Svengali Page #4

Synopsis: Svengali tells the story of Dixie, a small town guy with a big dream. He leaves a humble Welsh mining town for the bright lights of London, intent on becoming the manager of the best band in the world. Svengali is a feel-good British comedy with a heart of gold and a soundtrack to match.
Genre: Comedy, Music
Director(s): John Hardwick
Production: Root Films
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
27%
Year:
2013
93 min
Website
134 Views


Coldplay ain't f***ing music, mate.

- All right, butt?

- All right.

I believe you're looking for work.

Me? No, I've got work. This is my shop.

Oh, yeah, sorry,

I meant it's in Loot you require help.

And I'm...

I'd be perfect here 'cause I love music.

She put it in the f***ing paper.

Listen, mate,

I do a very specific kind of music here.

For a clientele who really appreciate

and understand that music, yeah?

And I'm not sure that's you.

Yeah, I know. Well, you're a mod, like me.

- What, you mean you're a mod?

- Yeah.

- What makes you a mod?

- Well...

- How are you a mod?

- Well, my clothes...

What, a two-bit f***ing parka and a Merc

T-shirt? Doesn't make you a mod, mate.

Yeah, I... Well, I... But I live the lifestyle.

What's the life?

Looking after yourself and being tidy,

and, you know,

having a... Being kokum on things.

Do what?

Kokum. It's that saying, you know, that...

"In difficult times, you've got to..."

"Clean living under difficult circumstances."

What about it?

- Yes! That's it! You know, see?

- Yes, I do know it, yeah.

You're like me, man.

F***ing hell. I'm sorry,

there's no work for you here, mate.

- There you go, Don. Who's this?

- Oh, my name is Dixie.

- Oh. Please tell me for the job.

- Yeah.

God, brilliant.

We haven't had anybody in a fortnight,

and we're gonna go away

for a couple of weeks next month.

- And you're a mod.

- What...

Thank you. I manage a band as well.

They're gonna be massive.

Oh. Brilliant. When can you start?

What... Ange, do I get a say in this?

Okay, Don, have your say.

- When can you start?

- Today.

DON:
Oh, sorry, we don't need anyone today.

Yes, we do! We need someone now, actually.

We have got a massive order out back

that needs sorting out and sending.

This is my shop. This is my shop.

It's my name on the door. Do you mind?

Can I handle this please?

Okay, okay, okay, sweetheart.

You carry on with your interview.

It's not an interview, is it?

- Where was I?

- When can I start?

Shut up. You shut up. All right?

Listen, just give us a minute. Just f*** off.

Oh, okay.

ANGE:
He might not be the sharpest...

Not the sharpest?

Look, he's special needs.

ANGE:
I don't care what he looks like,

as long as he can do the job.

And if I don't have that holiday,

I will go mental.

(SIGHS)

- One day's trial.

- Brilliant.

- What's your name again, love?

- Oh, I'm Dixie.

- Dixie, Ange.

- Hiya, Ange. Nice to meet you.

- Don.

- Don.

ANGE:
Okay, well, there's loads of vinyl.

Don will show you what to do.

And it's cash in hand. Is that okay?

Oh, that's brilliant. Thank you both so much.

I really appreciate this.

Can I ask one thing though?

Can I get an advance?

So, Burnsy, I've had McGee on.

You know what they say.

When the Scots Man calls it, you follow.

Exactly. What have the NME said?

That they're f***ing mint.

- Have you heard them?

- I'm all over it, Francine.

Like a tramp on a bag of chips.

I got a cassette, too.

- A cassette?

- Yeah.

- F***ing genius.

- I know.

I'm off radar from tonight.

Auditioning a few more sperm donors.

So, Burnsy, will you get me this band?

I will, Francine.

(MOBILE RINGING)

- Hello.

- I'm pulling the gig, son.

Hang on a minute now, mate.

I told you no dough, no show.

Look, I'll get 500 pound there

for tonight, okay?

By 8:
00, otherwise you can get to f***!

Shell? Shell?

(DOOR OPENS)

- All right, love?

- Yeah. You?

- Yeah. I didn't know you were in.

- I was having a wee.

- How was work?

- Oh, it was horrible.

The girls are really bitchy,

but it's fine 'cause we got the gig tonight.

- Yeah, I know.

- I'm dead excited.

I've got you some cash as well.

Couldn't get much. 50 quid.

Brilliant. That'll pay for the van.

Yeah. I've got to go and get ready.

JEREMY:
What do they sound like?

Is that a CD?

(CHUCKLES)

He gives them out on cassette.

He's a f***ing idiot, you know.

We burnt the one he gave us, didn't we, Bri?

Remember, in the fire in The Griffin?

- All right, you two...

- Remember, it went all bendy?

NATASHA:
You're such d*cks about this.

Cassettes, it's retro, it's cool.

You're saying that you like the cassettes,

yeah?

I think you're right.

Okay, so we have the Scots Man over here,

and he's keen.

And we have the Scots Lady over here,

and she's keen.

And as a result, the Northern Monkey man

whose name I cannot remember...

It's Burnsy, Jeremy.

Whose name I cannot remember is also keen.

So I don't think it takes a brainiac

to work out what the next step would be.

No, absolutely. Yeah.

And if you f***ing interrupt me again,

I will set you on fire. Am I clear?

(MOBILE RINGING)

Go and get the f***ing cassette.

All of you.

Cheers, Jez.

SHELL:
(SIGHING) I can't see it in here, Dix.

Look for the date.

Oh, my God! Wow!

- See?

- Well, that's amazing.

DIXIE:
It's good, isn't it?

