Sleuth Page #6

Synopsis: Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse.
Director(s): Kenneth Branagh
Production: Sony Pictures Classics
  1 win & 5 nominations.
 
IMDB:
6.5
Metacritic:
49
Rotten Tomatoes:
36%
R
Year:
2007
88 min
$205,005
Website
3,630 Views


- I can't, no.

- No.

- You're a married man, aren't you?

- Yeah, been married 13 years.

It was love at first sight.

- Very moving.

- Yeah.

And we're still in love.

Like two peas in a pod.

Someone told me

your wife has a lover.

- She has, yeah.

- Do you know him?

No, I've never met him.

He's some sort of Italian.

Called Tandoori or something.

One of the Bombay Tandooris?

You've got it, yeah.

You know something? I've never met

an artistic burglar before.

That's fantastic.

- What's your background?

- Me?

- You.

- Irish. Connemara.

Spanish descent.

By way of Uganda.

My grandparents were slaves.

My mother was a dark-eyed,

dusky beauty.

- Were you breastfed?

- Oh, sure, like a baby.

Shall I tell you what I want you to do

with these jewels?

What?

You look so charming.

How do you want it?

Like this?

Or shorter?

How about this?

Or even shorter like a halter?

- You're hurting me.

- Oh, am I hurting you?

- Yes. Don't hurt me.

- Are you sensitive to pain?

Very. Very.

I wouldn't want to hurt you,

sweetheart.

You're too much fun.

- Am I really?

- Oh, yes. You're wicked.

I like that. Yeah.

Do you know something?

I don't think

these earrings really suit me.

You're right. Take them off.

I don't...

I don't think this bracelet

is really my style either.

But the necklace is nice.

I'm not totally sure.

Listen, you can play with these jewels

until the cows come home.

They're yours.

Do what you like with them.

But I thought you'd just stolen them.

No, no! It was a game!

It was just a game!

I thought it might amuse you.

Well...

Aren't you the wicked one?

You remember what I said?

You won the first set, 6-love.

I was 3-love up in the second.

Well, now it's one set all.

But who's going to win the third set?

Remains to be seen.

You like games, don't you?

Some. Not all.

But you like being in charge...

...of the game?

Oh, yes. Sure.

I like a man who wants

to be in charge of things.

- Do you?

- Yes, I do.

Listen, you've met my wife, I think.

I have met her. Yes.

- Did she say if she had a husband?

- Yes.

Yeah, she said she had a husband.

How did she describe him?

Remote. Cold.

Malevolent. Spiteful.

Arrogant. Ruthless.

Jealous. Paranoid.

Criminal tendencies.

Mentally unsound.

That's me, all right.

You know something?

I like your mind.

- Do you really?

- It excites me.

I like the way you go about things.

You mean you like my style?

Oh, I like your style.

I like it very much.

Look, I want to

make you a proposition.

What?

I want to show you something.

- Can't you put that gun down now?

- No.

God, you're so strong, so ruthless,

aren't you?

Yes.

Have you any idea

what my proposition is going to be?

- No.

- Are you excited?

I'd say intrigued.

I think you're going to be excited

very much.

This is the guest suite.

Isn't it nice? Look at the view.

There's a private bathroom.

A small fridge.

A bottle of Chilean Chardonnay

is chilling in there at this very moment.

This suite is uninhabited.

It has no occupant.

How would you like it?

Me?

Yes, yes.

I think I've come to the conclusion

that you're my kind of person.

Am I, now?

Well, I told you.

I liked your mind. It excited me.

I need intellectual excitement.

Intellectual stimulation.

Well, they don't grow on trees.

I'm a rich man.

What do you want to do?

I can subsidize anything you want.

You want to open a bookshop

in the village?

An art gallery?

Or, of course, a little theater.

You're a wonderful actor.

You could choose all the plays

and play all the leading parts.

But this would be your home.

And this would be your bedroom.

You're asking me to live here?

Yes, I'm asking you to stay with me.

Oh, we would also travel.

I mean, Jamaica, Swiss Alps.

I bet you're a wonderful skier,

aren't you?

You could ski

to your heart's content.

Swim in the blue Caribbean.

I'd be waiting at our table

with a Scotch on the rocks.

Or a chilled Chilean Chardonnay.

The world would be your oyster.

But what about Maggie?

Forget her.

Let her rot.

Stay with me.

You're my kind of person.

It's quite tempting.

Hello?

Hi.

It's going okay.

We're still talking.

We're on the right track.

It's all going okay.

Don't come down.

That would be a mistake.

It's all going fine.

I love you too.

I am.

I'm kissing you.

Oh, yes.

I can taste your mouth.

What the hell did she want?

She wants that divorce.

What about my proposition?

Well, I like the idea of Jamaica.

- What about Barbados?

- Well, and Barbados, and Antigua.

Yeah, it's true. There's so many

places I haven't seen.

Hollywood. Saint Petersburg.

The Cte d'Azur, Coney Island.

And I hear there's that wonderful hotel

in Scotland called Balmoral.

- That's where the queen lives.

- So bed and breakfast is out.

- It's on if you know the queen.

- I don't.

I do.

That's fantastic.

But seriously, though.

We could have

such a wonderful time together.

Venice? Disneyland?

Whatever you want.

Whatever you want.

Whoever you want.

I could introduce you

to whoever you want.

Kissinger? Dick Cheney?

Madonna? Mike Tyson?

- Yes.

- Yes?

I must say, that as offers go...

...it's quite tempting.

You're a naughty tempter,

aren't you?

I'm so glad you like my mind.

Not many people like my mind.

Quite a few people like my body...

...but I can't think of anyone

who likes my mind.

That makes you unique.

But then, of course,

you know what they say.

The mind is the body.

Is that what they say?

Somebody said something like it once.

Bullshit, of course. Anyway...

Perhaps I am your sort of person.

Who knows?

But you would have

to be very nice to me.

For instance,

just at this moment, I need a drink.

You can get your own drink.

No, you get it for me

and I might be nice to you.

- Nice to me?

- That's what I said.

Whisky, please.

Can't deny, I can be

quite a congenial companion.

I really... I can't deny it.

I could be quite a witty companion.

Would you like a witty companion?

- Very much.

- I'm particularly witty in the morning.

Would that suit you?

Some people hate wit in the morning.

What about you?

I love wit in the morning.

Over boiled eggs?

Do you like eggs?

Absolutely.

I'm a dab hand in the kitchen.

But you have to be nice to me

and get me a drink when I ask for it.

You see?

You can be really sweet...

...when you put your mind to it.

Cheers.

Listen, I can see what you're saying.

I can see why

you're inviting me to live with you.

I can see that you're lonely.

That you need looking after.

It's obvious.

You need someone

who would cater for your every whim.

Don't you?

I do.

Hello? Darling.

What?

Oh, is that so?

Are you?

I see.

Are you sure?

I see.

I got it.

I told you I got it. I understand.

Okay.

- Okay, I'll tell him.

- Tell me what?

- That she loves you.

- Is that so?

- What else did she say?

- Nothing.

- Nothing?

- Nothing.

Listen, for chrissake,

make up your mind.

I'm offering you something special.

Rate this script:5.0 / 1 vote

Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

All Harold Pinter scripts | Harold Pinter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Sleuth" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/sleuth_18302>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Sleuth

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The character biographies
    B A detailed summary of the screenplay
    C The final cut of the film
    D The first draft of the screenplay