Once Page #4

Synopsis: A look back at one of the more curious fads in American professional sports, the sudden rise and precipitous fall of the North American Soccer League, spanning its existence 1968-1984, as seen through the experience of its most famous club, the New York Cosmos. The NASL made very little impact in the US, where soccer had virtually no following, until in 1975 the New York Cosmos succeeded in signing the most famous player in the world, Pele. Attendence for Cosmos games exploded, outdrawing even the New York Giants and New York Jets of the NFL, to where exhibition games in Seattle were drawing huge crowds, and when Pele announced his retirement in 1977 his final game drew the biggest crowd to ever see a soccer game in the US. His retirement from the game began a slow but steady decline for the NASL as money issues for the league and the spending practices of the Cosmos became a running controversy.
Director(s): Paul Crowder (co-director), John Dower (co-director)
Production: Miramax
  1 nomination.
 
IMDB:
7.3
Metacritic:
67
Rotten Tomatoes:
82%
PG-13
Year:
2006
97 min
Website
2,130 Views


to me and so much older.

It doesn't really work.

I'm fine on my own, you know?

It's just, I don't want Ivonka

to grow up without a father.

What's the Czech for...

"Do you love him?"

Noor-esh-ho?

Noor-esh-ho?

So...

Noor-esh-ho?

Noor-ho-tebbe.

What?

Come on, let's go.

What'd you say?

- Tell me.

- You've got to teach me how to ride

- the bike now, eh?

- No way.

- Yeah.

- No.

So come on, can I have a go?

No.

Please.

No, leave it alone, will you?

But teach me how to

drive it, will you?

Come on, just once.

No, it's not mine.

Me dad would go

f***ing crazy.

But he's not here now.

Be careful, will you!

Be careful,

for f***'s sake.

Look, he's not

here now.

- Just teach me.

- Look, my dad. Look. No, no, no.

- No?

- No.

- Please?

- No.

Me dad will go

bleedin' mental.

He totally loves this thing.

Yeah, but you drive it.

Yeah, he doesn't

know I have it.

He doesn't?

No.

Well, then he won't

know I had it, too.

No.

You can't have a go on it.

Just once.

No.

- Turn it on for me.

- No.

No.

Come on, give

us the keys.

I'll do it myself.

The key's in it.

Thank you for the ride.

I'll see you

tomorrow, yeah?

- For rehearsals.

- Okay, yeah.

Okay.

- Thank you.

- Thank you.

(horn beeping)

# Tying to pull myself away #

# I'm caught in a pattern

and I can't escape #

# I'm trying

to pull myselfaway... #

# Lately, when I get back,

there's this thing I know... #

# Everything comes

to you, way to go #

# Even a heart has

something to learn... #

Thanks, Dad.

All right, guys,

this is Eamon.

He's going to

take care of you

for the weekend.

Eamon, this is everyone.

Kit's set up.

Piano is waiting for you

in the live room.

Tea and coffee in the kitchen

as you came in. Help yourselves.

You'll need plenty.

And there is a nice

little burrito place

around the corner if you

want a snack, all right?

Great.

Okay, Eamon,

leave it to you.

Good luck, everyone.

Enjoy. And I might pop in

later, all right?

- Cheers, man.

- Cheers, thanks.

Okay, guys,

good to meet you.

We've a few little

bits and pieces

to set up.

I want to check

the drums inside.

We've already set up the kit.

Yeah, I just want to, you know,

check them for sound.

I checked them already; it's fine.

Okay, we need to set up mics

on them for recording, yeah?

Oh.

Have you done much recording?

- No.

- No.

No.

- Right. Let's get cracking.

- Yeah.

(tuning up)

Yeah, no, I can't

do it now, love.

I'm stuck here in the studio

with this bunch

of f***ing oddballs.

Can you hang on a second?

Just one second.

(strums guitar)

Okay, are you ready to rock?

Are we ready?

Yep. We're in tune.

So Al and Timmy,

on the second verse, just...

this is pretty much

simple enough thing.

It's in five-four,

and the second verse,

I'll give you a nod

to come in there, yeah?

Is that all right? And you're in

from the top with me, yeah?

And you know what you're doing.

All right, then, so, uh...

whenever you're ready, yeah.

