Pygmalion Page #5

Synopsis: The snobbish & intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However he discovers that this involves dealing with a human being with ideas of her own.
Genre: Comedy, Drama, Romance
Production: Criterion Collection
  Won 1 Oscar. Another 2 wins & 5 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
94%
NOT RATED
Year:
1938
89 min
2,354 Views


They're all such idiots.

You knoW What you'd do

if you really loved me, Henry?

- Get married, I suppose.

- No.

Stop fidgeting. And take

your hands out of your pockets.

- Ah.

- Don't sit on that table.! You'll break it.

Come and tell me

about the girl.

Look here. She's coming

to see you this afternoon.

I don't remember

asking her.

- You didn't, and you wouldn't have if you'd known her.

- Indeed. Why?

She's a common flower girl.

I picked her up in Covent Garden.

You've asked her here?

Don't worry.

I've taught her to speak properly.

She'll stick to two subects:

the weather and everybody's health.

- "Fine day," "How do you do?" and all that.

- That's a blessing anyway.

Well, um, it is...

and it isn't.

What do you mean

by that?

You see, dear, I've got

her pronunciation all right,

but you've got to consider not only how the

girl pronounces, but what she pronounces.

- Mrs. and Miss Eynsford Hill, Mr. Eynsford Hill.

- Oh, heavens.

- So good of you to come.

- Dear.

- Freddy.

- How do you do?

You know my son.

Oh.

My son Henry.

- Miss Hill. Mrs. Hill.

- Delighted. Enchanted.

- Mr. Hill.

- Thank you.

Your celebrated son? I've always so

longed to meet you, Professor Higgins.

I've seen your face somewhere.

I haven't a ghost of a notion where.

It doesn't really matter.

Mother, look here-

I'm sorry to say

my celebrated son has no manners.

- You mustn't mind him.

- I don't.

- Colonel Pickering.

- How do you do, Mrs. Higgins?

- The Reverend and Mrs. BirchWood.

- What, more of them?

- How do you do? Vicar.

- How do you do?

- Have you told your mother what we've come for?

- We were interrupted, damn it.

- Are we in the way?

- No, not at all.

No, by George!

We need two or three extra people.

You'll do as well

as anyone else. Sit down.

Will you excuse me?

Colonel Pickering, Henry.

What are you doing

with my hat?

Colonel Pickering, I must know. What is

the exact position in Wimpole Street?

- Is this girl a servant? If not, what is she?

- Major and Mrs. RaWcroft.

My dear Mrs. Higgins,

I really must tell you.

The whole thing is

extraordinarily interesting.

This is the most absorbing

experiment I've ever tackled.

- This girl regularly fills our lives.

- We're always talking Eliza.

- Teaching Eliza. -

Dressing Eliza. - What?

She has the most amazingly quick ear

you ever heard of, ust like a parrot.

- The girl is a genius.

- I've taught her the most inconceivable sounds.

You see?

Oh, yes.

It's quite clear to me.

Miss Doolittle.

How do you do,

Mrs. Higgins?

Professor Higgins

said I might come.

Quite right, my dear.

I'm delighted to see you.

Colonel Pickering,

is it not?

How do you do,

Miss Doolittle?

Professor...

Higgins?

Stick to the weather

and your health.

Mrs. Hill,

Miss Doolittle.

I feel as though we've met before.

I remember your eyes.

- HoWdo you do?

- By George, it all comes back.

Covent Garden.

What a confounded thing.

My son, Freddy.

- How do you do?

- How do you do?

I'm sure I've had

the pleasure somewhere.

Uh, will it rain,

do you think?

The rain in Spain, they say,

stays mainly in the plains.

They say.

How too true,

Miss Doolittle. But in-

Hampshire, Hereford

and Hartford,

hurricanes

hardly ever happen.

- Do they?

- Hardly ever, Miss Doolittle.

How awfully funny!

What is wrong with that, young man?

I bet I got it right.

Killing.

Oh, excuse me.

I hope it Won't turn cold.

There's so much influenza about.

It runs right through

our family every spring.

My aunt died

of influenza.

So they say.

But it is my belief as how

they done the old woman in.

Done her in?

Yes, Lord love you.

Why should she die of influenza when she come

through diphtheria right enough the year before?

Perhaps it wasn't diphtheria.

You see, Vicar-

Oh, but I saw her

with my own eyes.

Fairly blue with it

she was.

They all thought

she was dead,

but my father, he kept

ladling gin down her throat...

till she come through so sudden,

that she bit the boWl off the spoon.

Dear me!

Now, what call would a woman

with that strength in her...

have to die

of influenza?

Ah.

And what become

of her new straw hat...

that should have

come to me?

Well, what?

Somebody pinched it.

And What I says is,

them What pinched it

done her in.

Done her in?

- Could you tell me-

- It's ust the new slang, Vicar.

But, uh, you surely don't believe

that your aunt was-was killed.

Do I not?

Them she lived with would have killed

her for a hat pin, let alone a hat.

But it couldn't have been right

for your father...

to have poured spirits

down her throat like that.

- Now, that might have killed her.

- Not her.

Gin was mother's milk to her.

Besides, he'd poured so much down his

own throat that he knew the good of it.

- How terrible for you.

- It never did him no harm, what I could see.

He was always more agreeable

when he had a drop in him.

When he Was

out of Work,

my mother used to

give him tWo at a kick...

and tell him to go out

and to not come home...

until he'd drunk himself

cheerful and loving like.

Charming.

There's lots of women has to make their

husbands drunk to make them fit to live with.

Here. What are you

snickering at?

The new slang,

you do it so awfully well.

If I was doing it proper,

what was you laughing at?

Have I said anything

I oughtn't?

No, not a thing,

Miss Doolittle.

Well, that's

a mercy anyhow.

What I always says is-

Well,

I must go now.

Good-bye,

Mrs. Higgins.

- So glad to have met you.

- Good-bye, my dear.

Good-bye,

Vicar.

- Good-bye, Colonel Pickering.

- Good-bye, Miss Doolittle.

Good-

Good-bye, all.

E- Excuse me, Miss Doolittle, but

would you be walking across the park?

- 'Cause if so-

- Walk? Not bloody likely.

I'm going in a taxi.

Oh, it's no use.

I shall never be able to

bring myself to use that word.

Oh, don't.

It isn't compulsory,

you know.

Say What you like,

but I Was ashamed.

You ought never

to have done it.

Perhaps We Were a bit hasty,

but I'll soon put that right.

It's no use, Higgins. You'll have to

face it. It isn't fair on the poor girl.

- You'd better call the whole thing off.

- Nonsense.

I said I'd pass the guttersnipe

off as a duchess,

and pass her off

as a duchess I will.

Here. You see that?

It's an invitation from the Transylvanian

embassy. I'm going to take her there.

- You're mad.

- I tell you, that girl can do anything.

Eliza. Eliza!

Stop sniveling, girl!

Eliza, shall I give you

another chance?

Will you work?

Good!

No, no, no!

Do it again!

- I'll try.

- No, no, no!

I've told you 500 times!

You drive me mad, girl.

- Come, Higgins, be reasonable.

- Once more.

No.

- I'm Mr. Freddy Hill to see Miss Doolittle.

- I'll inquire, sir.

- Thanks.

- Throw him out!

NoWlisten, Eliza.

She's engaged.

Miss Doolittle.

Oh! Why can't you

do it like this?

- He's here again.

- Well, throw him out.

Come on, now. Both together.

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George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

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Submitted on August 05, 2018

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