My Blue Heaven Page #10

Synopsis: Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.
Genre: Drama, Musical
Director(s): Henry Koster
Actors: Betty Grable, Dan Dailey, David Wayne, Jane Wyatt
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
6.3
  My Blue Heaven Movie Quotes »
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NOT RATED
Year:
1950
96 min
2,361 Views

Here's a lttle tp. dear

Make each trp a pp. dear

Just for the lkes of you and me

Don't rock the tug. dear

Love s )ust a drug. dear

All I need s hug. dear

We're not lost at sea

Don't rock the scow. now

Charm me off the bough. now

Love s here and now

Wow

The way t ought to be

Even though we're out n deep water

We must save the future

For sons and daughters

Don't rock the sloop. dear

Don't be nncompoop. dear

Lovers loop the loop. dear

Just lke the lkes of you and me

Don't rock the yacht. dear

Don't you go to pot. dear

Ths year s a hot year

We're not lost at sea

Don't rock the launch. dear

Keep your morals staunch. dear

Grdle up your paunch. dear

The way t ought to be

Even though we're out n deep water

We must save the future

For sons and daughters

Don't rock the smack. Jack

Don't you turn your back. Jack

You're my Cracker Jack. Jack

Just lke the lkes of you and me

- Don't rock the yawl. dear

- Bong

- Wth that Southern drawl. dear

- Bong

- Let's not have a brawl. dear

- Bong

We're not lost at sea

[KITTY YODELING]

- Don't rock the hulk. dear

- Don't rock the hulk. dear

- Why st here and sulk. dear

- Why st here and sulk. dear

- Take me n the bulk. dear

- Take me n the bulk. dear

- The way t ought to be

- The way t ought to be

Even though we're out n deep water

We must save the future

For sons and daughters

Don't rock the boat. dear

Keep our love afloat. dear

Strke that happy note. dear

- What's wrong with her?

- I don't know. Something's up.

- Do you think she's all right?

- I don't know. I don't know.

[BOTH GASP]

Just for the lkes of you and me

[AUDIENCE APPLAUDING]

- Kitty, are you all right?

- I'm worried about you.

It was the excitement...

- Kitty, are you all right?

JANET:
Get the doctor.

Will you make some room for her?

Get out of the way for a second.

- Doctor.

- Doc, how is she?

Fine, fine, she's fine.

There's nothing really wrong with her?

Nothing, except she's

going to have a baby.

- She's gonna have a what?

- About Christmas, I'd say.

Doc, she can't have a baby.

Dr. Graham told me...

Well, maybe she can't, but she is.

- Oh, me. Three.

- And one match.

- Doc, can I go in now?

- Certainly. Go right on in.

- Oh, thank you.

- Yes.

Honey, do you know what that crazy

doctor out there was trying to tell me?

It's all right.

They're deductible.

KITTY [SINGING]:

And baby makes three

CHORUS [SINGING]:

We're happy n my

Blue heaven

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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Submitted on August 05, 2018

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