Slaughterhouse-Five Page #5

Synopsis: Using his own terminology, Billy Pilgrim is "unstuck in time", which means he is moving between different points in his life uncontrollably, although he is aware of it at certain of those points as witnessed by the letter to the editor he writes to the Ilium Daily News about his situation. Primarily, he is moving between three general time periods and locations. The first is his stint as a GI during WWII, when, as a pacifist, he was acting as a Chaplain's assistant for his unit. This time is largely as a POW, where he was in Dresden the day of the bombing, spending it with among others an older compassionate GI named Edgar Derby, and a brash loudmouth GI named Paul Lazzaro. The second is his life as an optometrist in Ilium in upstate New York, eventually married to the wealthy and overbearing Valencia Merble, and having two offspring, Robert, who would spend his teen-aged years as a semi-delinquent, and Barbara, who would end up much like her mother. And the third is as an abductee on
Genre: Comedy, Drama, Sci-Fi
Director(s): George Roy Hill
Production: Universal Pictures
  Nominated for 1 Golden Globe. Another 3 wins & 3 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
77%
R
Year:
1972
104 min
579 Views


any talking to German.

When you talk, you talk

to your guards only.

Blood pressure is falling off.

Eins, zwei!

Eins, zwei! Eins, zwei!

What are you giving him?

I'm still giving him D5W.

It looks like the pressure's

coming up now.

Let's see how we do in

the next five or 10 minutes.

Mrs. Shaw?

I'm Doctor Ellenbogen. Your

father's gonna be all right.

It was very difficult, but

he came through in good shape.

Stanley, he's gonna

be all right!

Wonderful.

Did you find Mother?

Well, it... it's crazy,

Barbara. L... I don't understand.

What's crazy, Stanley?

Where's Mama?

Come on, honey.

L- Let's sit down.

Listen. I think we'll take care of your

father till he's able to take care of himself.

What are you talking about?

Well, I looked all over

for your mom,

and then I asked

one of the nurses.

And they said that...

that she died about

three hours ago.

So I had to find out

if it was the right one.

And it was.

She was.

How?

I don't know, uh...

She had some kind of

accident with the car...

and got carbon monoxide

poisoning.

But she drives a Cadillac!

Honey, I don't know.

That's what they told me.

Oh, God.

I know. I know.

Hi, darling. How you feeling?

Dirty sons of b*tches.

Bureaucratic bastards.

They have the audacity to put me

in a room with a basket case.

- Theyjust don't have a private room, sweetheart.

- Well, I don't know...

Goddamn it, Lily!

I'm gonna pepper your Radcliffe ass with

buckshot if I catch you smoking again!

You better stay in condition

to keep up with B.C. Rumfoord.

- You guys go on without me.

I'll be all right.

Christ. All he does

in his sleep...

is quit and surrender

and apologize.

Shoot. I could carve

a better man out of a banana.

Did you bring me those

books from Widener?

The boys at the Harvard Crimson

have a beautiful bit about you. Oh?

They call you the Red Baron

of military history...

And want you

to get well soon.

Those little bastards!

The Truman statement

about Hiroshima is in here,

and those eight

Army Air Force documents.

Oh, yeah.

And the Irving book on Dresden. I was there.

Honey, why did they keep Dresden

a secret for so long?

Oh, hell. For fear

a lot of bleeding hearts...

would say bombing it

was a chickenshit thing to do.

My book's gonna lay it

on the line, sweetheart.

Nobody's gonna weep and wail over

Dresden after they read my book.

I was there.

What's he saying?

He said he was there.

Says he was where?

Dresden.

At Dresden, B. C!

The hell with him.

Let him write his own book.

Schlachthof-funf.

What the hell is he saying now?

Ich bin Amerikanische soldat.

Dresden.

Schlachthof-funf. You wanna know something?

We didn't start the last war;

the Nazis did.

And 135,000 people

dying in Dresden...

does not seem so very much when put against

over five million Allies who had to die!

And you just might remember that

when we were bombing Dresden,

the Germans were sending V-1

and V-2 rockets into London,

killing men,

women and children.

Don't get so uptight.

Jesus!

It gives me a pain:: Weeping over Dresden

and not give a damn about our own losses!

Hey, what about Coventry?

What about Rotterdam?

What about the extermination

camps the Germans were running?

Gassing millions?

I want your attention.

Attention, please.

You are having a visitor.

Howard Campbell, Junior.

I have just come back from the

Russian Front, so I'll make it short.

I know how hungry you are.

Food's not much though, is it?

Food's terrifiic!

Almost as neat as your outfit!

Men, I have a proposition for you.

How would you like to come back to

America after this war as heroes?

Great, as long as I could

wear that fag outfit!

Since you're so interested in my

outfit, I'll tell you what it's about.

Blue is for the American sky.

White is for the race that

pioneered that continent,

cleared the forests, drained the

swamps, built the roads and the bridges.

And the red is for the blood

of fine American boys...

that's been shed

in defense of your freedom.

