Metroland Page #3
- R
- Year:
- 1997
- 101 min
- 130 Views
Be fun.
# Destroy! Destroy! #
# Destroy the hoi polloi! #
# Destroy! Destroy!
# Destroy the hoi polloi! #
Nice shirt, wanker!
# Destroy the hoi polloi! #
# Destroy! Destroy! #
Hey!
Mwah!
Wonderful, aren't they?
Yeah, very talented.
# Destroy! Destroy! #
# Destroy the hoi polloi! #
Take it!
# Destroy! Destroy! #
Go on! A big one!
# Destroy the hoi polloi! #
# Destroy! Destroy! #
# Destroy the hoi polloi! #
# Destroy! Destroy! #
# Destroy the hoi polloi... #
Hello.
Oh, look at that nonce.
Hello there.
Mr. Nonce to you.
Man with a dress on.
I saw you!
What are you doing?
Chris, you all right?
Yeah!
This is fun!
This is fun, Toni!
You, you always knew
how to have fun,
didn't you?
I always, I always...
I always felt
a bit dull next to you.
What's the...
What's the secret?
No secret.
No, really.
What is it?
What's the secret, Toni?
Your problem, Chris,
is you're busy doing
what other people
want you to do.
Your parents,
Marion, everyone.
The trick is to do
what you want.
Sod what he wants.
What about me?
Are we shagging or not?
I should know better
better than to try
screwing old men.
Fun!
I'm having fun!
Yeah, this is it.
Come on, then.
Up you get.
Up you go.
Up, up, up.
From now on
I'm going to do
what I want.
Of course, you are.
Come on.
No. No, really.
Come on.
Let's get you home.
I'm gonna do
what I want.
No, Toni,
I mean it.
From now on.
I mean it.
Taxi! Taxi!
Hey, stop there!
In you get.
In you get.
Chris, Chris, Chris,
you do not want sex.
I bloody do.
No, you don't.
Come on.
You're going to bed.
You're going to bed.
You are in the first stage
of a three-stage hangover.
Marion.
Oh, Toni...
I say, sir.
Toni.
I say, I've never seen
the likes of it.
I said the sofa.
Go on. Get out.
Out, out.
This is private.
Private.
Chris, come on.
Yeah.
Come on. Come on.
Stage one
of this hangover:
Start feeling randy...
Yeah.
And stage two
is pass out-
halfway through.
No. Feeling ran...
Rubbish!
Rubbish.
Anyway, I want it to be you
that I make love to.
It's me.
No, it's not.
It's me, darling.
No, it's eight pints
of lager with an erection.
No.
Yes, it is.
Get into bed.
Stage one.
Then stage two.
What's stage three?
Stage three, my dear,
is wake up
with a blinding headache.
Bollocks!
I feel
absolutely fine.
Bed, bed, bed!
No, I feel... Yeah.
Into bed.
Go on. In, in.
I'm going
to get the baby.
Oh, Chris, for God's sake.
Are you coming back?
How you feeling?
Fine, thanks.
I phoned the office
and told them
you were ill.
I got to get going.
Thanks for the sofa.
Everything okay?
Fine.
You and Toni...
you had a row
or something?
'Course not.
Saw you snapping
away on the platform.
Interested in trains,
are you?
Not really.
Just there's not much else
to photograph around here.
It's very fancy.
Got it for my birthday.
I retired today.
They gave me
a whisky decanter.
42 years
in the same company
and nobody's noticed
I never drink.
This is the last time
I'll ever make this journey.
This used to be
a grand line, you know?
Used to have ambitions.
Do you know
there was a Pullman car
right up until
Hitler's war started.
It was called the Mayflower.
It wasn't just ambition
with the Victorians,
you see.
There was confidence as well.
Confidence in ambition.
I mean,
can you imagine?
They wanted to join
the Metropolitan Line up
with Northampton
and Birmingham.
Have a great link through
from Yorkshire and Lancashire
through Quainton Road,
through London
joining up
with the Old Southeastern
and through
a channel tunnel
to the Continent.
Monumental.
Is that when they started
calling it Metroland here?
That bloody nonsense.
No, that was
just a name made up
during the war
before Hitler's.
Catchy name
to make it sound cozy.
Cozy homes for cozy heroes.
and a pension
at the end of the line.
Turned it into
what it is now...
bourgeois dormitory.
Aren't you bourgeois, then?
'Course, I am.
So are you...
I shouldn't wonder.
No, I'm not staying
in Metroland.
I'm gonna live in Paris
and take pictures.
a decent rail service.
You see, it doesn't matter
where you go.
Metroland isn't a place.
It's a state of mind.
Oh, Amy...
Aw, sweetheart,
what are you doing?
Marion!
There's a good girl,
sweetheart.
There's a good girl...
Marion!
Sorry, love,
she's just...
Come on.
...taken everything down.
Aw...
Daddy's had a bad day...
Come on.
Stop now.
Ne bouge pas.
Comme a.
The camera...
No more. No more.
You taught me
to say what I'm feeling.
Nowyou're blaming me
when I do.
You know...
I'm sorry. I'm sorry.
Yes, but I was teaching you
to be sincere, not cruel.
Chris?
Ifyou're going
to look at dirty pictures
ofyour old girlfriends
at least have the style
to do it openly.
Sex with me
was always wonderful, Chris.
Betterthan it is now
with Marion.
No, that's not true.
That's just nostal gia.
No...
you gave me
Did I?
You never said.
Mmm.
You were
a fantastic lover.
Marion doesn't
appreciate you.
You might be right
about that.
Face it. You don't
desire her anymore.
No, I do.
Just not in the same way.
You never stopped
desiring me.
Yeah.
I didn't fall in love with you
either though, did I?
Are you sure?
Maybe you were just
too young to know.
Maybe you just lost
your nerve and ran back
to where you felt comfortable.
What do you mean?
I thought you came to Paris
to be an artist.
I did.
So what are you doing
ten years later
living a mile
from where you grew up
doing a job you despise?
Face it, Chris...
you've become your parents.
That's not true.
Oh, yeah?
Why didn't you stay in Paris?
Tu devrais tre dehors
dans la rue avec eux.
Tu prendrais
de bonnes photos.
Je suis un artiste,
pas un journaliste.
Comment va madame aujourd'hui?
Trs bien.
Malheureusement.
A vez-vous du feu,
s'il vous plat?
Merci.
Ciao.
C'est qui,
cette fille?
Quelle fille?
Euh, lopard plastique,
cheveux foncs.
L opard plastique,
cheveux foncs, trsjolie?
Oui.
Aucune ide.
Chris...
Ne te fatigue pas, hein?
Ne t'approche pas des filles.
Elles ne pensent
qu' te couper les couilles.
Regarde-moi.
Dis-donc.
Tu gagnes ta vie
avec des photos?
Pas avec les miennes,
en tout cas.
Parce que j'ai besoin
d'aide pour le week-end.
A moins bien sr que...
ce ne soit pas digne
d'un artiste de ton envergure.
Non. Oui.
Merci, Henri.
"Africa's where
it's happening, Chris.
"Vibrant culture.
"Great people.
"Thinking ofhanging out here
for a while...
to Afghanistan
"'cause apparently they grow
"the best pot
in the world there.
"You wouldn't believe
the skirt out here.
"The American girls.
Jesus, even you could score. "
"I'm working on getting
to Paris.
"Just not sure when.
"Don't start the revolution
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Metroland" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/metroland_13688>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In