Return of the Killer Shrews Page #3
- Year:
- 2012
- 84 min
- 114 Views
by Johnny Reno on his quest
to find the missing intern. Huh?
And Johnny Reno finds
the poor missing intern.
Whoever finds Hector and Bobby,
let's shoot it like Reno found them,
dead or alive!
We've got to protect our star,
or there's no series.
Well, hey, yeah, you do have to...
You do have to protect the star
or there's no series.
We'll protect the star, of course.
What did you think
I was going to do?
You're gonna want a rewrite.
You know you've got darn near
a fifth of tequila in you buddy.
Why aren't you relaxed?
How can I relax? I can't relax
til I get off this island.
Did you hear that sound?
No.
Then shut up and listen.
I'm telling you
there's something out there.
Nothing but the wind.
There's something out there.
Yeah, well
there's a big storm out there
and it's headed this way.
Why don't we just head on
back to the boat
- and get some shut eye?
- Yeah. Yeah.
Thorne.
Thorne Sherman.
You're a dead man walking.
You just don't know it yet.
I'm done Willard. I'm so out of here.
Why? Eveything's going so good.
Wally's here with the cash.
Johnny's in full hero mode,
and we're getting great stuff.
Eveything's changed.
This was supposed to be
a wildlife show.
Now you've got us out hunting
some dead P.A.S.
The situation is fluid.
I'm working with what nature
has generously provided.
Adapt, improvise,
and overcome.
And rewrite.
Over and over and over again!
Assuming the missing crew are dead,
we now have a reality show
with a body count.
Which means
big ratings and obscenely big money.
Not for me.
My paycheck is spent, as usual.
I'll give you points on this one.
Ten per cent of the show.
Net or gross?
Gross.
It's a deal.
Shall we seal this deal?
What do you want Willard?
Me? Or the rewrite?
The rewrite.
Get to work.
So what do you think?
Oh, I like it much better without.
Oh, you're so sweet.
But won't the others hear us?
In this rain?
Besides, I set up our tent fifty yards
away from the others.
I figure we want our privacy.
Stop messing around!
Hey, look. I uh,
I'm sory about last night.
She, uh, dragged me away.
Yeah. Doesn't matter.
It's your business. I'm her to work.
Great. That means
we can start over.
Look, Sam,
I don't have time
Okay, let's keep it professional.
Hey Sam.
- Sam, hey, we want our money.
- Yeah.
We want it right now
and to get off this island.
Right, right. No, sure thing.
Look, I'm, uh, not the money guy.
We got to find Wally.
So he should be on set right now.
Well, let's find him.
Let's get on with it.
- Lead the way man.
- Yeah.
Sam, let's get this show on the road.
Stella, can you please make sure
Johnny Reno is ready?
Hey Sam, where's the money guy?
This Wally, that twinkle toes?
Just give me one second please.
We're tying to split up the crew.
I think they said they were going up
the path ahead of us.
We'll catch up. Huh?
Uh, yeah. Best I can do for you.
- Reno!
- What?
The camera's over here, babe.
Oh.
Okay, this is it.
- Johnny, this is your big hero moment.
- Oh yeah.
You send out two teams
to search
for the production assistants.
While you bravely search the most
dangerous part of the jungle yourself.
Should I take off my shirt?
Let's play with that.
I like it.
What would Johnny Reno do, huh?
Here we go, boys and girls, this is it!
Let's roll camera!
- I don't know what that's about.
- Rolling!
Keep it rolling.
Action!
Okay eveybody,
I think what we need to do is...
Think, think the Duke.
I love that show.
Oh, no, no.
Now listen here eveyone.
I understand you're all on my posse.
Well that means it's
time to get our wagons in a circle
and go out
and save those dead guys.
Did he say "save our dead guys"?
How do you save a dead guy?
I didn't write that.
- This way.
- This way. Stay on Johnny.
Come on people.
We're burning daylight.
- Hey Thorne, lookie here!
- What?
Got some money down here.
You think it's ours?
- Well it's ours now.
- All right.
- It's got blood all over it.
- Oh, jeeze!
Well, it'll spend anmay.
What kind of tracks are those?
I don't know,
but it's clearly not human.
All right, and action!
So what do you want me to do?
Okay,
Okay, come on.
My close up.
My camera.
All right, we got it.
Let's get out of here. Moving on.
Hey Thorne! Check this out!
Who is that?
I don't see anyone.
And cut.
That was stupid.
- Oh no.
- No, I look stupid.
Stella, talk to him.
You look great.
I look great, but that was stupid.
Take five.
Hey, hey, hey guys,
- look at this. Look what I found.
- Wait a minute.
I recognize that shirt.
It was Hector's.
The hell it was. I loaned him this shirt.
Look at it, It's ruined.
It's started again. I knew it.
What's happening?
Listen folks. There's nothing
but death on this island.
We got to get out of here now.
The old timer's right.
- What do you mean, old timer?
- Just a figure of speech.
I'll whip you like an omelet.
But what about Hector and Bobby?
Hector and Bobby are our new props.
It's better than C.G.l. and cheaper.
- Derek, you set your camera up here.
- Yeah.
to that clearing right over there.
He has no idea what's going on!
Johhny, on action,
you're going to discover
the clothes, huh?
Here we go guys.
- On action.
- On action.
Lenora.
Clear!
Okay, roll camera!
Speed.
Action Johnny Reno!
Tattered clothing.
Little more than a pile of blood
soaked rags.
All that remains
of two human beings.
Wait, Johnny Reno doesn't scream.
Come on!
No, Johnny Reno screams
when Johnny Reno hears something
and Johnny Reno heard something.
- Did you hear that?
- Yeah, yeah, yeah.
Yeah, I heard it too.
Well, let's all listen together,
shall we? Huh?
Anybody hear anything?
Me either!
Action Johnny!
Believe you me,
whatever did this was mysterious,
terrifying, and hungy.
And also had vey long teeth.
Like these.
Tear 'em up!
Oh Johnny!
Oh god, no!
Not the face. Not the face!
That was disgusting!
Holy moley. What the hell...
What do I do with this, Willard?
What is it?
That's Johnny. That's his arm.
Oh my poor Reno!
Oh, look at that.
We'll take it with us,
um, buy it later.
I'll, uh, say a few words over...
"May god have mercy
on this forearm".
Listen, if you want to get off this island,
follow me. Follow me.
Bring that. Bring the camera.
On a map, north is at the top.
I know where north is on a map.
I don't know
where it is on the ground.
Wow, four years
of film school for this.
Well, I think you're brilliant.
Oh, it's a cute little baby shrew.
We used to hunt these little suckers
with our BB guns.
I shoot you right between the eyes
Yeah, you are creepy looking.
- Oh my god! Oh my god!
- Run, run, run. Let's go.
Come on!
Come on! Come on! Let's go!
Here.
- What?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Return of the Killer Shrews" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/return_of_the_killer_shrews_16847>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In