I don't see you shedding

any blood, Campbell.

You all know that communism

is out to enslave the world.

And who's out there

trying to stop them?

The Germans! They're not your

enemies. They're your allies!

Communism is the enemy

of all of us!

- I want volunteers for

the Free American Corps.

- Men who are willing to stand up to these commies.

- Sit down, Lazzaro!

I didn't vote for you,

Derby. Good. Now, who's next?

- If we don't stop them...

- Everybody to the air shelter.

Move. Let's go!

Get outta my way.

There'll be no bombs. Churchill's

nephew lives in Dresden.

Don't worry, soldier.

Well, men, do I have

only one volunteer?

Listen, pal. I only stood up back there to tell

you that one day your doorbell's gonna ring,

and there's gonna be this guy

in a trench coat...

We'll eat German craw for so

long, Campbell, because we have to.

But we'd rather die

than eat your dung,

which is sick and lousy

and foul!

History will prove you

an ass.

Oh, sh*t.

No bombs,

eh, Campbell?

You can't trust

theJews.

Daddy, you should really

stay with us.

And you shouldn't talk

about Mama...

or the accident,

or even the war.

I just wanna go home.

But we want you with us!

I'll be fine.

Just for one night?

No.

Oh, Daddy. Honestly!

Daddy, you should

consider yourself lucky.

Practically every optometrist

in Ilium was wiped out.

Stanley's been working

night and day for you.

Stinking old dog.

Hello, Spot.

Yeah.

Yeah.

Daddy, honestly!

Won't you please change your

mind and come stay with us?

You'll be in this empty house

with that old dog.

I'll be all right.

But, Daddy, be realistic.

You just turned middle-aged. You've

got your whole life ahead of you.

Good night, dear.

Ja, schweine!

Verfluchen schweine!

Mama!

Mama!

Mama! Mama!

- Dad? Dad?

Papa!

Dad?

Robert?

Hiya, Dad.

Hi, Spot.

How did you get here?

Well, they... They gave

me leave to visit Mom.

But you know...

Sure, Dad. I know.

That's why I'm here.

And to see you.

How are you, Dad?

I'm fine.

God, Dad. To think that

you lived. It's a miracle.

Like one time when a chopper

got hit by Charlie,

just outside our camp.

It came down like,

like a stone.

But the door gunner

walked away.

Dad?

Dad, I-I did the right

thing, joining up.

I'm sure you did, son.

Aah, it's a lousy war, but sooner or

later it's gonna be us or the communists.

We've gotta stand up

to them somewhere.

Dad?

Dad?

I know you and Mom

worried about me a lot.

I guess I haven't been

the best of sons.

You've been just fine, Robert.

No, I... I know I was pretty wild,

and I want to make up

for it.

Remember that stuff

in the cemetery? Geez!

I'm so ashamed of that now.

Really, I am.

But I've changed

a lot, Dad.

And I just hope I can make you

real proud of me from now on.

You already have, Robert.

Dad, will you come

to Mom's grave with me?

I'm not ready yet.

I know how you feel, Dad.

I'm just not ready.

Rate this script:5.0 / 1 vote

Stephen Geller

Stephen Geller (b. Los Angeles, California) is an American screenwriter and novelist. He wrote the screenplay for the film adaptation of Kurt Vonnegut's novel Slaughterhouse-Five, and has worked in the film industry in Hollywood and Europe. Geller recently directed his own independent feature, Mother's Little Helpers. Educated at Dartmouth College and Yale University, Geller moved to Rome, Italy in 1969–79 to work for the Italian producer, Dino De Laurentiis, where he wrote the screenplay for The Valachi Papers, among other films. Rome became his home for the next sixteen years. He worked in the Italian, French, British and independent film industries. He also commuted to LA, and wrote for every major studio during that period. Eventually, in 1986, he returned to Hollywood, working there for a time, but leaving eventually to found screenwriting programs at Arizona State University, and at the Boston University College of Communication. His screenwriting credits, in addition to Slaughterhouse-Five, include Ashanti, The Valachi Papers, and Warburg: A Man of Influence, and "Mother's Little Helpers." In 1997, Geller directed, co-wrote and acted in the play, "Opportunities in Zero Gravity" with his writing partner and wife, Kae Geller. This two actor, seven character play thematically wove monologues around popular cultural mythology, capitalism, and the pursuit of the American Dream. Aside from screenwriting, he has also published eleven novels and a book on screenwriting, has written several plays, and has directed both theater and film. He currently teaches Shakespeare, satire, and the personal essay at Savannah College of Art and Design. His most recent novel is A Warning of Golems. more…

All Stephen Geller scripts | Stephen Geller Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Slaughterhouse-Five" Scripts.com. STANDS4 LLC, 2024. Web. 1 Sep. 2024. <https://www.scripts.com/script/slaughterhouse-five_18280>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Slaughterhouse-Five

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A The end of a scene
    B The beginning of the screenplay
    C A transition to a new scene
    D A camera movement