My Blue Heaven Page #9

Synopsis: Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.
Genre: Drama, Musical
Director(s): Henry Koster
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
6.3
NOT RATED
Year:
1950
96 min
2,361 Views


That's fresh and new

Ths famous operetta

Set the country on ts ears

And we predct t's gonna run

For years and years and years

For those of you who haven't seen it

but have heard that it's terrific...

...we're going to take you to the

Friendly Islands in the South Pacific.

And we know you'll find them

very, very friendly.

CHORUS:

We are n the sland

On the Frendly Islands

[ORCHESTRA PLAYING]

In the South Pacfc

No one ever hurres when they walk

No one ever worres

Wth happy talk

- On the Frendly Islands

- Frendly Islands

- In the South Pacfc

- South Pacfc

Just below Samoa

East of Bal Bal

Just a contnent or two

From Schubert Alley

On the Frendly Islands

Frendly Island

Mo one there s frendless

Lfe )ust goes on

Endlessly

Lfe goes on and on

Untl lfe tself s gone

No one ever goes away

They )ust stay

Stay, stay

On the Frendly Island

Frendly Island

Mo one there s frendless

Lfe )ust goes on

Endlessly

On the Frendly Islands

In the South Pacfc

No one ever hurres when they walk

No one ever worres

Wth happy talk

On the Frendly Islands

In the South Pacfc

How do you lke to look

Into the eyes of a-danger

Walkng arm n arm

Wth some enchanted stranger

On the Frendly Islands

Mo one there s frendless

Lfe )ust goes on endlessly

How'd you lke to put some lfe

In these Frendly Islands?

Maybe we could fnd a wfe

In these Frendly Islands

We got the moton

We got the noton

We got devoton

Wth plenty to spare

We got the flowers

And vory towers

And dle hours

So don't be a square

Mo one ever hurres

When they walk

Mo one ever worres

Wth happy talk

On the Frendly

Island

Mo one there s frendless

Lfe )ust goes on endlessly

On the Frendly Island

On the Frendly Island

Lfe goes on and on

And on and on

[AUDIENCE APPLAUDING]

Mrs. Moran.

- Mrs. Moran, Mr. Moran.

- What?

There was a call from your apartment.

The operator sounded excited.

- Who was it? What'd they say?

- It was something about the baby.

- The baby?

- Baby? Oh, Jack.

See if you can get Selma.

I'll change right away.

ANNOUNCER:
... prodly presents Ktty

and Jack Moran each week at ths hour....

SELMA:
I done my best, Miss Kitty.

KITTY:
The baby.

SELMA:

I done my best.

Ain't no use going in there.

The baby ain't there.

Ain't nobody there.

Where is she?

Where is the baby?

- They come and taken her away.

- Who? Who took her?

Those folks that says

the baby was theirs.

Oh, no.

Now, stop carrying on

and tell us what happened.

Well, I was sitting here with the baby

in my lap listening to the radio...

...when the lady

and two gentlemen come in.

And one of them said

the baby was his...

...and he want his

flesh and blood back.

And the other one said he was a lawyer,

and if I didn't give the baby back...

- ... they'd call the police.

- No.

Oh, Miss Kitty, I tried to stop them.

I told them that nobody

would touch that baby...

...leastways you said so.

But they wouldn't pay me no mind.

They just took her

right out of my arms.

They can't, Jack, they can't.

It's my baby.

Oh, Janet, they can't, they can't.

I want my baby.

- I'm going to find my baby.

JACK:
Kitty.

There must be some way.

There's no way I know of

at the moment, Mrs. Moran.

Tomorrow we'll see what we can do,

but you haven't a chance.

But the mother gave us the baby.

We paid all the expenses

and she signed the papers.

I understand, but there's

a definite procedure prescribed...

...for adoption of children

in this state.

They must come either through

definitely established adoption homes...

...or with the sanction of the courts.

You'll find that

the courts bend backwards...

...to return a child

to its natural parents.

Well, I'm sorry we got you up so late.

We didn't know where to turn.

That's unimportant.

I'm just sorry I can't help.

Let's go, dear.

LAWYER:
Good night.

KITTY:
Good night.

LAWYER:
Good night.

JACK:
Good night. Thank you.

[SOBBING]

That's fine. Thank you, Gladys.

- If you need me, I'll be in the wings.

- I'll holler.

- Are you sure you're all right?

- I'll be all right, thank you.

[DOOR OPENS]

- Ready?

- In a minute.

[KNOCKING]

- Yes?

- Excuse me, Mr. Moran...

...but a couple of ladies are here.

- We can't see anyone until after.

- This will take only a moment.

Why do you want to see us?

I've had you on my conscience...

...and I can't afford a bad conscience.

We'd rather not discuss it.

She only wants to say we have

another baby for you, Mrs. Moran.

- I'll do the talking, Miss Gilbert.

- Sorry.

- I brought along all the necessary papers.

- We don't want another baby.

- What's that?

KITTY:
We had a baby. We loved it.

It's gone.

We can't substitute just any baby.

I know all about that.

I've kept my eye on you.

But you'll feel differently

when you see this boy.

PAGE:
Five minutes.

JACK:
We'll be right there.

- We appreciate your offer, but...

- I acted hastily when I took your baby.

I have no false pride

about when I'm wrong.

- Yes. Well, thank you...

- Now, now, you're acting hastily.

That I can't permit.

I shan't leave

until you sign these papers.

Here, you may use my pen.

- Well, congratulations.

- Oh, darling, such wonderful news.

- I knew it would work out somehow.

- Wait. Let's not rush.

- We haven't decided if we want this.

- What do you mean?

- Got no choice.

- It's delivered.

- What?

- What? Delivered what?

The baby, of course, what else? The

father's run off. Isn't that wonderful?

I'm naming him

as Father of the Year.

There'll be no slip-up this time,

I guarantee it.

Our own lawyer talked to the mother.

- Where is she? Where's the baby?

- With Selma, in the lap of luxury.

JANET:
We wanted to bring her here, but...

- Darling, we've got her back.

Well, honey, it looks

like we got two babies back.

Two?

Come on, you two,

we're waiting for you.

All right. Just a second.

You better get dressed.

You haven't given your answer yet.

Do you want the baby?

Oh, of course we do.

We want them both.

Thank you, Mrs. Johnston,

Miss Gilbert, Janet...

- Is everybody going crazy around here?

- Walter.

Get dressed. The rest of you go.

We've gotta do a show.

I'm sorry to rush you,

but you know how it is.

Thank you, Walter.

Kitty?

- What's the matter, huh?

- I don't know.

- My head feels funny.

- I'll get you a glass of water.

No, I'll be all right.

- Think I'd better get Gloria ready?

- No, not that, I'll be fine.

- I'm just dizzy, that's all.

- I guess it's just all this excitement, huh?

- Now, here, let me help you with that.

- I'll make it, all right.

ANNOUNCER:
Cosmo Cosmetcs

presents Ktty and Jack Moran.

[AUDIENCE CHEERING]

[ORCHESTRA PLAYING]

[SINGING]

Don't rock the boat. dear

Keep our love afloat. dear

Strke that happy note. dear

We're not lost at sea

Keep our love steady

Never hgh or heady

Always keep t ready

The way t ought to be

Even though we're out n deep water

We must save the future

For sons and daughters

Don't rock the shp. dear

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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Submitted on August 05, 2018

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    "My Blue Heaven" Scripts.com. STANDS4 LLC, 2024. Web. 15 Nov. 2024. <https://www.scripts.com/script/my_blue_heaven_14306>.

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