Showtime Page #5
Huh? Do you?
Basically, I'm saying the whole show
is slowed down just a half a beat...
- I'm too old for this sh*t.
- ...so Mitch can keep up.
Because I'm working out.
I do free-weights.
Go ahead. Make my day.
I'm taking care of mine. Mitch is not.
That's it. I'm taking care of mine
and Mitch is not.
Trey, look at this. It's all for you.
- Trey, I'm right here.
- Yo, Trey.
Five minutes up yet?
It's showtime!
What are you looking at that for,
Magnum?
- How come we're not talking to him?
- Because he's sitting in county.
A jailhouse.
That could be the next episode.
Forget it. I put him there.
He's the one who knows
about this gun.
He won't talk to me. I already tried.
He'll talk to me.
What makes you think
he'll talk to you?
I won't go in like a bulldog like you.
- I'll talk. I'll be in character.
- In character!
That's great.
You mean, like undercover?
A little finesse, catch him off guard,
have him think I'm someone else.
Character. What kind of a character?
I don't know.
ReRun! How you doing, my man? I'm Trey
Sellars from the Justice Channel.
- Have a seat, please. You being strong?
- Yeah.
- Thanks for coming. You okay?
- I ain't heard of no Justice Channel.
That's because we got started
while you was rotting away in here.
The Justice Channel is devoted to
shining the light on victims like you.
- He's got talent, Mitch, come on.
- We're wasting our time.
Is that a new shirt?
It looks good. I like you in solids.
What's this sh*t about you
getting me out?
Not me, brother, the TV show.
I'm hosting a show called Framed.
Let me tell you about the show.
We spotlight you.
Put a light on your situation.
Let the people see you.
Hopefully, we get a grassroot
campaign started and get you out.
You can be number four.
- Like Mandela.
- Similar. You ain't as noble.
You ain't no Nelson. You're ReRun.
You your own man. We want ReRun out.
Mandela's sh*t stink too.
Trey, I'll talk you through this.
- Not so loud.
- Say what?
I wasn't that loud.
You don't have to talk too loud.
Shouldn't my lawyer be here?
That's the wrong thing you can do.
Let me explain something.
Research has shown people
don't want to hear lawyers.
They want to hear it
straight from your mouth.
I got Johnnie Cochran.
No offense, bro.
Cochran will get a response
I'm not trying to get.
I'm trying to get people
to connect with you.
If they see Johnnie Cochran
in a $1000 suit...
...they ain't going to get you
out of prison.
Ain't no cops here.
Just me and you. Brother to brother.
I'm your brother.
Take it slow. Nice and easy.
He's still on the fence.
All right! You and Lazy Boy
got this gun from somebody!
You work for the same person!
Who you working for?
What the hell?
What kind of reporter are you?
- I don't tiptoe around the truth!
- Back off.
And I will not back off
until I find out the truth!
Brother, look at me. They selling
your black ass down the river.
You say "ass" on TV?
This is cable.
I can say whatever I want to.
Did they tell you plea-bargain?
Take the hit, do the time?
That's what was said, isn't it?
Yeah.
See if you can get a name.
It's time, ReRun.
It is time to shine the light
on who's behind this.
Who's the puppet master?
Whose time are you doing?
While you're in here
he's smelling freedom.
- And tasting it.
- What you smell?
- Ass.
- Ass and feet, and tension and stress.
Hey, brother, that ain't for you.
Look in that camera right now.
Make a connection.
Look right into the lens.
Say who it is that's supposed to be
in here instead of you.
Look in the camera and say it.
I'm with you.
I'm right here with you.
All the people out there in TV land...
...and Mama, I'm coming home soon...
- Your baby be home soon, Mama.
- Yes.
The culprit...
You'll see Mama soon.
...that put me on the streets
to do his dirty work...
...that's shitting on my freedom...
Tell them.
...is none other...
This is an emotional moment.
I get caught up when I know a brother
is ready to leave. I love it.
...than Vargas!
Caesar Vargas!
He said it!
Hope you're watching, b*tch.
- Sh*t.
- You did the right thing, brother.
Find out where he is.
You going down, baby.
You made a connection.
When the people see this,
they'll get rallied up. I can tell.
like Vargas kick it?
- You trying to get a brother killed--
- Not at all.
I do this for the viewers.
We don't point fingers.
We'll say, "If you don't want to run
into Vargas don't go to this place."
Hanging out with him, you wind up
in this place. That's how you got here.
Look to the camera.
Think about the babies, the children.
Save the babies, brother.
People...
...and children in TV land and all
the little kids around the world...
...don't be like me.
And if you want to stay
out of harm's way...
...don't go to Club Cuba Loca
on Figueroa.
It's a bad place. Don't go.
He's just lucky.
Brother, you did the right thing.
Don't you feel good?
- We connected.
- A weight off my shoulders.
You going down, b*tch.
I got backup now.
Hey, that's a wrap.
Yeah! Come on, Mitch.
Now it's time for us
to get down to my story.
I was born in a corn field,
Grandma was a stripper--
Save all that for when you do
Yo, we going to the club tonight.
Now what?
Watch me.
Is the mike on?
Can you turn the mike up?
Sorry to bother everybody.
Is Mr. Vargas here?
Anybody know where Mr. Vargas is?
Mr. Vargas?
There he is.
See how easy that was?
Don't get up, we'll come to you.
Sorry. Go on back...
...to living la vida loca.
Sorry, I always wanted to do that.
Be right with you, Mr. Vargas.
Interesting approach.
Just doing my part.
He's over this way.
- That button-cam was a good idea.
- Yeah, I told you.
- Mr. Vargas?
- Yes.
I'm Detective Preston, L.A.P.D.
I'd like to ask you some questions.
I am in the middle of dinner.
- Hope this doesn't ruin your appetite.
- I got a strong stomach.
- Who's he?
- One of your employees. You know that.
A lot of people work for me.
I don't know this guy.
And what about this guy?
What's his name?
He's big...
...probably big enough to go through
those bulletproof vests you wear.
Am I right?
Bulletproof vest, huh?
And you are...?
You can't miss me. I'm across
the street on the billboard.
You are the TV cops.
Right.
What's your line again?
"It's showtime!"
It's showtime!
I told you it was good.
See how funny this is
once we arrest you.
And then what?
What'll you do?
Try me in The People's Court?
We're gonna be watching
your punk ass 24-7, slick.
Because if you're not, get out.
Or I have to call the real cops.
- Hey, we are the real cops.
- Sure you are.
- You don't think we're real cops?
- I think you're a joke.
It's all right. He cannot touch me.
Not this time, but next time
I'll drag you out of here in cuffs.
You see, I told you.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Showtime" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/showtime_18065>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In