Star 80 Page #4
- R
- Year:
- 1983
- 103 min
- 654 Views
SOME PHONE CALL.
HOW'S THE KID DOING?
SOUNDS LIKE IT'S
GOING REALLY RIGHT.
SHE WAS CALLING:
FROM HEF'S PLACE.
ABOUT THAT MUCH SCOTCH.
SHE'S IN
THE MANSION?
BILLY JOE BATTON
BILLY JOE BATTON
THE FOOTBALL PLAYER...
MAKING A MOVE:
ON DOROTHY?
AH, IT FIGURES.
THAT'S THE KIND
OF TOWN L.A. IS.
JESUS CHRIST... I'D
BE GOING OUTTA MY SKULL
WAS TRYING TO GE IN MY GIRL'S PANTS.
AH... WHAT'S HER NAME?
? OFF RAMP,
IT'S THE BEST ?
? TAKE ME OFF RAMP ?
? OFF RAMP ?
? YOU'RE MY BEST ?
? OFF RAMP ?
? DOO-DOO DOO-DOO
DOO-DOO DOO-DOO ?
? DOO-DOO DOO-DOO
DOO-DOO DOO-DOO ?
? OFF RAMP! ?
I DON'T LIKE TO DO, LIKE,
BLACK DUDES AND WHITE
DUDES KIND OF STUFF,
BUT THE THING I'VE NOTICED
ABOUT BLACK DUDES
AND WHITE DUDES:
IS THAT, LIKE, BLACK PEOPLE
CHASTISE THEIR KIDS MORE.
AND AS A RESULT,
YOU DON'T SEE BLACK PEOPLE
DOING CRAZY THINGS,
LIKE SHOOTING THE PRESIDENT.
THAT'S TRUE,
'CAUSE IF A BROTHER WOULD
HAVE SHOT THE PRESIDENT,
AS THEY WERE LEADING HIM
AWAY, IT'D BE LIKE,
"LOOK, MAN, JUST DON' TELL MY MAMA, MAN.
MY MAMA GONNA:
KILL ME, MAN..."
HERE SHE COMES.
THAT'S ROOM
217 AND 218.
AT THE BEVERLY:
HILTON.
NO, I CAN'T, REALLY.
OOPS. THAT'S NOT THE WAY
THAT'S CALLED
THE BUNNY DIP.
Dorothy:
PLAYBOY'S MOTTOIS "THE GIRL NEXT DOOR."
THEY LOOK FOR GIRLS
THAT ARE WHOLESOME AND
THEY LOOK FOR ALL OF THAT,
SO MOST OF THOSE GIRLS
DO, UH, HAVE THAT TYPE
OF BACKGROUND.
YOU KNOW, SNIDER,
I HAVE THIS THEORY
ABOUT YOU.
IS BECAUSE YOU:
JUST PLAIN TRY HARDER.
I MEAN, BABY, YOU
PUT IN AN 8-HOUR DAY
IN 15 MINUTES.
HA HA HA!
Dorothy, on answering
machine:
HI, IT'S ME.I CALLED EARLIER, TOO,
HOLD IT.
BUT I DIDN'T LEAVE A MESSAGE.
I JUST WANTED TO LET YOU KNOW
BUT I'LL CALL AGAIN
WHEN I GET HOME.
THEY'RE BEAUTIFUL.
OOH, FLOWERS.
THESE MACHINES:
MAKE ME SO NERVOUS.
IF I DON'T TALK FAST,
MY 30 SECONDS WILL RUN OUT.
A TERRIFIC IDEA:
IF YOU TAKE EILEEN
TO THE CARNIVAL.
SHE'D LOVE IT.
JUST DON'T LET HER
I LOVE YOU. BYE.
WHEW, I MADE IT.
THAT MUST BE:
NUMBER ONE.
I BET YOU WAS:
SCARED AS HELL:
SHE WAS OU LAST NIGH DOIN' WHA WE JUST DID.
LOOK I GOT TO:
GET UP EARLY,
SO WHY DON'T YOU GE THE F*** OUTTA HERE?
? NOW, NOW-NOW-NOW ?
? LET IT HANG OUT, BABY ?
? EVERYBODY WORK OUT ?
? SOOKIE, SOOKIE, SOOKIE,
SOOKIE ?
? SOOKIE SOOKIE SOOO! ?
? DO THE BOOMERANG... ?
SWEETHEART.
WE GOT A MERCEDES.
? LET IT HANG OUT, BABY ?
WHAT CAN:
I GET YOU?
UH, 2 HOT DOGS,
MUSTARD AND RELISH,
2 ORANGE DRINKS, A BAG
OF POTATO CHIPS, FRIES.
AND 2 CARAMEL CORN.
BUT NO JUNK FOOD.
RIGHT?
RIGHT.
YOU KNOW, THAT HEALTH
FOOD'LL KILL YOU.
DON'T GO
ON THE ROCKET AGAIN.
THAT'S MY RIDE,
SWEETHEART.
EILEEN, STRAIGHTEN UP.
YOU'RE SLOUCHING AGAIN.
I KNOW...
LIKE A CENTERFOLD.
HONEST?
YOU MEAN IT?
AUGUST.
OH, MR. HEFNER,
THANK YOU.
Woman:
MISS STRATTON,HOW DID SHE FEEL ABOU YOUR PHOTOS IN PLAYBOY?
IT AT ALL AT FIRST,
BUT THEN SHE STARTED
GETTING CALLS FROM
SEVERAL OF HER FRIENDS
CONGRATULATING HER,
AND SHE SAID TO ME,
"I FEEL
LIKE A MOVIE STAR."
I MEAN,
SHE WAS SO EXCITED.
$10,000!
