My Blue Heaven Page #8

Synopsis: Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.
Genre: Drama, Musical
Director(s): Henry Koster
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
6.3
NOT RATED
Year:
1950
96 min
2,381 Views


I'll have to shoot you.

Good.

Kitty. Walter, there's Kitty.

Kitty. Kitty, wait a minute.

Janet. Walter. What in the world

are you doing up here?

We can't go to a nice, cheap dentist,

we have to go to a Fifth Avenue dentist.

Look at the braces, Mrs. Moran.

- Don't they look awful?

- They're not too bad.

Listen, 1500 so she can eat corn off

the cob like a lady, and she complains.

- You know it was your idea.

- Look who's here.

JANET:
Hello.

WALTER:
Give your Uncle Walter...

...a nice toothless grin, huh?

- Mother, isn't she darling?

- Isn't she adorable?

- Are you Kitty Moran?

- Yes.

- See, I told you she was.

- You sure have changed, then.

I saw you on television last night,

and you had dark hair.

WALTER:

Yes, well, she was wearing a toupee.

GIRL:

He's kidding us.

She doesn't even look like Kitty Moran

in the flesh.

- Come on.

- Well, wait a minute, Mary.

- Well, heigh-ho, everybody.

- The little dears.

Oh, it's a cruel world.

I'm off the air five weeks, and bingo.

You should go back to work.

And soon. Without

your legs to speak our lines...

- ... they don't sound so Noel Coward.

- It's a thought.

I wish you would, Mrs. Moran.

I don't like that old Gloria Adams.

- Laura.

- Well, I don't, Mother. She's so pushy.

She acts as if she's in love

with Mr. Moran.

That'll do, Laura.

You said if Mr. Moran

were your husband...

- Laura, be quiet.

- I'm sorry.

Kind of warm for summer, isn't it?

It's all right, I know what your mother

means. I tuned them in myself.

Whether or not,

it's none of our business.

Come on, we gotta catch a bus.

There's a sale at Saks

and I want to get Laura a coat.

- Goodbye, dear.

KITTY:
Bye, Laura.

Goodbye, pet. You must come over

and spill some beans for us sometimes.

- Hi, Gloria.

- Hi, Mac.

- Hi.

- Hi.

GLORIA:

Ready?

As soon as

I get this rope around my neck.

If I lay my hands on who

thought of these...

GLORIA:

I like you in bow ties.

They make you look so young.

Yeah? Well, I'll be an old man

before I get this one on.

GLORIA:

Let me help you.

I'll tie it.

I don't know where they go wrong.

This is as far as I get.

- You look kind of cute today, huh?

- Oh, be still.

If your nose

just turned up a little bitsy bit...

Leave my nose alone.

I bet when you were little you played

the best game of Post Office.

Jack.

You know a good French synonym

for the word:
Phew!

- Oh, darling.

- What's the "oh" for?

I feel like I've been waiting for this

all my life.

I hate to keep a lady waiting.

MAN:
Kitty.

KITTY:
Hello, Joe.

MAN:
You look great.

Where'd you get the coat?

KITTY:

Something I picked up in Bloomingdale's.

- Hi, anybody home?

- Kitty, well, gee, I'm glad to see you.

Come on in.

Yes, let me take your coat off, huh?

My, you do seem glad to see me.

Hi, Gloria.

- I was just helping Jack with his tie.

- How nice.

- Me and bow ties. I never...

- You're bleeding.

- Did you cut yourself?

- No, where?

Wait a minute, let me see.

- Oh, it's only lipstick.

- Lipstick. Well, now, how... Excuse me.

- How do you suppose it got there?

- I can't imagine.

A lovely shade.

What do you call it?

- Careless Lips.

- Careless Lips. What a charming name.

- Is it yours?

GLORIA:
Yes.

JACK:
Gloria.

- It's no use, Jack.

- She'll have to know sometime.

- Know what?

It's nothing.

Gloria and I were kidding...

Please, Jack. Kitty's grown up.

