Sin Nombre Page #12
60.
Smiley throws another rock hard, then another, with each
throw he tries to convince himself he’s man enough.
SMILEY:
It’s the responsibility of a true
another. Be it Casper or whoever.
(BEAT)
So, I’m gonna do it... I gotta do
it.
BENNY:
How? You gotta gun?
Smiley pulls out the rusted .38 -- the kids are both awed and
afraid. Smiley smiles at its (and transversely, his own)
power, tucking the pistol away again into his pants.
SMILEY:
La Mara.
Down the tracks in La Bombilla, the train’s WHISTLE BLOWS.
Smiley nods goodbye to the kids then heads off down the
tracks.
66 EXT. IMMIGRANT REST STOP PATIO - DAY 66
Willy follows Sayra and her family and about 20 immigrants
towards a rest house -- a small concrete home with a patio
situated off the tracks. Inside, Immigrants gather to
shower, change clothes, and rest in the shade.
He eyes everyone carefully, evaluating -- anyone could be a
look out for the Maras, or any other gang that could want to
kill him.
Horacio grabs Sayra, motioning towards Willy.
HORACIO:
He’s following us.
Sayra knows why. Orlando watches, unsure what to say.
SAYRA:
We could help him.
HORACIO:
Absolutely not. You’re to keep
away from him.
61.
SAYRA:
Are you ordering me?
HORACIO:
He’s a murderer- Yes, yes I’m
ordering you.
SAYRA:
He’s in trouble.
HORACIO:
I don’t care about him.
about us.
I care
Sayra is disgusted with Horacio, she looks to Orlando for
support but he says nothing. Horacio, acutely annoyed, pulls
out the XEROX MAP from his pocket.
Look.
HORACIO (CONT’D)
He points to TIERRA BLANCA, still only 1/3 of the way to the
US BORDER. Sayra is subtly surprised.
HORACIO:
We’re here. We’ve got a long way
to go, Sayra. We have to stay
sharp, stick together. We can’t
let anyone ruin this, for us, okay?
67 EXT. IMMIGRANT REST STOP PATIO - DAY 67
The sun has set but the sky is still light. Thirty**
immigrants linger on the patio. Some eat, some sleep, some
re-apply make-up, some talk on a pay phone with home.
Horacio is in line for the phone while Orlando talks with
SEVERAL other immigrants about their economic predicaments
back home (45 lempiras a day speech).
Sayra, fresh from a shower, sits in front of a GIRL who
braids her hair, the girl compliments Sayra’s skin. She
tries to make herself look pretty again.
In a darkened corner of the patio, Willy sits by himself
watching the others. No one approaches him.
67A EXT. IN FRONT OF IMMIGRANT REST STOP - LATER 67A
Tired and bored immigrants lie about.
Willy.
Sayra squats next to
SAYRA:
You going to wash up?
62.
Willy shakes his head.
SAYRA:
It feels nice.
WILLY:
Later, maybe. When there are less
people.
SAYRA:
Then what’ll you do?
WILLY:
Dunno.
SAYRA:
You going to stay here for the
night?
Willy shrugs.
SAYRA:
If I find any food, I’ll bring you
some.
Willy is unsure how to take her kindness. Sayra smiles, then
leaves him to his thoughts. LOCALS sit in their patios
eating food. The immigrants stare at them enviously,
smacking their dry mouths.
Atop one of the abandoned train cars, THREE IMMIGRANTS light
cigarettes, then one of them bellows out in a joking tone...
IMMIGRANT HOST:
Thank you and welcome to the show!
I know some of you have come from
as far away as San Pedro Sula to
see this, you won’t be
disappointed! First up on our line
up, Eugenio will sing a love ballad
to his third and ugliest wife...
For a moment, the immigrants laugh, able to forget the hunger
pangs and boredom. Both Willy and Sayra smile. He looks
around at the other smiling faces, one of them, a glue
sniffer with no teeth smiles while looking at him hard, he
makes the sign of a Barrio 18, but Willy doesn’t really
flinch, he knows he’s just a glue sniffer.
63.
68 EXT. IMMIGRANT REST STOP PATIO - LATER 68
Willy walks past Horacio on the way to the showers.
grabs his arm.
Horacio
HORACIO:
What’s your name son?
WILLY:
(pulling his arm from
Horacio’s grasp)
Willy.
HORACIO:
Willy... my name is Horacio. That
girl over there, she’s my daughter,
Sayra, and he over there is my
little brother, Orlando. They’re
my family and they mean more to me
than anything else. For what you
did on the train, maybe I owe you
something. If it’s money you want,
I’ll give you some as soon as my
wire comes in, other than that, I
don’t know you, I don’t trust you,
and I don’t want you coming
anywhere near my family. Do you
understand me?
Willy nods, he knows Horacio’s type.
impenetrable. He walks away.
Stubborn and
69 EXT. IMMIGRANT REST STOP PATIO - DAY 69
Willy and Sayra help prepare a meal for the Se.ora of the
house, a kind faced middle aged woman. He notices the
contrails of a passenger-jet over head. He stares at it long
enough that she notices and squints to see what he’s looking
at.
WILLY:
Ever been on one?
She shakes her head.
WILLY (CONT’D)
Me neither.
(BEAT)
In Texas I saw the factory where
they make them-
64.
SAYRA:
-You’ve been to Texas?
WILLY:
I’ve been to little of everywhere.
This factory had this huge globe,
like a giant ball, all lit up and
bright. I wanted to climb it.
SAYRA:
I’ll look for it, when I get there.
WILLY:
If you get there.
SAYRA:
I will. I know I will. Back home,
my friend Clarissa made me see this
crazy neighbor, Do.a Eleanor, you
know, like witchcraft? She smoked
this puro, then told me with her
freaky voice that I’d make it to
the U.S. but not in God’s hand,
perhaps in the Devils.’
WILLY:
My girl saw a woman like that once.
SAYRA:
(playing it nonchalant)
You have a girl?
Martha Marlen’s death hits Willy again. Willy focuses on his
work again.
WILLY:
No.
The conversation falls into silence. Sayra looks at Willy
who seems like his mind is elsewhere.
SAYRA:
You should come with us. We’re
going to New Jersey.
Willy doesn’t even look at her.
WILLY:
I don’t think your father would be
cool with that.
65.
SAYRA:
Doesn’t matter, he’s my father only
in blood.
WILLY:
And your mom?
SAYRA:
Hurricane Mitch. Just sort of...
swept her away. Almost swept us
both away, but it didn’t, I guess.
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"Sin Nombre" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/sin_nombre_582>.
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