheque.

Well, let's give him one.

What cheque?

If he won't give us gas,

we'll give him a cheque.

Yeah, but our cheque's no good.

Yeah, I know, but it's Easter weekend.

I might be able to pump about 1,000

gallons and by Monday it'll be good.

What's that? Howard Hughes died?

Remember I told you

I picked that guy up in the desert?

He told me he was Howard Hughes.

[TV]... tests of his huge

Boeing Strat-o-liner.

- Didn't look like that, though.

- When are we gonna eat? I'm starvin'.

[Child] Yeah, when are we gonna eat?

[TV]... admitted to the test area

to act as a fire boat...

- [Melvin] What are we having, anyway?

- [Bonnie] Bell peppers.

[TV]... nose off the water with ease, as

no-one except howard Hughes expected.

- Hello, Melvin.

- Hi, how are you doin'?

- All right.

- Can I help you?

Yeah. Some cigarettes.

- Cigarettes. What kind do you want?

- Camels.

Camels, OK. That's a man's cigarette.

Probably walk a mile for these.

Nowadays, they want long ones and

filters and... You want some matches?

- Yeah. How much are they?

- Well, the matches are free.

- The cigarettes.

- That's a buck.

- A buck?

- Wait, Camels, 50 cents.

[Car horn]

[Car horn]

To get down to Las Vegas,

how do I get out of here?

Oh, see that right there, by the lake?

Interstate 15, it'll take you to Vegas.

Talking to this guy, he said if I take

89 and 60, south and across the line...

- I'll be with you in a minute.

- I guess 15's the best bet.

Yeah.

[Bonnie] Kenny, Sherry, come on!

You gotta do your homework.

[Radio plays country music]

Kids, come on!

I'm standing here, come on, let's go.

[Customer] Let's go.

[Radio. # Sir Douglas Quintet:

She's About A Mover]

Goodnight, Melvin.

Bonnie! Bonnie!

Yeah? What?

I gotta go into town a while,

take care of everything.

- I'll be back.

- OK.

Bye.

[Phone rings]

Yes, we'll send you an invoice...

And your PO number.

That one's out of stock.

It's on re-order.

Yes... Make the cheque out

to the Church of Latter Day Saints.

Yes, the main office, Church of

Latter Day Saints, Salt Lake City, Utah.

...Church of Latter Day Saints.

Wooh! Yahoo!

[Phone rings]

- [Bonnie] Hello?

- [Man] Congratulations, Mrs Dummar.

A document believed to be Howard

Hughes' will names 16 beneficiaries.

- One of them is Mr Melvin Dummar.

- Oh, my God!

Oh...! Oh...! Oh, my God!

Oh, my God! Oh!

[Shouting, laughing]

[Screams excitedly]

[Reporter] Melvin? Where's Melvin?

Where can I get a hold of him?

- [Reporter] We need to speak to Melvin.

- He'll be back.

[Traffic cop] Melvin, move them down!

[Reporter] How did you and Melvin meet?

[Bonnie] He was Milkman of the Month.

[Sherry] At least I don't

have to sell carolers any more.

[Reporter] What is the most

amount of money you ever saw?

Quite a crowd, here.

How you doin', Pops?

- Dwayne Edwards, my favourite attorney.

- Hi, Fred.

- Where's Melvin?

- Over there.

- Melvin, how are you?

- Hey, how you doing?

Haven't seen you in a couple of years.

Gotta talk to you about some

square business, right now.

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Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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