My Cousin Vinny Page #3
- R
- Year:
- 1992
- 120 min
- 16,179 Views
DRIVER:
our jail has been ~_ondemned that's
why we're bringin 1 you all out
to the state correct_ional
facilities
OMITTED:
*
17B
J(is
Draft
EXT, PRISON - DAY
A few dozen, one story, bleak-looking bungalows, a couple
administration buildings surrounded by barbed-wired fence. Just
outside the fence, a dozen ACLU members demonstrate against the
death penalty. Placards mention a guy named NORTON - ("Only God
can condemn NORTON." "If NORTON dies, so does humanity" etc.)
Norton's going to be executed in a few days
DRIVER:
r jail has been condemned
why we're bringin' you
out to t .. -.....,_t.ate correctional
facilities
EXT, PRISON - DAY
all
The van stops in front of the administration building
INT. MAIN CELL BLOCK OF PRISON - LATE AFTERNOON
As Stan and Bill are led to a cell. The other inmates - big,
vicious-looking men - spark up when they see the slightly-built,
clean-cut-looking young men. They hoot, cheer, and
wolf-whistle
19 STAN AND BILL'S CELL
A tiny room with a toilet, a chair, a sink and a DOUBLE bunk
bed. Bill and Stan enter - the door is shut behind them. Bill
sits. Stan paces - terrified. He sees a folded cot against
the wall
STAN:
You know what happens in these
places?
BILL:
Yeah ••
STAN:
And sometimes there's a big guy
no one wants to tangle with who'll
'protect you' - but you have to
become his sex slave and do
anything he wants
(CONTINUED)
Draft
BILL:
There's only the two of us here
STAN:
(indicating cot)
But what if they put someone else
in here?
Bill looks at Stan
BILL:
Stan - Shut up!
..... ~j .. l
INT. CONFERENCE ROOM AT PRISON - DAY
Bill's on the phone - he looks elated. He hangs up and grins
at a GUARD
21 INT. CELL
' __.,.,._,. ··· -·---
Stan is nearly catatonic with fear. Bill is led to the cell
and is strikingly optimistic by contrast
BILL:
All right, Vinny's leaving within
the hour - he's driving all night,
he should be here tomorrow. He
says 'Don't worry, your problems
are overStan pumps Bill for positive-sounding information
STAN:
Great. so, what's the story?
He's some kind of a hot shot
attorney?
BILL:
Wait till you meet him!
It's a typical, small town Alabama courtyard - a colonial-style
courthouse in the middle, surrounded by grass
(CONTINUED)
A cannon, or a statue of Rober:: E. Lee
The streets around the courthouse have all the little stores
that service the small community of 2000; Western Auto, EZ
Finance company, a single floor, 3000 square foot department
store, a "package" store (liquor store). Many of the signs are
done in hand lettering
Some of the stores are so run down it's hard to tell if they've
been abandoned or not. There are a few people walking past
The setting is quiet, benign, serene. We HEAR BIRDS CHIRPING
THEN, WE HEAR.IN THE DISTANCET HE BASS FROMA HIGH-POWEREDC AR
STEREO (THUMPAT HUMPAT HUMPA). An obese woman in a floral-print
dress stops and turns toward the sound. It is unusual indeed
She watches unapprovingly as she sees ••
••• a perfectly-restored, but muddied-around-the-wheels
Cadillac coupe de Ville convertible. As the car approaches,
we can identify the music - hip-hop - it's Tone Loc's Funky cold
Medina. The car parks in front of the courthouse and stops
Silence. The driver's door opens and out steps VINCENT L
GUARDIAG AMBONEa, tough New York Italian-American. He's been
up driving for twenty hours straight and he looks it - unshaven,
wrinkled clothes and bloodshot eyes. He looks unquestionably
tough - you'd want him on your side in a gang fight. He's
wearing Ray-Bans, and a weathered black leather blazer. He
carries a deck of cards in his shirt pocket
Getting down on his knees, he checks out the front end of the
car for something is wrong
The passenger door opens and LISA, Vinny's girlfriend, gets' out
and stretches. Lisa's pretty, with perfectly-coiffed, jet-black
hair. She's more appropriately dressed for a New York club than
the deep south, which in these parts, looks downright trampy
She's got a small, instant-everything camera - and she takes
pictures of anything that looks interesting
VINNY:
(thick Brooklyn accent)
Boy, do you stick out
LIS:
(same accent)
Me? What about you?
VINNY:
I fit in more than you ••
She walks 'round the car into view - wearing~ short black
skirt, black tights and shoes, she's got long legs
2 2 CONTINUED:
( 2)VINNY:
.•. I'm wearing cowboy boots
LIS:
(dryly)
Oh yeah, you 'blend',
As Vinny looks around the car, Lisa glances around at the
neighborhood, taking pictures
LIS:
I bet the Chinese food here is
terrible
VINNY:
(sarcastic to death)
Oh yeah, you're gonna 'blend
perfectly
Getting up, indicating car's front suspension
VINNY:
Nothing out of whack as far I see
LIS:
It feels like the wheels went out
of balance right after we hit that
mud
A black man with a gold STAR imbedded into his tooth is walking
past. He stops and watches as Vinny looks over the wheels
VINNY:
Nah, I don't think that's it
LIS:
rack and take a look
STAR:
What's wrong?
VINNY:
Car shudders on the highway
Didn't hit any bumps, but ••
STAR:
(points to wheel)
You got mud in your tires
(CONTINUED)
2 2 CONTINUED:
( 3)VINNY:
I got mud in my tires? How could
I get mud into the tires?
STAR:
Well ••• it's a figure of speech
It gets in around the inside of
the wheel and throws the balance
off
VINNY:
(to Lisa)
You ever heard of that? Mud in
the tires?
No
;I
LIS:
VINNY:
(to Star)
And she knows everything about
cars
star laughs at the joke. Vinny's amused at Star's amusement
Lisa says nothing
STAR:
Down here, everybody gets stuck
in the mud now and then. We're
famous for our mud
LIS:
Famous for your mud?
(beat)
How's your Chinese food?
INT. CELL - STAN AND BILL - DAY
Bill'• asleep, Stan is pacing. WE HEAR A BRUTAL FIGHT BEING
BROKENU P SOMEPLACE- and it's really brutal - we hear the sound
of flesh smacking against cement, clothes ripping. Stan freezes
in horror
(CONTINUED)
I:
' "
I:
VICIOUS VOICE:
(o.s.)
YOUM UTHA-FUCKAI,' M GONNAS PLIT
CRYING' OR I'LL TEAR YOUR F***IN
HEAD OFF YOUR F***IN' SHOULDERS.!
OTHER VOICE:
(o.s., desperate)
NO! OH GOD, NO! STOP! HELP!
HELP! SOMEBODYH ELP!
Then we hear silence as his voice is mysteriously muffled
Stan turns away in horror, his face against the back wall of
the c~ll. WE HEAR FOOTSTEPS APPROACHING. The guard opens the
cell, lets Vinny in. Vinny slips the guard a tip. The Guard
closes the cell door. Stan doesn't know that Vinny is Vinny
He suspects the worst
GUARD:
Here, I've got somebody for you,
VINNY:
You must be Stan
{Extends his hand)
How ya doin'?
STAN:
(shrugs, cautiously
shakes hand)
Why'd they bring you in here?
VINNY:
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