Ran Page #10

Synopsis: Japanese warlord Hidetori Ichimonji decides the time has come to retire and divide his fiefdom among his three sons. His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days. The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united. Insulted by his son's brashness, the warlord banishes Saburo. As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises. It leads to war and only banished Saburo can possibly save him.
Genre: Action, Drama
Director(s): Akira Kurosawa
Production: Rialto Pictures
  Won 1 Oscar. Another 28 wins & 21 nominations.
 
IMDB:
8.2
Metacritic:
96
Rotten Tomatoes:
96%
R
Year:
1985
162 min
1,231 Views


Say he can have his father.

1033

02:
03:33,781 -- 02:03:36,449

Watch his movements

1034

02:
03:36,617 -- 02:03:38,910

and send out your assassins.

1035

02:
03:54,635 -- 02:03:56,386

I'm Iost.

1036

02:
03:57,138 -- 02:03:59,431

Such is the human condition.

1037

02:
04:03,310 -- 02:04:04,936

This path,

1038

02:
04:06,480 -- 02:04:08,189

I remember...

1039

02:
04:09,150 -- 02:04:11,276

We came this way before.

1040

02:
04:11,444 -- 02:04:14,446

Men always traveI the same road.

1041

02:
04:15,072 -- 02:04:17,782

lf you're tired of it, jump!

1042

02:
05:07,041 -- 02:05:08,458

Up there.

1043

02:
05:09,168 -- 02:05:10,710

Who is it?

1044

02:
05:13,130 -- 02:05:14,547

Su!

1045

02:
05:22,890 -- 02:05:24,891

Sister, that voice...

1046

02:
05:26,227 -- 02:05:28,728

This ruin was once a castle.

1047

02:
05:29,897 -- 02:05:32,482

lt belonged to Su's father.

1048

02:
05:33,067 -- 02:05:34,901

I destroyed it.

1049

02:
05:37,821 -- 02:05:39,739

Why am I here?

1050

02:
05:42,409 -- 02:05:44,619

Why is Su here?

1051

02:
05:46,413 -- 02:05:48,081

And Tsurumaru too!

1052

02:
05:53,420 -- 02:05:55,421

Is this a dream?

1053

02:
05:55,589 -- 02:05:57,924

No, this is HelI.

1054

02:
05:58,592 -- 02:06:01,636

The lowest level of HeIl.

1055

02:
08:03,550 -- 02:08:04,550

Mount!

1056

02:
09:58,832 -- 02:10:01,209

Message from Lord Jiro!

1057

02:
10:24,191 -- 02:10:25,233

Very good.

1058

02:
10:36,328 -- 02:10:37,995

He says he won't attack.

1059

02:
10:38,163 -- 02:10:41,916

We're to leave once we have Father.

1060

02:
10:42,709 -- 02:10:45,378

Let's go at once.

1061

02:
10:46,463 -- 02:10:49,841

We'd give away his whereabouts.

1062

02:
10:50,050 -- 02:10:51,300

Wait tilI dark.

1063

02:
10:52,678 -- 02:10:55,012

Ayabe is on the move.

1064

02:
11:24,501 -- 02:11:27,712

Vulture! He smelIs blood!

1065

02:
11:41,226 -- 02:11:43,227

Stay caIm, my Lord.

1066

02:
11:44,313 -- 02:11:45,897

Ayabe is watching.

1067

02:
11:47,399 -- 02:11:48,774

So is Fujimaki.

1068

02:
11:55,282 -- 02:11:57,617

They're waiting.

1069

02:
11:57,784 -- 02:12:01,120

Don't give them an excuse to attack.

1070

02:
12:02,414 -- 02:12:06,459

He wants Father,

but makes no move.

1071

02:
12:06,668 -- 02:12:09,211

What's his game?

1072

02:
12:28,398 -- 02:12:30,775

She's taking so long.

1073

02:
12:34,279 -- 02:12:37,490

l'Il go to see what's keeping her.

1074

02:
12:37,699 -- 02:12:39,075

No, don't!

1075

02:
12:39,826 -- 02:12:42,119

Never mind the flute.

1076

02:
12:42,287 -- 02:12:44,956

You're acting Iike a chiId.

1077

02:
12:45,123 -- 02:12:48,417

I don't want to be alone again.

1078

02:
12:49,503 -- 02:12:51,837

You won't be aIone.

1079

02:
12:59,012 -- 02:13:01,639

This image of the Buddha Amida

1080

02:
13:01,807 -- 02:13:04,642

wilI protect you in my pIace.

1081

02:
13:06,436 -- 02:13:07,979

Sister!

1082

02:
13:09,189 -- 02:13:11,732

l won't be gone Iong.

1083

02:
13:12,943 -- 02:13:14,402

Sister!

1084

02:
13:35,465 -- 02:13:39,885

I found Kyoami

crying on Azusa PIain.

1085

02:
13:40,053 -- 02:13:42,388

Where's our master?

1086

02:
13:44,016 -- 02:13:45,391

Forgive me!

1087

02:
13:48,770 -- 02:13:50,521

He's disappeared.

1088

02:
13:51,857 -- 02:13:54,108

You lost him

1089

02:
13:54,234 -- 02:13:55,568

on the plain?

