Silence Page #3
GARUPE:
Our guide. He can’t be a Christian.
RODRIGUES:
He says he’s not but can you believe
anything he says?
The Chinese Businessman takes Kichijiro away down the alley,
the taverners laugh.
GARUPE:
I don’t even want to believe he’s
Japanese.
CHINESE BUSINESSMAN
(shouting back to priests)
You see. He will be good!
The priests look at Kichijiro.
RODRIGUES (V.O.)
"And he said to them: Go ye into the
whole world, and preach the gospel to
every creature." Even to one such as
this.”
As the priests watch him, wondering if they’ll regret their
decision.
12
RODRIGUES (V.O.)
So our Lord commanded. And as I
prepare to do His work, I see His face
before me.
CUT TO:
11 INT. RODRIGUES'S ROOM/MACAO MISSIONARY COLLEGE 11
Rodrigues lies on his simple bed, staring at the ceiling.
RODRIGUES (V.O.)
“His face is fresh in my memory. Just
as I saw it the first time as a novice
in Evora. He looks as he must have
when He commanded Peter, ‘Feed my
lambs, feed my lambs, feed my sheep.’
“
CUT TO:
12 INT. CHAPEL OF THE EVORA NOVITIATE 12
CU:
The face of Christ in the image that Rodrigues remembers.RODRIGUES (V.O.)
“It's a face filled with vigor and
strength. It fascinates me. I feel
such great love for it. ”
From the face of Christ, we...
CUT TO:
...the face of Valignano, standing on the dock in a misty rain,
surreptitiously giving a blessing. A tender boat carrying the
two priests, now disguised as Chinese sailors, moves toward a
sea-battered Chinese junk waiting beyond the harbor.
RODRIGUES (V.O.)
“During the long weeks at sea the gift
of God’s trust sustained us both. We
never doubted His guiding hand. I
embraced this journey as I embraced my
vocation, with honest apprehension
about my own strength, but with joy,
too, that God has trusted me with this
chance.”
13
On the tender, the priests watch the figure of Valignano recede
into the SWIRLING MIST like a daub of paint into a fresco.
CUT TO:
14 OMITTED 14
15 OMITTED 15
THE FIRST SIGHT OF LAND. A dramatic image of land but highly
stylized to see the ominous nature of the landscape: a dark
outline, as if slashed with a calligrapher’s pen against the
last light of the sun. Mountains like sawtooths rising to the
darkening sky, narrow beaches that look like primeval rock
gardens, thick stands of trees blotting out the horizon. A
place of threat and trial.
16 EXT. CHINESE JUNK (OR TENDER WITH JUNK IN BACKGROUND) SUNSET 16
TIME CUT:
Rodrigues and Garupe on the deck.RODRIGUES:
It looks like the edge of the earth.
A TINY BIRD ALIGHTS on the deck, near where Kichijiro is
standing, studying the horizon line. Kichijiro looks out (and
smiles?).
KICHIJIRO:
...Japan...
17 OMITTED 17
18 EXT. TENDER FROM CHINESE JUNK/NEAR TOMOGI SHORE NIGHT 18
On extreme close-up of Kichijiro's foot SPLASHING INTO the
water. He STUMBLES in the shallow water near shore, briefly
submerging in the chill current, which is thick with twigs.
Rodrigues and Garupe watch uneasily from the tender as
Kichijiro surfaces and LURCHES toward the land.
GARUPE:
We have trusted that man with our
lives.
14
RODRIGUES:
Jesus trusted even worse.
And he lowers himself over the side, into the water. Garupe
hesitates, then follows and they both make for the shore.
And now we see where we are. The tender is near the shore of
Tomogi as the Chinese Junk stays at a distance.
CUT TO:
As Garupe and Rodrigues come ashore, Kichijiro GESTURES for
them to hurry. They scurry forward toward a hollow rock like
animals being pursued by hunters they can only sense. As soon
as they reach shelter, Kichijiro is gone. It startles them.
GARUPE:
Kichijiro! Kichijiro! He’s gone to
betray us.
Their fear increases at the SOUND of something moving across
the rocky beach. Footsteps. Drawing closer. They huddle
together, caked with soggy sand and dirt, a couple of
landlocked sea rats.
RODRIGUES:
“Quod facis, fac citius.” “What
you will do, do quickly.”
Rodrigues and Garupe press themselves deep in the shadows of
the rock. Rodrigues is shivering. His teeth are CHATTERING.
Garupe reaches for his companion and holds his head against his
chest, trying to MUFFLE the sound.
GARUPE:
(fearfully)
"A band of soldiers went there with
lanterns and torches and weapons."
The priests duck back behind their meager shelter as...
...a LIGHT FLARES suddenly just in front of them.
The sound of feet, close now. And VOICES. The priests exchange
a FRIGHTENED GLANCE, then turn to see...
...the craggy, glowering face of an OLD MAN, looming over them.
His very lack of expression is menacing. He studies them for a
moment. A long, agonizing moment.
OLD MAN (ICHIZO)
Padre...
The priests are stunned to hear this word in their language.
The old man makes the sign of the cross. Tentatively,
trembling, Garupe blesses him.
ICHIZO:
Hurry. There is no time.
They SCRAMBLE to their feet as a group of a dozen villagers,
carrying torches, surround them.
GARUPE:
What is this place?
ICHIZO:
Tomogi village.
RODRIGUES:
Japan?
ICHIZO:
(nods agreement)
Please. Be quick. So gentios cannot
see you.
GARUPE:
Gentios?
The villagers swarm over the priests, rapidly covering them
with field hats and farmers’ overgarments. In their midst,
Kichijiro smiles at them with servile pride.
RODRIGUES:
(looking at Kichijiro)
The way of the Lord surpasses all
understanding.
With Kichijiro always near, the villagers form a protective
phalanx as they guide them off the beach.
RODRIGUES (V.O.)
"‘Padre.’ ‘Gentios.’ Our own words
sounded so foreign here. But they were
a sign that the seed of our faith has
been sown, and survives with tenacity.
Now it is our mission to tend and
nurture it, lest it wither and die.”
16
...Rodrigues and Garupe exchange a look as they are hurried
inland.
CUT TO:
20 EXT. TOMOGI PATH/BRUSH NIGHT 20
Now away from the beach, Ichizo deliberately steps off the main
path and thrashes his way through the woods. The others follow.
The priests stumble, trying to keep up. The going is hard. The
villagers don’t give a moment to rest. They press on, hard.
RODRIGUES (V.O.)
“We were hurried to shelter because
our Christians feared betrayal by
those who had not embraced the faith.
Gentiles, they called them. Although
nearly all the two hundred families of
Tomogi had been baptized, many fell
under fear of the Inquisitor Inoue.”
A villager hands Kichijiro a bottle of local rice wine
(nigorizake), from which he takes liberal swigs.
CUT TO:
21 EXT. TOMOGI WOODS/VILLAGE NIGHT 21
The group comes out of the woods on a plateau just above the
village. Like haystacks in a rocky field, huts now loom close
before them. They move stealthily along this back way toward
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Silence" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/silence_1317>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In