My Blue Heaven Page #7

Synopsis: Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.
Genre: Drama, Musical
Director(s): Henry Koster
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
6.3
NOT RATED
Year:
1950
96 min
2,381 Views


And those cheeks.

We'd have to start her out on a diet.

Let me hold her.

KITTY:
There we are.

All done. All done now, honey.

Okay. Well, come on.

Come on. Oh, it's getting

to be such a big girl...

...such a big girl, such a big girl.

Oh, I got lipstick all over you.

Look at that face.

[SINGING] Bay face

You've got the cutest lttle baby...

Look at the baby.

See the pretty baby? See?

See the pretty baby?

Let's brush your hair now.

There.

Look at that thing. See?

- It's getting late.

- I'm all ready except my coat and hat.

- How's Her Highness?

- Oh, she's wonderful.

- Say, "Hi, Daddy. "

- Want a bite?

Oh, stop.

I'll bet Mr. Milton will like it.

Watch this new trick.

Hey, Milt. Catch, now.

- What's the matter with him?

- Milton?

He's pouting.

I think he's jealous.

I'll take him to the park

and introduce him to some lady dogs...

...to get his mind off his troubles.

Ah, Mrs. Bates. Ravishing as ever.

- What are you doing, Mrs. Moran?

- Playing with the baby.

Well, put her down, please.

- Oh, I'm not hurting her.

- You know the rules.

- Was that dog in here again?

- For a little while.

I've told you repeatedly

to keep him out.

I don't like dogs around babies.

He wasn't anywhere near her.

- Also, you haven't your mask on.

- I forgot it.

You don't consider germs

a danger to your child?

I said, I forgot it.

- I see you've changed her too.

- She was wet.

BATES:
Well, of course, you're

her mother. If you wanna spoil her...

And I think she's hungry.

She was crying.

Her next feeding's in half an hour.

My mother had seven children.

When they were hungry, she fed them.

- Times have changed.

- Mothers haven't.

Do you want your child to grow up

to be a useless, selfish individual?

- Spoiled and...

- A little love never spoiled anybody.

I might as well not have a baby.

I can't touch her...

...I can't feed her, I can't kiss her,

I can't change her.

Before long,

I won't even be able to look at her.

We've been all through this before,

Mrs. Moran...

...and obviously

you and I don't see eye to eye.

We certainly don't.

Better step on it.

It's getting late.

- What's the matter with you?

- Oh, that woman.

- Again?

SELMA:
Is it all right for me to go now?

- Yes, of course.

- Oh, thank you. Good night, Mr. Jack.

- Where are you going all dressed up?

- You forgot, Mr. Jack?

This is my birthday.

I'm going to a party.

- Well, congratulations. How old are you?

- Thirty-nine.

- You too?

- Yes, sir.

Wait a minute.

- You're fired.

- What?

You heard me, you're fired.

I've had about all I can stand.

Now, get your things

and leave right now.

- Oh, very well, I shall.

- Good.

- To the showers, Butch.

- My check, please?

I'll send you your check

in the morning. Just go.

- I was only trying to do my duty.

- Get out.

Don't be hard on her.

Maybe she's good to her mother.

She never had a mother. She's part

of the rock left over from Grant's Tomb.

[BABY COOING]

JACK:
Well, come on, kiss Her Majesty

good night, let's go.

- Who's gonna stay with the baby?

- What a time to think of that.

I couldn't stand that woman

one more minute.

- I can catch Selma.

- On her birthday?

- Well, how about a sitter?

- I wouldn't know who to call anyway.

I'll have to ask Mule Face

to come back and stay until morning.

No, no, no,

I wouldn't ask her to do anything.

- I'll stay with the baby.

- You can't do that.

- We've got a show to do.

- Tell them I have a cold.

Gloria can take my place.

She knows the routines.

Gloria? Who wants Gloria?

No, you've got to do it.

It's no great tragedy if I miss

a broadcast. Lots of people miss shows.

- If you'd only kept your mouth shut.

- Go and telephone Gloria.

She's been hoping I'd break a leg

or something. Go on.

All right, but I think

you're taking an awful chance.

That Gloria's kind of sexy, you know.

- I might fall for her.

- Oh, go on.

[ORCHESTRA PLAYING]

[GLORIA SINGING]

[SINGING] n't noody gonna cross me

An't nobody gonna boss me

Anyone who tres to toss me

Won't be worth a dme

I'm just televsng

An't nobody gonna come along

And beat my tme

'Cause I lve hard. work hard

And I love hard

Got an eye just lke an eagle

Got a nose )ust lke a beagle

Got a man and he's mghty legal

I won't gve you no trouble

Take my advce. gal

It won't be nce. gal. f you try

'Cause I lve hard

Work hard

And I love hard

GLORIA:
If you thnk all ths foolshment

Gets by me

Come on and whp your wts

Together. gal. and try me

'Cause I lve hard

Work hard

And I love hard

So. gal. get movng down the track

Can't stand no evl

'Hnd my back

Ths man must be the way he's been

If we're to lve together

Work together

- Love together

- Love together

From here on n

[BABY COOING]

[SINGING]

An't nobody gonna cross you

An't nobody gonna boss you

Anyone who tres to toss you

Won't be worth a dme

I'm )ust televsng

An't nobody gonna come along

And beat your tme

Got an eye )ust lke an eagle

Got a nose )ust lke a beagle

You said it.

So don't you ask for trouble

Take my advce. gal

It won't be nce. gal

If you try

'Cause I lve hard

Work hard

And I love hard

If you thnk all your foolshment

Gets by me

Come on and whp your wts

Together. gal. and try me

Hmph!

'Cause an't nobody gonna cross me

An't nobody gonna boss me

Anyone who tres to toss me

Won't be worth a dme

I'm )ust televsng

An't nobody gonna come along

And beat my tme

'Cause I lve hard

I work hard

And I love hard

So. gal. get movng

Down the track

Can't stand no evl

'Hnd my back

[HAND SMACKS AND GLORIA GASPS]

My man must be the way

He's been

If we're to lve together

Work together

Love together

Welcome back. Daddy-o

Hey. Sleeping Beauty.

Look out, Milt.

KITTY:
Oh, who is it?

- It's the milkman. Who'd you expect?

Four quarts and

a pound of butter, dear.

- Why are you sleeping out here?

- I'm scared of the dark.

How'd the show go?

- Well, didn't you see it?

- No, I was pretty busy with the baby.

She kept crying

and she seemed restless.

- How do you think it went?

- Not bad.

And Gloria?

Well, she isn't you.

It's a good thing you said that.

Come on, let's hit the sack.

Jack, sit down a minute, huh?

Would you mind very much if we didn't

get another nurse right away?

Well, you can't take care

of a baby by yourself.

- What do you know about them?

- Nothing, that's why I wanna try it.

It was so fun, being able

to pick her up whenever I wanted to...

...and change her whether she needed it

or not, kiss her whenever I liked.

I'm a new woman.

I just can't wait for Mother's Day.

- And the show?

- I think Gloria's amply demonstrated...

Well, Mr. Carroll

might think differently.

After all, he hired you and me,

not Gloria.

You can fix it.

You're a genius, remember?

- You know what you need? A new nurse.

- Just for a while? I'll give you a kiss.

- Okay?

- You're a hussy.

Of course, you realize

if you ever get the idea...

...that Gloria's really as good as I am,

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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Submitted on August 05, 2018

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