My Big Fat Greek Wedding 2 Page #2
PARIS:
Outstanding.
Paris turns to the high school.
Suddenly, Toula leaps from the car, grabs Paris.
(CONTINUED)
8
CONTINUED:
TOULA:
(blurts, loud and fast)
Paris, Pappou didn’t mean to say
anything hurtful, you’re beautiful,
so beautiful, of course you don’t
look old, he just says stuff like
that, to, well, to me too, you
don’t need a boyfriend, you don’t
have to get married or have babies-
Paris side-eyes the ever-present school loudmouth TOMMY, and
the COOL STUDENTS, including TIAHN, CLIFFORD, all 17.
And, BENNETT, 17. Bennett.
Toula doesn’t see the effect he has on Paris.
Paris turns to glare at Toula.
PARIS:
(teeth gritted, sotto)
Mother.
Toula stops talking, stares at her daughter.
TOULA (V.O.)
When did my name change from--
CUT TO:
EXT. MILLER DRIVEWAY - SUMMER DAY (FLASHBACK)
PARIS, 4, runs TO CAMERA:
PARIS (AT FOUR)
Mommy!!!
CUT TO:
EXT. HIGH SCHOOL PARKING LOT - DAY (THE PRESENT)
TOULA (V.O.)
... to-
PARIS:
(furious)
Mother!!
Toula realizes she is holding Paris’s face. She drops her
hands.
(CONTINUED)
9
CONTINUED:
Paris turns, walks past GROUPS OF TEENS. She is alone.
TOMMY:
Ooh, drama.
Toula blinks, looks up at:
A banner hangs:
COLLEGE FAIR TONIGHT.CUT TO:
The downtown Loop in the distance, the Cadillac drives
through Greek Town.
CUT TO:
I/E. GUS’S CADILLAC/CHICAGO STREETS (THE PRESENT)
Gus drives, as Toula thinks.
TOULA (V.O.)
I guess when my daughter started to
pull away, I should have stepped
back.
CUT TO:
INT. SCHOOL GYM - DAY (FLASHBACK)
PACKED volleyball game. Paris is a Line Judge. Wearing a
PARENT VOLUNTEER sticker, Toula works the SNACKS TABLE on the
side.
TOULA (V.O.)
But I stayed too close. I kept
volunteering at her school. I
wanted her to think I was cool
again.
Toula keeps waving to Paris, who wishes she would go away.
Then, a volleyball smacks Toula in the head. She drops. The
GYM of PEOPLE sucks in air. Paris cringes at the attention.
Toula is on the ground.
(CONTINUED)
10
CONTINUED:
TOULA (V.O.)
Then I remembered I’ve never been
cool.
MARGE and EDIE, 40’s, the overbearing Volunteer Moms, smirk
into their hands. STUDENTS, including Tommy, are quietly
giggling. Then-
TOMMY (O.C.)
Here comes the principal.
The principal is backlit. It’s IAN MILLER, 40’s, and even
though he looks worn down by the teen years, he is handsome.
TOULA (V.O.)
My husband has always been cool.
He just has it. And he always knows
what to say.
Ian leans in.
IAN:
You okay, babe?
Toula sits up, nods, sees: Paris looks at her with disdain.
DISSOLVE TO:
I/E. GUS’S CADILLAC/CHICAGO STREETS - DAY (THE PRESENT)
Remembering this, Toula winces.
TOULA (V.O.)
Just when my daughter doesn’t want
me around anymore, my parents need
me more than ever.
Gus, driving, nods off. Toula nudges his chin, he wakes up.
Toula sees they pass the SENIORS’ REHAB CENTER.
DISSOLVE TO:
INT. REHAB CENTER WAITING ROOM - ANOTHER DAY (FLASHBACK)
TOULA (V.O.)
So I take them to get groceries, to
their doctors, and to Physical
Therapy.
Toula waits:
through the glass, Gus does hip therapy.(CONTINUED)
11
CONTINUED:
Toula blows off dust from a peanuts bowl. Eats some.
