Noises Off... Page #9

Synopsis: Lloyd Fellowes is the director of a theatre company. He's desperately trying to get his production together, despite the best efforts of the cast, the crew, and Lady Luck. We follow the production from final rehersals, through opening night, and onto the tour: as with any group of actors forced to work closely together for any great length of time, romances and arguments are bound to break out. Quite often, what's happening on stage is nothing compared to what's happening backstage....
Genre: Comedy
Director(s): Peter Bogdanovich
Production: Buena Vista Pictures
  1 win.
 
IMDB:
7.5
Rotten Tomatoes:
61%
PG-13
Year:
1992
101 min
1,258 Views


- [Brooke] You're in a real state.

- [Garry] Come on.

[Brooke] You can't even get the door open.

[Freddie] Yes, but this is

Mrs. Clackett's afternoon off.

We've got the place

entirely to ourselves.

- Look at it!

- You like it?

[Belinda] I can't believe it.

- [Freddie] Perfect for an assignation.

- [Belinda] Home. Our secret hideaway.

[Freddie] The last place

anyone will look for us.

[Belinda] I wonder if the beds are aired.

- [Freddie] Darling!

[Belinda] Why not? No children, no friends

dropping in, we're absolutely on our own.

[Freddie] True. There is something

to be said for being a tax exile.

[Belinda] Leave those.

- [laughter]

- [Freddie] Shh.

- [Belinda] What?

- [Freddie] Inland Revenue may hear us.

[Dotty] What I did with that first lot

of sardines, I shall never know.

[Freddie and Belinda] Mrs. Clackett!

[Dotty] You gave me a turn.

My heart jumped out of my boots.

- [Dotty] I thought you was in Spain.

- [Freddie] We are.

- [Belinda] You haven't seen us.

[Dotty] Then, you're not here.

I haven't seen you.

If anybody asks for you,

I don't know nothing.

Nowhere like bed when

they all get on top of you.

You'll want your things.

- That bed hasn't been aired.

- I'll get a hot water bottle.

I put all your letters in the study.

- [Freddie] Where are they?

- [Dotty] In the little pigeon house.

In your desk, love.

- [Garry] Yes, but I could hear voices.

- [Brooke] What sort of voices?

[Garry] People's voices.

- [Brooke] She's opened our sardines.

- [Garry] Come back.

I'll fetch them.

You can't go downstairs like that.

- [Brooke] Why not?

- [Garry] Mrs. Clackett! She's irreplaceable.

- [Dotty] Sardines, here. Sardines, there.

It's like a Sunday school outing.

You're still poking around, are you?

- [Garry] Still poking, still around.

- [Dotty] In the linen closet, were you?

[Garry] Checking the sheets and

pillowcases. Doing an inventory.

- [Garry] Mrs. Blackett.

- [Dotty] Clackett, dear.

- [Garry] Is there anyone else in the house?

- [Dotty] I've seen no one, dear.

- [Garry] I thought I heard voices.

- [Dotty] There are no voices here.

- [Garry] I must've imagined it.

- Oh, my God.

- [Garry] I beg your pardon?

- [Dotty] Oh, my God.

- [Garry] Why, what is it?

- [Dotty] The study door's open.

[Garry] There's another car outside.

That's not Mr. Hackham's, is it?

Or Mr. Dudley's?

[Belinda] Nothing but

flapping doors in this house.

[Freddie] "The final notice... steps will be

taken... foreclosure... court proceedings"?

[Dotty] That reminds me,

a gentleman come about the house.

[Freddie] Don't tell me. I'm not here.

[Dotty] I'll just sit down and turn on...

Sardines!

I've forgotten the sardines.

I don't know.

If it wasn't fixed to my shoulders,

I'd forget what day it was.

- Give it to me!

- [Freddie] I didn't get this. I'm not here.

I'm in Spain. But if I didn't get it,

I didn't open it.

I never should've touched it.

[Belinda] Darling, I never had a dress...

Or rather a bunch of flowers

like these, did l?

Didn't you?

[Belinda] I shouldn't buy anything

as tarty as these.

