Once Page #4
to me and so much older.
It doesn't really work.
I'm fine on my own, you know?
It's just, I don't want Ivonka
to grow up without a father.
What's the Czech for...
"Do you love him?"
Noor-esh-ho?
Noor-esh-ho?
So...
Noor-esh-ho?
Noor-ho-tebbe.
What?
Come on, let's go.
What'd you say?
- Tell me.
- You've got to teach me how to ride
- the bike now, eh?
- No way.
- Yeah.
- No.
So come on, can I have a go?
No.
Please.
No, leave it alone, will you?
But teach me how to
drive it, will you?
Come on, just once.
No, it's not mine.
Me dad would go
f***ing crazy.
But he's not here now.
Be careful, will you!
Be careful,
for f***'s sake.
Look, he's not
here now.
- Just teach me.
- Look, my dad. Look. No, no, no.
- No?
- No.
- Please?
- No.
Me dad will go
bleedin' mental.
He totally loves this thing.
Yeah, but you drive it.
Yeah, he doesn't
know I have it.
He doesn't?
No.
Well, then he won't
know I had it, too.
No.
You can't have a go on it.
Just once.
No.
- Turn it on for me.
- No.
No.
Come on, give
us the keys.
I'll do it myself.
The key's in it.
Thank you for the ride.
I'll see you
tomorrow, yeah?
- For rehearsals.
- Okay, yeah.
Okay.
- Thank you.
- Thank you.
(horn beeping)
# I'm caught in a pattern
and I can't escape #
# I'm trying
to pull myselfaway... #
# Lately, when I get back,
there's this thing I know... #
# Everything comes
to you, way to go #
# Even a heart has
something to learn... #
Thanks, Dad.
All right, guys,
this is Eamon.
He's going to
take care of you
for the weekend.
Eamon, this is everyone.
Kit's set up.
Piano is waiting for you
in the live room.
Tea and coffee in the kitchen
as you came in. Help yourselves.
You'll need plenty.
And there is a nice
little burrito place
around the corner if you
want a snack, all right?
Great.
Okay, Eamon,
leave it to you.
Good luck, everyone.
Enjoy. And I might pop in
later, all right?
- Cheers, man.
- Cheers, thanks.
Okay, guys,
good to meet you.
We've a few little
bits and pieces
to set up.
I want to check
the drums inside.
We've already set up the kit.
Yeah, I just want to, you know,
check them for sound.
I checked them already; it's fine.
Okay, we need to set up mics
on them for recording, yeah?
Oh.
Have you done much recording?
- No.
- No.
No.
- Right. Let's get cracking.
- Yeah.
(tuning up)
Yeah, no, I can't
do it now, love.
I'm stuck here in the studio
with this bunch
of f***ing oddballs.
Can you hang on a second?
Just one second.
(strums guitar)
Okay, are you ready to rock?
Are we ready?
Yep. We're in tune.
So Al and Timmy,
on the second verse, just...
this is pretty much
simple enough thing.
It's in five-four,
and the second verse,
I'll give you a nod
to come in there, yeah?
Is that all right? And you're in
from the top with me, yeah?
And you know what you're doing.
All right, then, so, uh...
whenever you're ready, yeah.
(talking on phone quietly)
All right, later.
Okay, we're ready. Fire one.
You sure you're ready?
Okay, listen now for
the click track, everybody.
And away we go.
This is track one,
take one, yeah.
All right, lads, here we go,
this is it, yeah.
(guitar strumming melody)
# So #
# If you want something #
# And you call, call #
# Then I'll come running #
# To fight #
# And I'll be at your door #
# When there's nothing
worth running for #
# When your mind's made up #
# When your mind's
made up #
# There's no point
trying to change it #
# When your mind's made up #
# When your mind's
made up #
# There's no point
trying to stop it #
# You see #
# You're just like everyone #
# When the sh*t falls #
# All you want to do
is run away #
# And hide all by yourself #
# When you're far from me #
# There's nothing else #
# When your mind's made up #
# When your mind's
made up #
# There's no point trying
to change it #
# When your mind's made up #
# When your mind's
made up #
# There's no point
even talking #
# When your mind's made up #
# When your mind's
made up #
# There's no point
trying to fight it #
# When your mind's #
# Your mind's #
# Made #
# Up... #
# Ah #
# There's no point trying
to change it #
# When your #
# 0h #
# Ooh, ooh #
# So... if you ever
want something #
# And you call, call #
# Then I'll come running. #
(sighs)
Okay.
Wow.
That was nice.
Did you write that?
Yeah.
(synth beat)
# You must have
fallen from the sky #
# You must have shattered
in the runway #
(music continues)
# You need somewhere
to fall apart #
(continues)
# Someone to fall upon #
(continues)
# The powdered hag #
(continues)
(music ends)
Okay, what do you think?
I think it's f***ing weird.
There's a couple of little tech bits,
we can probably fix them,
but uh, you know, it's 4:00 in the morning,
so it's up to you guys.
Do you want to push through
or go for another one?
I'd love to keep going
if everybody is into it.
Can I have a cup of tea
or something first?
Want a cup of tea?
- You want to take ten or 15, yeah?
- Sure.
I'll tweak what I can.
You guys take ten.
Guys, why do you think there
are no blonde priests?
- I don't know.
- I don't know.
This is great.
(playing lush melody)
How's it going?
Good.
I don't think we're supposed
to be here, though.
Ah, it's all right.
This is beautiful, isn't it?
Yeah, it's a beautiful piano,
like a Baldwin.
It's a perfect piano.
- Yeah.
- Mm-hmm.
Play us one of your songs.
Hmm... They're
all half-written and more ideas.
Go on, I'd love to hear one.
Okay, I have one,
but... it's not finished and I...
I don't really...
Just play it, I know.
Okay, but the lyrics
are very rough, okay?
- It'll be great.
- Okay.
# Walking up the hill
tonight #
# When you have closed
your eyes #
# I wish I didn't have
to make #
# All those mistakes
and be wise #
# But please try
to be patient #
# And know
that I'm still learning #
# I'm sorry
that you have to see #
# The strength inside me
burning #
# And where are you,
my angel, now? #
# Don't you see me crying? #
# I know that you can't
do it all #
# But you can't say
I'm not trying #
# And I'm letting myself down #
# By satisfying you #
# I really wish
that you could see #
# I... #
You all right?
(sighs)
Did you write that
for your husband?
(laughing):
Yes, I did,
and he didn't like it.
What an idiot.
Yeah, he's an idiot.
(sighing)
Come on away to London with me.
Come on, we'll write loads of
songs and live in a nice flat.
You can bring Ivonka over,
it'll be brilliant.
Come on.
Yeah, we'll go to London
and no one will ever
find us again.
- No one.
- No one.
We'll have a brilliant band.
We'll sell out all the places
and it'll be great.
And we'll make
an album together?
I'd love that, come on.
Yeah, and, and I'll do
the backing vocals on it?
Yeah, and play
the piano.
Mm-hmm.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Once" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/once_15207>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In