Sideways Page #30
JACK:
(turning the wheel)
I say we check it out. You never
know.
EXT. LARGE WINERY PARKING LOT - DAY
The Saab finds a place in the large parking lot. A TOUR BUS,
whose flank reads "Solvang Wine Tours," is in the process of
letting out WINE TOURISTS, many of them elderly.
The room boasts not only a large TASTING BAR but also display
after display of t-shirts, golf shirts, olive oils, chocolate
sauces and other gourmet tourist items emblazoned with the
winery's logo.
In the corner an ACOUSTIC GUITARIST with a small amp plays
soothing Windham Hill-ish music.
The tasting bar is packed three-deep with TASTERS attended
to by HARRIED POURERS.
Finally the POURER gets to their glasses. Miles chews a sip
and swallows, then downs the rest in a single gulp.
MILES:
Tastes like the back of a f***ing LA
schoolbus. Probably didn't de-stem,
hoping for some semblance of
concentration, crushed it up with
leaves and mice, wound up with this
rancid tar and turpentine mouthwash
bullshit. F***ing Raid.
JACK:
I don't know. Tastes okay to me.
(looking at the tasting
sheet)
Hey, they got a reserve pinot.
MILES:
Let me use your phone.
JACK:
(handing it over)
What's up?
MILES:
I can't take it anymore. I've got to
call Evelyn.
Walking across the lawn outside, Miles holds the cellphone
to his ear.
ASSISTANT (ON THE PHONE)
Evelyn Berman-Silverman's office.
MILES:
Hi, it's Miles.
ASSISTANT (ON THE PHONE)
Oh, hi, Miles. Let me see if I can
get her.
(a moment later)
You're in luck. I'll put you through.
EVELYN (ON THE PHONE)
Miles.
MILES:
Hey, Evelyn, it's your favorite
client.
EVELYN (ON THE PHONE)
How's the trip?
MILES:
Good, good. Drinking some good wines
and kicking back, you know. So what's
happening? Still no word?
EVELYN (ON THE PHONE)
Actually there is word. I spoke to
Keith Kurtzman this morning.
MILES:
And?
EVELYN (ON THE PHONE)
And... they're passing. Conundrum's
passing. He said they really liked
it. They really wanted to do it, but
they just couldn't figure out how to
market it. He said it was a tough
call.
MILES:
Huh.
EVELYN (ON THE PHONE)
I'm sorry, Miles.
(off his silence)
So I don't know where that leaves
us. I'm not sure how much more mileage
I can get out of continuing to submit
it. I think it's one of those
unfortunate cases in the business
right now -- a fabulous book with no
home. The whole industry's gotten
gutless. It's not about the quality
of the books. It's about the
marketing.
Miles is at a loss for words. A distant RUMBLE begins to
sound, the familiar harbinger of an anxiety attack.
Once again we see the narrow ROPE BRIDGE extending
vertiginously across a great CHASM.
EXT. LARGE WINERY - BACK AGAIN
EVELYN (ON THE PHONE)
Are you there? Miles?
MILES:
Yeah, I'm here.
EVELYN (ON THE PHONE)
I'm sorry, Miles. We did all we could.
You've been a real trooper.
(loudly, to her
assistant)
Tell him I'll call back.
MILES:
So I guess that's it.
EVELYN (ON THE PHONE)
You're a wonderful writer, Miles.
Don't be discouraged.
MOMENTS LATER --
Miles STAGGERS toward the tasting room, unpocketing his Xanax
and downing a couple, as Evelyn's clichés of consolation
continue in his head.
EVELYN (ON THE PHONE)
Just hang in there, and who knows?
After you get something else
published, we can revisit this one.
And next time we can try a different
title.
Once back at the tent, he leans against it in a vain attempt
to steady himself. The RUMBLE grows deafening.
Now inside, Miles grabs the first DIRTY WINE GLASS he finds
and shakes it out as he approaches the closest tasting
station. He pushes his way to front.
The pourer offers the usual one-ounce dollop. Miles jacks it
back, immediately extending his glass for more.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Sideways" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/sideways_1370>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In