They aren't something

you gave me, are they?

- [Freddie] I never should've touched it.

Stick it down. Why, put it back.

I never saw it.

[Belinda] I'll just go and

put them in the attic.

Pack them away with the other things

you gave me that are too precious to use.

[scuffling and banging]

[Garry] All right, now the study door's

open again.

What's going on?

Knocking.

Knocking!

[knocking]

Upstairs!

[knocking]

[Garry] Oh, my God.

There's something in the linen closet.

It's you! Is it you?

I mean, you know, hidden under

all the sheets and towels in here.

I can't, you know,

just stand here indefinitely.

Of course it's me.

You put me here in the dark

with all black sheets and things.

[Garry] But, darling,

why did you lock the door?

Why did I lock the door?

Why did you?

[Garry] I didn't lock the door.

Anyway, we can't stand here like this.

- Like what?

- In your underwear.

Okay, I'll take it off.

You, on!

In here.

[Freddie] Darling, this glue, it's not that

special quick-drying sort, is it?

That you could never get unstuck.

Look, Mrs. Clackett's made us sardines.

[Garry] A hot water bottle?

I didn't put it there.

I didn't put this hot water bottle,

I mean, I'm standing here,

with this hot water bottle in my hands.

Of course, it's me. You put me here in

the dark with all black sheets and things.

[Garry] Someone in the bathroom

filling hot water bottles?

What? Don't panic!

- Why did you lock the door?

- Don't panic! Don't panic!

[Garry] There's some perfectly

rational explanation for all this.

I'll fetch Mrs. Splochett

and she'll explain it.

You wait in here.

You can't stand there looking like that.

Wait in the study!

[Brooke] There's something in there.

Where are you?

[screams]

[Freddie] Darling, I know

this is going to sound silly, but...

[Belinda] If we aren't going to bed,

I'm going to clear out the attic.

[Freddie] Darling, I can't come to bed.

I'm glued to a tax demand.

[Belinda] Put the sardines down.

[Freddie] Darling, I'm stuck to the sardines.

[Belinda] Don't play the fool. Get that bottle

marked poison in the downstairs loo.

It eats through anything.

[Freddie] I've heard of people

getting stuck with a problem before,

but this is ridiculous.

I've heard of people getting stuck

with a problem, but this is ridiculous.

No bars, no burglar alarm.

They ought to be prosecuted

for incitement.

[laughter]

[Selsdon] Sometimes it makes me want to

weep when I think I used to do banks.

When I remember

I used to do bullion vaults.

What am I doing now?

Breaking into paper bags.

I know they're all in Spain 'cause

the old turkey in the kitchen told me so.

I know she's out 'cause I just

saw her go through the front door

in her swimming costume.

Where is the front door?

A line, a prompt.

"Get the van loaded".

- What?

- [all cast] "Get the van loaded".

Get the van loaded.

[Selsdon] There's no rush.

I've got all flaming afternoon.

What have they got here.

One microwave oven.

Hardly worth lifting it.

They all say the same thing.

It's hard to adjust to retirement.

[Garry] The prospective tenant

wishes to know

if there is any history

of paranormal phenomena.

[Dotty] Yes, dear,

it's all nice and paranormal.

[Garry] Has anything ever

dematerialized before, flown about?

I'll tell the prospective tenant.

She's inspecting the study.

- There's a man in there.

- [Dotty] There's no one in the house.

- Look, he's searching for something.

- [Dotty] I can't see no one.

[Garry] This is extraordinary.

Where is my prospective tenant?

I left her in there. She's disappeared.

- [Garry] Oh, my God.

- [Freddie] Oh, no. Dear.

- [Dotty] The sardines.

- [Garry] You can see them, can't you?

[Dotty] I can see the way they're going, too.

[Garry] I'm not letting these sardines

out of my hand.

But, where is my prospective tenant?

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Marty Kaplan

Marty Kaplan is the Norman Lear Professor of Entertainment, Media and Society at the USC Annenberg School for Communication & Journalism and the founding director of the Norman Lear Center for the study of the impact of entertainment on society. more…

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Submitted on August 05, 2018

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