SHELL:
Pick Of the Week in the NME.

If they said be here at 7:20,

that's when we need to be here.

TOMMY:
Oh, f***ing brilliant, he's here.

You late on purpose?

I was on the Tube.

TOMMY:
We're freezing.

- Waiting here freezing cold, boss.

- Sorry.

Don't smoke in my face,

peace and love.

-(MOBILE RINGING)

- Oh, it's Horsey. It's Horsey.

Go on then.

- Hello.

- HORSEY:
All right, Dix.

Look, I just wanted to say

that I'm really sorry about the other day.

I was a bit pissed

and, you know, all that stress and so...

That's all right, Horse.

Yeah, it's Brian these days, actually.

Okay.

Hey, look, I was just wondering whether

I could bring a few people down to the gig.

Ah, you know, from the company and stuff.

Is that all right?

Yeah, yeah, you can come to the gig tonight,

and you can bring who you want.

Hang on, love. There's somebody beeping,

-trying to get through.

-It's your mum.

Listen, Horse, my mother's ringing.

I'm gonna put you on hold, right?

- What? Dix.

- Just wait there.

Hang on tight.

I don't know, I'll just pull over and take this.

(GRUNTS)

- Hello, Mam.

- DIXIE'S MAM:
Hiya, love.

How did you know it was me?

I keep telling you this, Mam.

You come up as "Mam" on my phone.

Oh, right!

Too clever, mind, isn't it?

Modern technology.

Anyway, as you said, it's your mam speaking.

Yeah, I know. How are you doing, Mam?

Are you there?

So, what's the matter, Mam?

I got somebody waiting, see.

Really? Can they hear me, too?

They can't hear you, Mam.

God, I mean, how do they do that, isn't it?

I don't know, Mam.

How long can they wait then?

I don't know, Mam.

Oh, do you know who it is?

It's Horsey, Mam.

Never! I was talking to his Uncle Idris

by the Pound Shop last Thursday.

He's having terrible problems with his knees.

Mam, Mam, Mam, listen. I'm super busy.

Can I give you a call back later?

Is that all right?

Okay, love. I just wanted a quick chat

about your father, that's all.

About Dad? Why? What's the matter?

He's not well at all, love.

Well, I know, he's had a bad chest for years.

No, I know. But it's his bowels.

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Jonny Owen

Jonathan Tudor "Jonny" Owen (born 4 July 1971 in Merthyr Tydfil, Mid Glamorgan) is a Welsh producer, actor and writer who has appeared TV shows including Shameless, Murphy's Law and My Family. Owen won a Welsh BAFTA in 2007 for the documentary The Aberfan Disaster which he co-produced with Judith Davies.As a teenager he was a Welsh Boys Club Boxing champion. In his later teens he was in the 1990s indie band The Pocket Devils as bass player and lead singer/songwriter. Signed to Sanctuary Records in the UK and Pop Music Records in the US they finally split after Owen landed the part of Richey in the Welsh drama series Nuts and Bolts in 1999. From Nuts and Bolts he landed parts in UK Network series including Murphy's Law with James Nesbitt and Dirty Work with Neil Pearson. His meeting with Irvine Welsh when filming the Gene video "Is it over?" proved pivotal in Owen's career. He has since worked with Welsh (and his writing partner Dean Cavanagh) on several dramas including Dose for the BBC, Wedding Belles for C4 and Good Arrows for ITV (which Owen also produced). His 2006 film Little White Lies won several film festival awards and was featured at the Moscow Film Festival. He played a BNP thug, receiving positive reviews. In 2007 he appeared as Banana Boat in Russell T Davies's Torchwood. Owen has also worked extensively as a writer and producer for ITV Wales, including winning the Gwyn Alf Williams Award at the Welsh BAFTAs for the 40th anniversary documentary of the Aberfan disaster. It was revealed during shooting that Owen's father had been one of the first Welsh miners on the scene in the recovery operation. Owen also did a piece for Cardiff City's appearance in the FA Cup final for Match of the Day in 2008. It received positive reviews in the media (The Guardian said it was the best part of the day's coverage) and from football fans across the country.In 2009 Owen appeared as regular character Ady in Channel 4's Shameless, and continued in the role in 2010. 2009 also saw the release of the independent film A Bit of Tom Jones?, with Owen in the lead role. The film spread from a limited release in Wales to being shown in selected markets throughout the UK by Vue. He is the writer and creator of Svengali, a cult internet series which the Evening Standard and NME called 'the best series on the net'. He plays the manager of an up-and-coming band. It is based on his own experiences in the music industry to the point that he named the character 'Dixie' after the manager of his own band. The female lead is played by Smack the Pony's Sally Phillips. Former Creation Records head Alan McGee plays the Svengali whom 'Dixie' pursues in an effort to get the band he manages signed. In 2013 Svengali was turned into a feature-length film, directed by John Hardwick and written by Jonny Owen. The film stars Owen, Martin Freeman, Vicky McClure, Matt Berry, Michael Socha, Michael Smiley and Natasha O'Keeffe, and is the debut release from Root Films. It was selected to show at the 67th Edinburgh International Film Festival. It was also nominated for the Michael Powell Award, a prize which honours the best British feature film. Owen has written for The Guardian, Telegraph, Metro and Western Mail. He also was the voice for ITV Wales's Soccer Sunday programme from 2002–2008 and did weekly reports from France for ITV during the 2007 Rugby World Cup.In 2014 he played in the new Jack Thornes' series Glue on E4. On 10 March 2018, Owen was appointed as a director at Nottingham Forest to control the club's media output and video production. more…

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Submitted on August 05, 2018

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