My Family Page #8

Synopsis: This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the 1950s. As the second generation become adults in the 1960s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.
Genre: Drama
Director(s): Gregory Nava
Production: New Line Home Entertainment
  Nominated for 1 Oscar. Another 3 wins & 4 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
85%
R
Year:
1995
128 min
623 Views


Don't you want | to go to Disneyland?

No. Please.

No. Please.

I don't want | to see him anymore.

Lo siento, mijo.

He just doesn't | want to go with you.

No, it's all right. | I understand.

He ain't got no | reason to want me, jefita.

You know, I always thought | he'd be there for me when I needed him.

I never thought | about what he needed.

I never been there for him,

so why should I expect him | to be here for me now, huh?

Here.

Take these | and give them to Irene.

She could take her kids | or something like that.

I got to go, okay?

Jimmy was trying | to come back from the dead,

and it wasn't so easy.

But he was trying real hard | to be part of la familia again,

and he had the chance | of his lifetime

one Sunday when Memo | brought his fiancee

and her parents all the way | from Bel Air to meet everybody.

Her name was | Karen Gillespie.

She and Memo had met at UCLA, | when they both were law students,

and even though she had been | born and raised in LA,

she and her family | had never been to East LA.

Here we are.

- Oh, this is lovely. | - Yes. Yes.

Thank you.

Bill, are those beans?

Oh, that's right.

My father, he loves | to plant vegetables.

I think that's wonderful.

Uh...

Oh, hello, puppy.

Yeah. Uh...

don't mind Bandido here.

He's a little relaxed.

He's kind of a fixture here, | as you can see.

There you go.

We've been wanting | to meet your daughter.

I love your house. | It's... it's...

After all the introductions,

we got down | to the serious business

of getting | to know each other.

Well, it's so nice | to have you.

Jose and I are very proud

to have you in our home. | Welcome.

Thank you.

Salud.

Salud Salud.

Ah, yes. Cheers.

Memo always tells us | so much about you.

Who?

They call me Memo.

My family calls me that.

It's diminutive for Guillermo.

That's William in Spanish,

so Memo is like Bill.

Bill.

- Oh... that's cute. | - Bill. Memo.

That is cute.

Well, Karen certainly has told us | all about you folks.

Oh, yes? | Thank you.

Bill, don't you have | a younger brother?

Oh, you mean Jimbo.

Hey, Jimbo! | He's around here.

Jimbo.

- This is Jimmy. | - This is my son Jimmy.

Hello.

Bill told us you | were away at school.

School?

Not exactly school.

Actually, he was in prison | for a little while.

Prison?

I read a lot of books, though. | That's what he must've meant.

Mother, it's just | one of those things.

Like, it happened. | It's not Bill's fault.

No, it's not.

Hey, you kids | get out of here!

Go on! | Get out of here!

- So you folks are all from Mexico, huh? | - Yes.

My father walked here | from Michoacan in 1926.

He was 18 years old.

Really?

Yes. It took me | a year to get here.

Ha ha ha!

Wait. Wait. Wait.

I remember when I was | in the Sonora desert.

I was attacked by bandidos.

They jumped on me.

Actually, | I've never been to Mexico.

I've always lived | here in Los Angeles,

just like yourselves.

Si.

But he already had family here... | your great-uncle.

He had been born here | when this was Mexico.

That must have been | a long time ago.

Not so long. I remember him. | Paco, you remember.

El Californio... | he's buried in the back.

- In the backyard? | - Si.

He said in his will | that he wanted to be buried in the back.

Dad, that's just an old story.

There's nobody buried | in the backyard, right, Dad?

Oh, yeah. Yeah. | Oh, yeah. Yeah.

It's an old family story.

- Get out of here! | - Carlitos, go in the back!

Let's go!

Excuse me, please.

Care for some taquitos?

I made these. | I made these.

- Oh, oh. | - Oh, well.

There's some salsa.

Well, they look | delicious.

I hope you like them.

Taquitos, huh?

Yes.

Pinches caballos!

Carlitos!

Pinches caballos!

Pinches caballos!

Pinches caballos!

Jimmy!

Put me down!

He's your kid, why don't you | teach him some manners?

I got him! I got him!

Just get him out of here.

You think you're better | than anybody else?

Just get him out of here.

Come on. Come on. | Come on.

Put your shirt on!

Put it on.

What's the matter | with you anyway, huh?

Come here.

Those people | that are out there,

they're very important | to your Uncle Memo.

They're going to be | part of la familia.

Shut up, | you f***ing a**hole!

Don't you ever | talk like that to me again.

You understand me?! | I'm your father.

- You don't talk to me like that. | - You're not my father!

My father is... | is a big man!

He's a cowboy in Texas.

He's even been to the moon | in a real spaceship.

When he comes for me,

he's going to come | in a big car,

and we're going to go, | he and me, back to Texas.

That's who my father is!

He's not you!

Come here, Carlitos. | I'm your f...

Come here!

Hey!

Hey!

Throw it back!

Hey!

It's like | I tried with him.

And I really don't want | to go away anymore.

Not alone, anyway.

I just want | to be with my son.

You did your best.

Sometimes you don't | get things back, you know?

Sometimes they...

when they go away, | they go away forever.

What are you | going to do now?

I was thinking about Texas.

Why not?

Come back a rich man | with a big car.

Ah, Jimmy.

But you take care now, huh?

Adios.

Adios, jefe.

You make sure | to say goodbye to mi jefita.

Oh, yeah. Sure.

Yeah. Paco, Toni, Irene...

Memo, too. You can say goodbye | to him for me.

Que pasa What's that?

Chapulin

- Chapulin! | - Jefe.

Carlitos.

Carlitos.

Carlitos.

Hey...

I bet I'm | in big trouble now.

No, no, no.

You're not in trouble.

Abuelito will be mad.

No, I don't think so.

But I chopped up | all the corn.

Yeah, but that's nothing.

We'll just plant some new corn.

Then with the broken pieces,

we just cut it up,

and then we put it | in the ground,

and then it feeds | all the rest of the corn.

Are you going?

Yeah, I'm going.

Where are you going?

I thought I would go | and look for your father.

Would you like to come | with me? I mean...

maybe you could | help me find your father.

You know, maybe you | could get to know him

a little better.

What do you think | about that?

Does my father | want me to come?

Yeah. Yeah, I think so.

I think he wants you to come.

Does my father love me?

Carlitos, your father | loves you very much. He does.

No, he's just going | to leave me again!

No, no, no, no.

He's not going | to leave you again.

Is that a promise?

That's a promise.

He'll never ever leave me again?

Your father's never going | to leave you again.

Oh God.

I love you, man.

I love you, too.

Carlitos was the last to leave | when he went to live with Jimmy,

and after that my mother and father | lived in the house alone.

But my mother, she believed | that everyone who lived in the house...

we all left | something behind.

She believed a piece | of our spirits stayed behind

and lived | in all the empty chairs.

Jose.

- Jose! | - Hmm?

Ven, tu cafe con leche | esta listo.

Vamos, hombre. | Andale.

Mi cafecito.

Maria...

Hmm?

We have had a good life.

We've been very lucky.

It would have been | even better if only...

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Gregory Nava

Gregory James Nava (born April 10, 1949) is an American film director, producer and screenwriter. more…

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Submitted on August 05, 2018

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