(talking on phone quietly)

All right, later.

Okay, we're ready. Fire one.

You sure you're ready?

Okay, listen now for

the click track, everybody.

And away we go.

This is track one,

take one, yeah.

All right, lads, here we go,

this is it, yeah.

(guitar strumming melody)

# So #

# If you want something #

# And you call, call #

# Then I'll come running #

# To fight #

# And I'll be at your door #

# When there's nothing

worth running for #

# When your mind's made up #

# When your mind's

made up #

# There's no point

trying to change it #

# When your mind's made up #

# When your mind's

made up #

# There's no point

trying to stop it #

# You see #

# You're just like everyone #

# When the sh*t falls #

# All you want to do

is run away #

# And hide all by yourself #

# When you're far from me #

# There's nothing else #

# When your mind's made up #

# When your mind's

made up #

# There's no point trying

to change it #

# When your mind's made up #

# When your mind's

made up #

# There's no point

even talking #

# When your mind's made up #

# When your mind's

made up #

# There's no point

trying to fight it #

# When your mind's #

# Your mind's #

# Made #

# Up... #

# Ah #

# There's no point trying

to change it #

# When your #

# 0h #

# Ooh, ooh #

# So... if you ever

want something #

# And you call, call #

# Then I'll come running. #

(sighs)

Okay.

Wow.

That was nice.

Did you write that?

Yeah.

(synth beat)

# You must have

fallen from the sky #

# You must have shattered

in the runway #

(music continues)

# You need somewhere

to fall apart #

(continues)

# Someone to fall upon #

(continues)

# That fools the bulls #

# The powdered hag #

(continues)

(music ends)

Okay, what do you think?

I think it's f***ing weird.

There's a couple of little tech bits,

we can probably fix them,

but uh, you know, it's 4:00 in the morning,

so it's up to you guys.

Do you want to push through

or go for another one?

I'd love to keep going

if everybody is into it.

Can I have a cup of tea

or something first?

Want a cup of tea?

- You want to take ten or 15, yeah?

- Sure.

I'll tweak what I can.

You guys take ten.

Guys, why do you think there

are no blonde priests?

- I don't know.

- I don't know.

This is great.

(playing lush melody)

How's it going?

Good.

I don't think we're supposed

to be here, though.

Ah, it's all right.

This is beautiful, isn't it?

Yeah, it's a beautiful piano,

like a Baldwin.

It's a perfect piano.

- Yeah.

- Mm-hmm.

Play us one of your songs.

Hmm... They're

all half-written and more ideas.

Go on, I'd love to hear one.

Okay, I have one,

but... it's not finished and I...

I don't really...

Just play it, I know.

Okay, but the lyrics

are very rough, okay?

- It'll be great.

- Okay.

# Walking up the hill

tonight #

# When you have closed

your eyes #

# I wish I didn't have

to make #

# All those mistakes

and be wise #

# But please try

to be patient #

# And know

that I'm still learning #

# I'm sorry

that you have to see #

# The strength inside me

burning #

# And where are you,

my angel, now? #

# Don't you see me crying? #

# I know that you can't

do it all #

# But you can't say

I'm not trying #

# And I'm letting myself down #

# By satisfying you #

# I really wish

that you could see #

# I... #

You all right?

(sighs)

Did you write that

for your husband?

(laughing):

Yes, I did,

and he didn't like it.

What an idiot.

Yeah, he's an idiot.

(sighing)

Come on away to London with me.

Come on, we'll write loads of

songs and live in a nice flat.

You can bring Ivonka over,

it'll be brilliant.

Come on.

Yeah, we'll go to London

and no one will ever

find us again.

- No one.

- No one.

We'll have a brilliant band.

We'll sell out all the places

and it'll be great.

And we'll make

an album together?

I'd love that, come on.

Yeah, and, and I'll do

the backing vocals on it?

Yeah, and play

the piano.

Mm-hmm.

Rate this script:0.0 / 0 votes

Mark Monroe

All Mark Monroe scripts | Mark Monroe Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Once" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/once_15207>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Once

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "spec script" mean?
    A A script written on speculation without a contract
    B A script written specifically for television
    C A script that includes special effects
    D A script based on a specific genre