1090

02:
13:57,487 -- 02:14:00,072

Now we can't wait for dark.

1091

02:
14:06,955 -- 02:14:08,706

I'm going to Azusa PIain.

1092

02:
14:08,874 -- 02:14:11,584

Keep the enemy busy here.

1093

02:
14:12,753 -- 02:14:15,546

Ten men folIow Lord Saburo!

1094

02:
14:32,898 -- 02:14:33,981

He's moving...

1095

02:
14:34,274 -- 02:14:37,443

He's heading for Azusa Plain.

1096

02:
14:39,654 -- 02:14:41,405

Gunnery captain!

1097

02:
14:47,788 -- 02:14:50,122

Take your men to Azusa Plain

1098

02:
14:50,290 -- 02:14:52,291

and lay an ambush.

1099

02:
14:53,335 -- 02:14:56,670

A reward for whoever kiIls Saburo.

1100

02:
14:57,214 -- 02:14:58,589

Are you mad?

1101

02:
14:58,799 -- 02:15:01,634

Break your word and it's war!

1102

02:
15:02,302 -- 02:15:05,846

So be it. lt was inevitabIe.

1103

02:
15:05,972 -- 02:15:08,974

Saburo is not our only enemy.

1104

02:
15:09,101 -- 02:15:09,975

So what?

1105

02:
15:10,602 -- 02:15:13,813

lf they attack, we retaIiate.

1106

02:
15:14,606 -- 02:15:17,358

We grab their Iand,

1107

02:
15:17,567 -- 02:15:18,943

and enIarge our own.

1108

02:
15:19,277 -- 02:15:22,696

Fine words,

but words don't win wars.

1109

02:
15:22,948 -- 02:15:25,741

Where's the dog eager for prey?

1110

02:
15:26,284 -- 02:15:27,618

Kaede's right.

1111

02:
15:27,744 -- 02:15:30,496

You're a mouse posing for a mastiff.

1112

02:
15:32,290 -- 02:15:34,416

Kaede barks and you grovel.

1113

02:
15:35,001 -- 02:15:36,669

SiIence!

1114

02:
15:37,003 -- 02:15:38,170

Stay behind!

1115

02:
15:38,755 -- 02:15:41,674

If you fear to fight, desert!

1116

02:
15:45,887 -- 02:15:47,304

lf I desert,

1117

02:
15:47,430 -- 02:15:49,098

where could l go?

1118

02:
15:51,017 -- 02:15:53,352

Captain!

You have your orders...

1119

02:
15:53,478 -- 02:15:54,562

Go!

1120

02:
16:09,452 -- 02:16:11,370

Message for Lord Saburo.

1121

02:
16:11,580 -- 02:16:15,374

"Enemy gunners coming: take care."

1122

02:
16:22,048 -- 02:16:23,674

lnfantry...

1123

02:
16:24,426 -- 02:16:25,926

Forward!

1124

02:
16:40,859 -- 02:16:42,568

Thinks he's smart.

1125

02:
16:53,121 -- 02:16:54,830

Get ready, men!

1126

02:
16:55,498 -- 02:16:59,585

We're moving into the woods!

1127

02:
17:32,619 -- 02:17:33,994

Father!

1128

02:
18:21,793 -- 02:18:24,169

What a sky!

1129

02:
18:27,590 -- 02:18:29,758

Am l in the other worId?

1130

02:
18:34,097 -- 02:18:36,015

ls this paradise?

1131

02:
18:38,852 -- 02:18:39,852

Father!

1132

02:
18:40,061 -- 02:18:43,314

Why are you so crueI?

1133

02:
18:43,481 -- 02:18:46,608

Why pulI me from my grave?

1134

02:
18:55,535 -- 02:18:57,828

Don't you know me?

1135

02:
18:59,331 -- 02:19:00,748

Father!

1136

02:
19:05,045 -- 02:19:06,628

Father?

1137

02:
19:10,133 -- 02:19:12,968

What do you mean by "father"?

1138

02:
19:16,181 -- 02:19:18,849

Wait, I remember.

1139

02:
19:22,103 -- 02:19:24,855

I had three sons.

1140

02:
19:32,864 -- 02:19:35,115

Are you one of them?

1141

02:
19:35,241 -- 02:19:37,826

Yes, I am Saburo.

1142

02:
19:40,538 -- 02:19:41,914

Saburo?

1143

02:
19:53,009 -- 02:19:54,385

lt's you!

1144

02:
20:03,019 -- 02:20:06,897

l have no face to show you,

1145

02:
20:07,524 -- 02:20:09,608

no words to excuse myseIf.

1146

02:
20:10,610 -- 02:20:14,279

Give me poison to drink,

1147

02:
20:14,906 -- 02:20:16,949

l'Il swalIow it gIadly.

1148

02:
20:18,201 -- 02:20:20,119

Don't talk like that.

1149

02:
20:20,286 -- 02:20:22,955

l don't hate you, Father.

1150

02:
20:23,123 -- 02:20:26,250

No sweet lies, l've had my filI.

1151

02:
20:34,968 -- 02:20:37,803

Does he Iook Iike a hypocrite?

1152

02:
20:39,347 -- 02:20:42,349

Rate this script:5.0 / 2 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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