Saraband Page #4

Synopsis: Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.
Genre: Drama, Music
Director(s): Ingmar Bergman
Production: Sony Pictures Classics
  2 wins & 2 nominations.
 
IMDB:
7.8
Metacritic:
80
Rotten Tomatoes:
91%
R
Year:
2003
107 min
$478,554
Website
609 Views


A foggy, windless autumn day.

Absolute silence.

Then I see someone|by the gate.

Coming towards me. She's|wearing a denim skirt...

A blue jacket...

She's barefoot and her hair|is tied up in a long pony tail.

And she's walking towards me.

Anna is walking towards me,|through the gate.

And then I realize I'm dead.

Then something strange happens.

I think:
"Is it this easy?"

We spend life thinking about|death and what comes after.

And then it's so easy.

I can see a flickering light|in the music. Like Bach.

- I think I understand.|- Come for dinner tonight.

- We're good cooks.|- Thanks, I like that.

I have to go now,|we've got a class.

Karin gets angry|if I'm late.

- See you soon.|- Wait, I don't think I can go.

- I understand. The old man|would get mad... - No.

- Why did you come here?|- I don't know.

You're a lawyer, right?|Can I sue him?

- Why would you want to do that?|- He's got a fortune and won't die.

He's probably mummified|by his own evil.

I asked him for an advance on my|inheritance, but he humiliated me.

I'd love to sue him.

Not while he's|mentally competent.

- He's not ill in that sense.|- No, he's not ill.

Are you here to ask for money|for a poor abandoned wife?

Don't get angry.|Of course I ask myself.

You haven't had|contact for decades.

I'm not here to ask for money.

Are you f***ing?

Do you hate him so much to|have to talk this way?

Forgive me for desecrating this|place and ruining our chat.

I hate him in all possible|dimensions of the word.

I hate him so much, I would like to|see him die from a horrible illness.

I'd visit him every day,|just to witness his torment.

Maybe I'm just a pathetic|soul. Theoretically.

I see surprise and displeasure|in your eyes.

As a lawyer,|you should be used to...

the stupidity and repulsiveness|in the world.

Goodbye, Marianne. It was nice|of you to listen to me.

Sometimes I think I'm insane.|I suffer all the time.

SIX|AN OFFER

- Karin!|- Hi, granddad.

- Well... this is my study.|- I haven't been here for years.

You and Anna would come sometimes,|when you were living at the lake house.

- You used to smoke then.|- Yes, you're right.

I stopped when I read|Freud's biography.

- And even then he couldn't stop smoking.|- Bur are you all right?

Unless you consider|aging an illness.

- That's a beautiful picture of mom.|- I found it by chance.

I had it blown up...|and there it is.

I think of mom every day.|And dream of her at night.

I thought the pain would subside.|But that's not happening.

But it doesn't hurt like in the|beginning, now it's here.

Like a part of me.|I wouldn't want to be without her.

I can say I miss her,|painfully.

We didn't see each other very often,|due to Henrik and I.

Anna tried and tried.

But Henrik and I never|managed... well, you know.

- You wanted to speak to me?|- Yes, sit down.

Last night, Mrs. Nilsson came|personally to deliver a letter.

Meaning that dad shouldn't...

That was all right.

He's in Uppsala with his orchestra.

I have here a letter that came a|few days ago, and it involves you.

- Have you heard of Ivan Chablov?|- Director in St. Petersburg.

He toured here recently with|the philharmonic. Fantastic!

I've known him since my years in|Leningrad. This letter is from him.

"Johan, my dear friend and brother".

"Sorry for writing in my|poor English and German"

"but my excellent secretary

has just had twins".

"It's very important that I|write you, my dear friend".

"For the following reason:"

"On a free night, I went to a|young musician's concert".

"I must say I was|surprised and happy".

"A young female cellist was playing...

"a Zoltan Kodaly solo piece."

"And I was surprised by that|young performer's talent."

-"Her maturity, her skill|and courage". - Well, I'll be!

"The school gave me her name...""

"and told me her father|was her teacher."

"I got in touch with him,|but he rejected me curtly,"

"maybe arrogantly is a better word."

"My dear Johan,|I know you're ..."

her grandfather.""

"And that's the reason why|I'm writing you."

"The young lady's technique is|risky, somewhat lacking:""

"which could result in|a future catastrophe".

"I'm a guest professor at|Helsinki's Sibelius Academy,""

"One of the best in Europe."

"I have a good rapport|with the president."

"And we could, after|the mandatory exam,""

"offer our young cellist|a quality education..

that her talent|obviously deserves."

Let me know your answer as soon|as possible. My embrace, Ivan.""

So, Karin, what do you say?|Maybe I should add...

that I'll take care of all your|expenses as long as you need it.

I've spoken to the cello seller:|I've made him a good offer.

More than he was asking for.

So if you want it, it's yours.

Assuming, of course, that you|accept Chablov's kind offer.

I don't know what to say.|It's overwhelming.

I understand this letter puts|you in an awkward situation.

- I'll write him and tell him|that you're... - Flattered.

But that your decision|affects others.

- Others?|- Your father, specifically.

I need to rest.|Goodbye, Karin.

Thanks for the chat.

Marianne used to say that I was|a terrible character judge.

That I didn't understand emotions.|But even I understand this:

Your mother lived|in this world...

to do the most unbearable chore.

Darkness got even darker...

and light faded away|when Anna died.

It's hard for Henrik. To live.|Despite everything.

You're like your mother.

And I'm fond of you, Katja.

- Goodbye, Karin.|- Goodbye, grandfather.

SEVEN|ANNA'S LETTER

- To Henrik from Anna?|- I found it in a book.

May 18. Anna...

wrote it one week|before dying.

I'd like you to read it.

I can't understand Anna's handwriting.|You'll have to read it to me.

I'll try.|Here, have some whisky.

Mom had found out a|few days before...

that she didn't have|much time left.

She wrote the letter because|Henrik had a cold...

and wasn't allowed to visit her.

It says:

"The fact that you can't|visit me is, perhaps,

a relief for both".

"We understand each other well.|You open the door."

"I make an effort.|You make an effort".

"But I still see in your|eyes how sick I am".

This is the difficult part.

- She writes about dad and me.|- Is that painful?

Yes.

When you were with|her at the hospital,

did you speak about|what she had written?

- No, never.|- What did she write?

"Dear Henrik, I have to tell you|something of which we've never spoken".

"I've wanted to talk|to you about Karin".

"But it was never necessary|because I was always there".

"Then I got sick|and I was there no longer".

"Of course I was there,|but you kept me apart".

"You and I love each other.|I was sure about our love".

"But no love is strong enough...

to stand a devastating|effect like my illness".

"I see that you love Karin, but that|you also tie her to you".

"It's good that you were her|teacher, but there's a limit".

"When I'm no longer there,|the limit will be unclear".

"I know that Karin loves you".

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Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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