Salinger Page #9
with a sudden suicide
following a conversation
in which something
couldn't get said.
They are characters
who wanna get out of the world,
and the stories end when they're
given permission to leave.
It's amazing.
It's a strange effect.
One doesn't bring the
degree of obsession
that creates perfection
unless there is just
unappeasable hunger,
unappeasable sadness
and what I would call a wound.
You don't get
that kind of perfection
unless you're trying
to heal something
that's incredibly badly hurt.
In 1954, I was in college,
for an evening in New York.
He would
take me to the Palm Room
or we'd go to the theatre,
we'd go to the Blue Angel.
on that east-side highway
and seeing
the George Washington Bridge
and thinking
how absolutely beautiful it was,
insane how beautiful it was,
and he laughed.
He said, "Jean, you've got to
learn not to say the obvious."
And I felt,
"Well, you know, he's right."
I was still young,
but here was this fascinating
man who seemed to like me.
But in all those letters,
it says,
"My work has to come first."
And he's sorry to be
such an unromantic man
and I'd have every right to
tell him to go jump in the lake
and go off with some
less neurotic person.
But once in a while,
...and we'd drive up to Cornish.
We would take a walk
in the afternoon and talk
and then dinner.
And then we'd look at
television by the fire -
Lawrence Welk or Liberace
or something like that-
and we'd dance.
I remember one night,
I said, "Let's dance."
It was fun.
We would look at the people
on the television, dancing,
laughing all the time.
He seemed filled with joy to me
a great deal of the time.
of anything physical
between us.
Jerry Salinger
remembered me always
on that pier in Daytona Beach.
I am the one who changed it.
We were in
the back seat of a taxi
Not soon after the taxi,
we went to Montreal
for the weekend.
We went up to our room
and... we went to bed.
And I told him I was a virgin.
And he didn't like that.
He didn't want the
responsibility of that, I guess.
He just didn't like it.
And then the next day,
we were flying to Boston,
with me on to New York
and he on to West Lebanon,
and somehow in the airplane,
he was told that
his plane was cancelled.
And I began laughing,
because I was delighted
that we could
spend the afternoon together,
particularly after what had
just happened the night before.
And I saw this veil
come down on his face.
Just like this.
This look of horror and hurt.
It was a terrible look.
It was a look
that conveyed everything.
I think all of a sudden,
he saw me
in an entirely different light.
He hustled me
right onto a plane.
I didn't have a plane
till later in the day.
He went right to the desk,
got the ticket changed,
hustled me right on the plane.
I knew I had come
between him and his work.
And it was over.
Wow. How do you describe
Claire Douglas?
In many ways, Claire Douglas
will be the widow Salinger.
You know, there were women
after Claire,
but she's... she's the wife.
Salinger
attended a party one night
where he met this
captivating, attractive,
personable young woman
who was 19 years old.
And Salinger, who was 34,
was instantly attracted to her.
She's just the kind of a lady
you think with a long dress
and a neat hairdo... and with
a glass of wine in her hands
talking with lots of
New York people.
Yeah.
Her role... just
didn't seem right.
Her childhood was not one
that set her up with
any kind of foundation.
She was sent off
to convent boarding school
at age five,
in and out of
off to another boarding school,
and the summer between
met my father.
Many critics
contend that Claire
was the inspiration for Franny.
And on February 17, 1955,
J.D. Salinger married
Claire Douglas in Vermont.
Salinger gave a copy
of the story to Claire
'Franny' became
It had this kind of
cliffhanger ending
where the main character,
Franny, fainted.
And people were wondering
what happened - was she...
...intoxicated,
pregnant or what?
On December 10, 1955,
J.D. Salinger became a father.
His daughter, Margaret,
was born.
The way he viewed Claire
changed after that.
Before that, she had been
the late-teen/early 20s woman
that he was fascinated with.
Now she was a woman.
She was a mother.
And I think
the birth of that child
had a permanent effect
on their relationship.
When I started
taking care of his kids,
Claire was due to have Matthew.
And Jerry knew me.
Back in the early '50s,
when I was in high school,
there was a soda fountain
right in town
that most of us gathered.
And Jerry Salinger used to come
right in and be part of that.
So I knew him from then.
He was just one of the guys.
So Jerry asked me
to help Claire with Margaret.
We called her Peggy.
down over the hill
from the house.
It was just
down, any time, day or night,
go in and shut the door,
and you wouldn't see him
for a week or longer,
'cause he got into
a writing mode
and had to be left
totally alone.
Claire was not allowed
to bother him.
Nobody could enter the bunker.
It was the safe place
and a sacred place for him.
Salinger installed cup hooks
upon which he would place scenes
he had written.
all over the walls.
It was the place in which
Salinger became the characters.
It was the place that was his
and his Glass family's.
No-one else's.
So in 1955, Salinger
his own...
and the Glass family.
McGOWAN:
The Glass family wereseven children, all geniuses,
who each appeared on a show
called 'It's a Wise Child',
the sons and daughters
of two vaudevillians.
Seymour, the oldest, was the
greatest genius of them all,
the most spiritual,
the most artistic,
and he commits suicide.
And that informs their
entire lives from then on.
'Franny' was quickly followed
by a wonderful long story
called 'Raise High
the Roof Beam, Carpenters'
about characters
of that same family.
The Glass family
and Salinger's real family
would actually compete with
each other for his attention
and his affection.
How weird is it
when your father is gone
but you can actually
see where he is,
but you can't go disturb him?
What does that do to a child
psychologically
when that's your childhood,
that's your youth?
No-one said,
"Don't talk about this.
"Don't think that."
I mean, you don't
have to to a kid.
Kids pick up what
the elephants are in the room
that the family's
not talking about.
By the time Matthew was born,
you'd think Claire
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