The receptionist, DOMINIQUE, looks up.
DOMINIQUE:
The old guys suck the chocolate off
those nuts.
Toula spits nuts.
CUT TO:
I/E. GUS’S CADILLAC/OLYMPIC TRAVEL - DAY (THE PRESENT)
Gus drives past closed-down buildings, one with two tattered
signs:
OLYMPIC DRY CLEANING, and OLYMPIC TRAVEL AGENCY.Toula sees the sign.
TOULA (V.O.)
I used to love being a travel
agent. But in a tight economy the
first things to go are luxuries
like travel and dry cleaning.
CUT TO:
I/E. GUS’S CADILLAC/DANCING ZORBA’S - DAY
The car pulls up to the family restaurant, DANCING ZORBA’S.
TOULA (V.O.)
Toula gets out, then helps her dad as he slowly gets himself
out. Toula pulls a walking cane from the car. Gus looks
around to be sure no one sees this, reluctantly takes it.
Toula holds his arm as they walk. Gus slips, bumps into
Toula, knocking off her glasses. Gus steps, accidentally
crunching them to bits.
CUT TO:
INT. DANCING ZORBA’S - DAY
Toula now squints, flips on the lights, hangs up their coats.
Gus, exhausted already, limps to the corner booth.
Toula hangs a worn sign in the window: WE NOW CATER, TOO!
(CONTINUED)
12
CONTINUED:
TOULA (V.O.)
My sister and brother have small
children, so I help at the
restaurant. It’s what nice Greek
girls do.
Toula puts on a mud-brown Seating Hostess jacket.
Toula walks past a pie case filled with mini-bundt cakes,
each with a Fall-colored orange or cranberry gerbera in its
center.
TOULA (V.O.)
Families that are close like mine,
we make it through bad economies,
wars and sickness because we stick
together...
Toula goes to a drawer, finds a strip of empty disposable
contact lenses. She remembers something, and rummages to
find a pair of glasses. They’re ugly and they were once
hers. She puts them on.
Toula looks as downcast and frumpy as she once did.
TOULA (V.O.)
... but some of us just get stuck.
Toula looks out the window. Cars and PEOPLE pass her by. The
day is as bleak as her mood.
DISSOLVE TO:
INT. HIGH SCHOOL HALLWAY - DAY
In the exact same stance as her mother Toula, Paris stands,
looking out the window.
SMALL GROUPS OF STUDENTS huddle at lockers.
Paris is alone.
CUT TO:
INT. HIGH SCHOOL LIBRARY - DAY
Paris takes a book from a bookshelf -- Ian walks up.
IAN:
Hey Paris -
(CONTINUED)
13
CONTINUED:
PARIS:
Do not talk to me. People think
I’m a narc.
IAN:
I -- shouldn’t you be in class?
PARIS:
You track me all day! Mom is
needy, Pappou wants to marry me
off, Yiayia constantly tells me to
never, ever let a boy touch my
poulaki because once he feels it,
he wants it. Ugh, this family!
STUDENTS look over at the voices from the bookshelf.
TOMMY:
Save it for the therapist’s couch.
Riiiiiight?
He goes for a high five which no one returns.
IAN:
Paris, your mom once felt the same
PARIS:
Dad, that’s obtuse, why would I
Paris points behind her to 5 cheerful posters declaring
upcoming meetings: Syrian Club!, Korean Club, Greek Club!,
Gay & Lesbian Club!, Handi-Capable Club!
PARIS (CONT’D)
I can’t take that everyone is
always in my business! Give me
some air. I’m not a kid, I can be
late to a class, there won’t be a
spasmodic catastrophic ripple in
the space-time continuum. And yes,
four of those words are Greek.
Paris storms away, Ian looks worn out.
DISSOLVE TO:
(CONTINUED)
14
CONTINUED:
PARENTS and STUDENTS enter the gym.
DISSOLVE TO:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"My Big Fat Greek Wedding 2" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/my_big_fat_greek_wedding_2_1307>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In