Certainly, I've been grown up

for years.

Kitty...

- ... Jack and I are in love.

- Madly?

Oh, please, don't joke about it.

We've fought it, really we have.

- It's no use.

- I never said anything...

...about love.

Where'd you get that idea?

Don't interrupt, Jack.

I haven't heard gossip for weeks.

- Go ahead, Gloria.

- We've always known it in our hearts.

But we only admitted it today.

I never admitted anything.

How can you just make it up?

There's no reason to get excited.

I'm not getting excited, Kitty.

Excuse me, Gloria.

- I was explaining...

- Later.

Sit down, Gloria.

This is an interesting situation.

- I'd prefer to stand.

- Sit down!

- Don't fight.

- Kitty, if you'll let me explain...

...this thing to you...

[KNOCKING]

Come in.

- Come in.

- Come in.

I've got a couple of changes for...

Kitty!

KITTY:

Hello, Walter.

I thought you'd be home wringing out

diapers. What brings you here?

- I've decided to come back to work.

- To work?

And about time, too,

don't you think so, darling?

- Yes, Kitty. What about the baby?

- Selma's with her.

Tell everybody

I'll do this week's show.

We'll start rehearsing as soon as

we get a little business finished.

Take your time, baby. I wouldn't

think of interfering with business.

See you around, Gloria.

Well, you run along, Walter,

and we'll see you later.

Now, where were we, Gloria?

Oh, yes, about you and Jack.

There's several ways a wife

could look at a situation like this.

- Sure you won't sit down?

- No, thank you.

For instance, I could shoot you both.

The unwritten law, but then,

that's rather uncivilized, isn't it?

If that's your attitude, I'm going.

- Listen...

- Don't go. This is getting interesting.

- Let me say something.

- Later.

This is a problem for Gloria and me.

I don't want to stand

in the way of anyone's happiness.

- We can arrange a nice, quiet divorce.

- Divorce?

You don't wanna commit bigamy. How

inconvenient it would be, two women.

To say nothing of the expense.

Can I get a word in edgewise?

Why, certainly, dear,

if you have a suggestion.

Yes, this whole thing is cockeyed. Sure,

I kissed her. She's kind of a cute kid.

- A little on the goofy side, but...

- Jack.

- Now you've hurt her.

- Well, I'm human.

Stop bragging,

go on with your story.

What I mean is one kiss doesn't mean

a guy wants to start paying alimony.

Especially the first time

he gets caught.

- What am I gonna do now?

- Well, I'll tell you.

In the future,

keep your mind on your job...

...and your hands off my husband.

Because you see, he's not a bit clever.

[GLORIA SOBBING]

Well, shall we get ready to rehearse?

What a life.

A guy can't even pinch a girl

without hearing wedding bells.

- Ow! That hurt.

- I meant it to.

I'll probably have a mark

on me as big as a hen's egg.

That'll give you an idea what'll happen

the next time I catch you being human.

Rhinelander 73200.

Yes, Mrs. Moran will be

on the program tonight.

Yes, sir. We're pleased too.

Rhinelander 73200.

Who? Mrs. Moran?

I'm sorry, she's on-stage.

What? Please don't speak so loudly,

I can't understand you.

What is that about a baby?

What?

Yes, I'll tell her it's very important.

Mac, see if you can get this

to Mrs. Moran right away.

Yeah, ma'am.

OPERATOR:

Rhinelander 73200.

ANNOUNCER:

Ths s Channel 2. WTVW.

Stay tuned for Ktty and Jack Moran...

- I've got a message for Mrs. Moran.

- Too late. They're on.

CHORUS [SINGING]:

Cosmo

[SINGING]

Cosmo Cosmetcs present to you

A takeoff on a muscal

Rate this script:0.0 / 0 votes

Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

All Claude Binyon scripts | Claude Binyon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "My Blue Heaven" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/my_blue_heaven_14306>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    My Blue Heaven

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A A brief pause in dialogue
    B A type of camera shot
    C A musical cue
    D The end of a scene