THEY'RE GONNA
GIVE ME $10,000
FOR HAVING:
MY PICTURE TAKEN.
FEELS GOOD, HUH?
OH, YES. YES.
DOROTHY, DO YOU
REALLY LOVE ME?
YES. YES, I DO.
WELL, ALL RIGHT.
HERE'S HOW
IT LAYS OUT THEN.
I'LL GRAB A PLANE
BY WEDNESDAY,
THURSDAY:
AT THE LATEST,
AND I'LL BE THERE.
WELL, I WOULDN' HAVE THAT MUCH TIME
TO SPEND WITH YOU.
IT'S LIKE THEY'VE GOT ME
RUNNING ALL DAY LONG.
THEN WHEN WE:
GET SOME TIME,
WE'LL JUST RUN OVER
TO VEGAS AND DO IT.
WE'LL JUST DO IT,
RIGHT?
DO IT? DO WHAT?
HOW ABOU GETTING MARRIED?
WE'LL GET MARRIED,
DOROTHY...
MAKE IT PERMANENT,
JUST LIKE THAT.
WE'LL MAKE I A PERMANENT TEAM...
FOR LIFE.
WE HAD EVERYTHING
GOING FOR US,
BUT YOU FUCKS:
WOULDN'T LET ME IN.
BIG F***ING DEAL.
WELL, YOU CAN TAKE
YOUR MAGAZINE,
YOUR MANSION,
AND YOUR MOVIES:
AND SHOVE THEM:
ALL UP YOUR ASS NOW.
LIAR!
I HAVE MISSED YOU.
I HAVE MISSED YOU
SO MUCH.
GUESS WE:
SHOULD GO, HUH?
SOMEBODY TOLD MR. HEFNER
IT'S HIS PERSONAL CAR.
A LITTLE EMBARRASSING,
ISN'T IT?
NO.
? ...TO THE GULF
OF MEXICO ?
? TO LAKE CHARLES,
LOUISIANA ?
? LITTLE BESSIE GIRL
THAT I ONCE KNEW ?
COME ON BY ?
? IF THERE'S ANYTHING
? UP ON CRIPPLE CREEK,
SHE SENDS ME ?
? IF I SPRING A LEAK,
SHE MENDS ME ?
? I DON'T HAVE TO SPEAK,
? A DRUNKARD'S DREAM
IF I EVER DID SEE ONE ?
? GOOD-LUCK HAG,
I DID GO... ?
HI.
HI.
YOU'RE DOROTHY.
WE MET THE OTHER
NIGHT.
OH, YES.
THIS IS PAUL SNIDER.
AND YOU ARE...
I'M SORRY. I FORGOT.
THAT'S OK. I'M...
VINCE ROBERTS.
I'M A BIG FAN.
THANKS.
HEY, LISTEN, THAT WAS
THANK YOU.
CANCELED, HUH?
YEAH.
ANY CHANCE THEY'LL
BRING IT BACK?
I DON' THINK SO.
AH, TOO BAD.
AREN'T MANY ACTORS
AROUND LIKE YOU.
THEY'RE ALL LIGHTWEIGHTS.
WE NEED HEAVYWEIGHTS
LIKE YOU.
YOU BREAK MY HEART.
JEEZ, IT'S BEEN A WHILE
SINCE THAT SHOW WAS ON.
WHAT IS IT,
A YEAR NOW?
IT'S BEEN 3 YEARS
YEAH.
ISN'T THAT SOMETHING?
BAD SCRIPTS, HUH?
I GUESS SO.
DOROTHY,
THERE YOU ARE.
EXCUSE ME.
YEAH, YOU KNOW,
GOOD WRITERS ARE REALLY
HARD TO FIND OUT HERE.
I'VE GOT A COUPLE
OF PROJECTS IN MIND...
AND I CAN'T FIND ANY.
I MEAN, NO A DECENT ONE, ANYWAY,
AND WHEN YOU DO,
THEY WON'T DO WHA YOU TELL 'EM TO DO.
YEAH. SOME WRITERS
ARE LIKE THAT.
WOULD YOU EXCUSE ME?
I'M JUST GONNA...
WELL, I FOR ONE
HOPE YOU'RE BACK
ON THE TUBE REAL SOON.
THANKS.
UM, ARE YOU WORKING
JUST READING.
JUST READING.
EXCUSE ME.
SEE YA, VINCE.
YOU SHOULD HAVE:
TALKED TO HIM.
THERE'S HEF.
STRAIGHTEN UP.
HI, DOROTHY.
LOOK AT HER.
OH, WOW...
ANYTIME.
OK.
I SEE YOU GOT HERE
ALL RIGHT.
MR. HEFNER,
THIS IS PAUL SNIDER.
PAUL, MR. HEFNER.
IF A MAN HAS A RIGH TO FIND GOD IN HIS OWN WAY,
HE HAS A RIGH TO GO TO THE DEVIL
IN HIS OWN WAY.
HERE'S ANOTHER ONE...
DESCRIPTIONS OF MURDER
WHICH WE CONSIDER A CRIME
ARE ACCEPTABLE IN AR AND LITERATURE,
BUT DESCRIPTIONS OF SEX
ARE PROHIBITED.
OUR SOCIETY:
HAS PUT HATE ABOVE LOVE,
FAVORED KILLING:
OVER LIVING.
RIGHT?
PRETTY CLOSE,
BUT I THINK:
I SAID "FAVORED
DEATH OVER LIFE."
WHAT? I DON' UNDERSTAND. WHAT?
HE'S QUOTING ME.
OLD ONES AT THAT.
THAT'S GREAT STUFF.
FINE...
ARE OLD FRIENDS.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Star 80" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/star_80_18760>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In