Nightworld Page #3
I flew in from Varna.
That's where I live.
Well, lived.
- Live, lived?
- It's a long story,
(laughs) like I said.
I retired there.
retired, aren't you?
- I'll take that as a
compliment, thank you.
- Did you know
that your building
is quite famous
around these parts?
There are a lot of history
behind those walls.
- Yes, so people
keep telling me.
- I've only ever read about it,
never actually been inside but,
this place has weathered
a lot over the years.
- Never been inside?
- [Zara] Uh, no.
- Well, maybe sometime
you can come by,
I could show you around.
I mean, it's pretty
spectacular inside.
Call me and we'll
set something up.
- I would if I had your number.
- Let me see your phone.
(phone softly beeps)
Well, now you do.
(gate creaks)
(intense dramatic music)
(phone alerts)
(suspenseful bass booms)
What the...
(eerie suspenseful music)
(phone ringing)
- [Jacob] Ya?
- Yeah, um, I was told to call
this number if something...
- [Jacob] What's the
problem, Mr. Anderson?
- Uh, (laughs) well,
actually I'm not sure.
I'm not even positive
I saw something,
it's just that...
- I'm on the way, Mr. Anderson.
Meet me at the front
of the building in,
shall we say, 15 minutes?
- Sure.
Who is this I'm talking to?
Hello?
Hello?
- Wait please.
Mr. Anderson?
- Uh, yeah.
Sorry, I didn't realize--
- Don't worry, Mr. Anderson,
you are not the first.
And you certainly
won't be the last.
Jacob.
- Pleasure to meet you, Jacob.
- He's been paid, Mr. Anderson.
- It's Brett.
- Ah.
Well then, Mr. Brett,
would you be so kind
as to escort me downstairs
to the basement?
- Absolutely.
This way.
Watch your step.
- I wasn't always blind
during my time here.
Ah, I remember it like
the back of my hand.
- I'm sorry, you worked here?
- For some time, yes.
What did the camera record?
And again, I remind you,
Brett, please, in detail.
- It's just a blur.
I mean, it looked
like the shadow
of something moving really fast.
I tried to play it back slowly
and I couldn't
make anything out.
- I'm going to need
you to play it back.
Frame by frame.
And take me through everything
you see on the screen.
- [Brett] It's a couple
I mean, it's less than a second.
- Can you make
anything else out?
You said it looked
like a shadow.
Shadow of what?
- Honestly, Jacob,
I have no idea.
It could be anything.
- Are there any
marks on the ground?
- What kind of marks?
- [Jacob] Like footprints.
- No, nothing.
Am I supposed to be
looking for footprints?
- Play it again, please.
- Well, maybe if the
lighting was better in there
I could see something.
But honestly, I don't know
what the hell I'm looking at.
And I really think
we should go in there
and take a look around.
- Absolutely not.
- You know what, Jacob?
seem like a nice enough guy.
But honestly, I'm getting
a little sick and tired
of this Cloak and
Dagger bullshit.
Who are you?
Why did you take a cab over here
in the middle of the
night to come look
at some blur which
is probably nothing,
but we're not gonna know that
because you won't let me go in
there and take a look around.
- My, my, my. (laughs)
Martin did say you are
the inquisitive type.
He certainly wasn't wrong.
But,
right man for the job.
- You didn't answer
my question, Jacob.
Who are you?
- Very well.
(sighs) I work
for Martin, Goran,
and the company as
a consultant, Brett.
Satisfied?
- Consultant?
Well, they did mention
something about that
in the interview.
You could have just said that.
- Yes, I could
have, but I didn't.
And before I worked
for Martin and Goran,
I did what you are doing now.
- How long did you
work for these people?
- Until my eyesight
was taken from me.
What good is a night
watchman who's blind?
Answer me that, Brett.
- [Brett] Should we
call Martin and Goran
so they can tell someone at
the company what's happened?
- [Jacob] There's
no need for that.
in the morning.
- What are you doing?
- Listening, Mr. Anderson.
I'm listening.
(phone ringing)
- [Brett] Zara.
- Brett, hi.
Um, what's up?
- [Brett] Sorry for
calling so late.
I was just wondering if you
could help me with something.
- I can try, yeah.
- What you were
telling me today,
I was trying to find
something online,
but all I could find were a
couple of pretty light articles.
- Well, there isn't
really much about things
like that online.
The stories mostly
came from locals
and people who live
nearby, you know.
- Yeah, well, I guess
that explains it.
- [Zara] Why do you ask?
Are you looking
into the murders?
- Murders?
- Oh, didn't they tell
you about the twin girls
that were found dead there
when you took the job?
- No.
No, they didn't.
- Oh, geez.
A while back
this guy tried to
break into the building
in the middle of the night.
When the police were called,
(thunder rolls)
they checked the
trunk of his car
two eight year old girls,
twins, inside it.
- Christ.
- It actually gets a
lot weirder. (laughs)
Turns out he was their father.
He claimed their
mother killed them,
but when the police
went looking for her,
they couldn't find her.
- What happened to her?
- She disappeared.
Nobody knows where.
- Did he say anything else?
- He wouldn't speak to
the cops or anyone else.
Couple of days later
and he was found dead.
He hung himself.
- Listen, um, if you have some
time tomorrow, could we meet?
- I can meet you, after
I finish up at the caf.
- Perfect.
(children laughing)
(floor creaking)
(ominous bass booms)
(eerie piano music)
(clock ticking)
(ominous bass booms)
(birds trilling)
(intense dramatic music)
(clock ticking)
(footsteps crunching)
(intense screeching)
(gasps)
(panting)
(coughs)
- Mr. Anderson,
Brett, you're awake.
- Yeah, Martin,
listen, I'm sorry.
My alarm, last night, I'm not
really sure what happened.
- It's okay, these
things happen.
You met Jacob last night.
- I did, yeah.
- Called him, correct?
- Was I not supposed to?
- No, no, no.
You did the right thing,
you did the right thing.
I'm here, I'm making a
copy of the recordings.
I've gotta get it to the
company, they want to review it.
- Well shouldn't we go in
- No.
Everything I need, right here.
Look, keep doing
what you're doing.
And get that alarm
clock fixed, yes?
- Sure, yeah.
- All right, goodbye, Brett.
- Bye.
(traffic rumbling)
(soft piano music)
- Wow!
This place is so cool.
- Wait until you
see the apartment.
- Finally.
This is Zahari's place.
(moves into soft eerie music)
She's very pretty.
Who is she?
- It's my wife.
My late wife.
- Oh, sorry.
I didn't mean to say--
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Nightworld" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/nightworld_14819>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In