Svengali Page #5

Synopsis: Svengali tells the story of Dixie, a small town guy with a big dream. He leaves a humble Welsh mining town for the bright lights of London, intent on becoming the manager of the best band in the world. Svengali is a feel-good British comedy with a heart of gold and a soundtrack to match.
Genre: Comedy, Music
Director(s): John Hardwick
Production: Root Films
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
27%
Year:
2013
93 min
Website
134 Views


The doctor said

it's not looking too good, love.

Oh, no, no, no, no, no! No!

- Don't get upset, love.

- Bollocks!

(SOBBING) You'll get me going, too.

I'll call you back later.

No, no, Mam, Mam. I don't mean you. Mam?

F***ing hell, Dix!

What, like I got nothing better to do

with my time? Are we coming or not?

I'll sort it, Horse. Don't worry.

Right, yeah. Cheers, Dix. Thanks very much.

And it's f***ing Bri...

Chuffing parking ticket.

I got to go back to Wales, love.

- What?

-It's my dad. He's been taken ill.

What did she say? Is he in hospital?

(SIGHS) She didn't say.

No, look, look, just calm down a minute.

You can't go back to Wales tonight, Dix.

You know that.

- Yeah, loan...

- Yeah, no, listen.

If he was really, really ill

and she thought it was critical,

then she'd tell you, wouldn't she?

You've got a band.

You've got to do this tonight.

You can't let them down.

You can't let yourself down,

and your dad won't want you to do that.

- All right?

- Yeah.

Don't worry. He'll be fine.

Yeah, I'll give him a call as well a bit later on.

Yeah, we'll call him on the way

and we can sort it all.

It's all okay. She's just panicking and she's...

You know, we'll find out what's going on.

- All right.

- All right?

Yeah.

Do you know how much I love you?

- How much?

- More than Wales.

- Shut up.

- I do, honestly.

- Come on, I'll race you to the van.

- All right.

(BICYCLE BELL RINGING)

SHELL:
Dixie!

DIXIE; What?

SHELL:
You nearly killed him!

DIXIE:
Who?

SHELL:
The f***ing man on the bike!

DIXIE:
I didn't see him!

JAKE:
You got a light?

Anyone got a light?

You're wearing that again, are ya?

So you're wearing that again,

that same outfit?

- You're wearing that again, are ya?

- Aye. ls there a f***ing problem with that?

There is a bit, yeah, 'cause you wear it

all the time, boss. It's all you ever wear.

Are you a f***ing stylist now, are ya?

SHELL:
Put it top up, there.

Been wearing it for f***ing ages. It stinks.

It's fine. Your f***ing mother

washed it the other night.

Oh, f***, at least I've got a mother.

Why are you being such a f***ing dick, man?

Why are you f***ing such a dick, man?

- What is your problem?

- Shut the f*** up, Yoko.

- Who do you think you are, man?

-(ALL SHOUTING)

F***ing shut the f*** up.

All right, you f***ing dick, watch your talk.

- F***ing son of...

- Tommy, ignore him.

F*** you!

- Stop it! Stop! Stop!

- F***ing dick!

- You f***ing stupid slag!

- Stop! Stop it!

Tommy and Jake are having a fight.

They're always fighting.

No, no, proper fight.

Like, punch in the face, smashed glass.

- A real fight?

- Real fight. Real fight.

(SHOUTING)

(SCREAMING)

- Whoa, whoa, whoa! Tommy!

- F*** off me!

Hang on. Shut up, all right? All right,

all right, calm down. What's happened?

He's a f***ing animal.

He's f***ing out of the band, Dix.

Jesus! Just stay with them. Stay with them,

stay with them. Jesus Christ!

- SHELL:
What happened?

- He just punched him for no reason.

BURNSY:
Chav!

Guitarist went that way.

F*** me pink!

BURNSY:
Snapped my banjo string once.

Claret everywhere. Dirty Debbie, it was.

Yeah, '95.

Yeah. Think she's a lesbian now.

DIXIE:
Tommy!

Tommy, can you hear me?

Tommy!

Tommy!

Tommy.

- Are you trying to play football?

- Better than you, boss.

You're English. You can't play football, man.

You're Welsh, man.

(SIGHS)

Do you know one thing about this place?

There's no mountains. Or hills.

Do you know what I mean? No perspective.

I miss that.

I bet you miss the sheep and all, don't ya?

I do. Just don't tell Shell.

So what's the matter?

Just get a bit nervous, Dix, man.

Bad nerves, like?

Nerves are good.

Bad nerves are good.

Way back, when we were cavemen,

it's the ones with bad nerves,

did all right, didn't they?

Do you ever sleep?

When I've had some weed, yeah.

Some weed?

(CHUCKLES)

Can't have any now. Got to play.

And the girls out there, I'll tell you what,

queuing around the block for you.

- Shoreditch girls as well.

- Oh, yeah.

All out for you. Tommy Collins.

-(GRUNTS)

- F***ing hell, Dixie, you mad bastard.

See? Good nerves.

I'll show you how to kick a football properly.

The Welsh way, all right?

You lot can't play football, man.

Leave it there, mate.

I'm like a young Mark Hughes.

Watch us now.

Ready?

TOMMY:
Wanker!

DIXIE:
Oh, that's... Tommy.

What do you think they are, rugby posts,

you bellend?

I'll race you after three.

One, two, three, go!

- You bastard.

-(DIXIE LAUGHS)

I know them all, you know.

Shaun, Bez, Rowetta.

- Yeah. All of 'em.

- Hang on, pal.

Hey. Heard the mix tape, mate. Mega. Yeah.

All real. Yeah.

- You play the bass, don't you?

- Yeah, man.

Great instrument, that. Yeah.

Well, I like Paul Simonon.

They here for you?

I think so, fellow.

F***ing hell.

I know him, yeah. Paul. Paulie.

I call him Paulie. We're like that.

You know what I mean?

From the Clash, innit.

(SCATTING)

- You know that one? Want a livener?

- No, mate.

No, you're sure?

Yeah, good gear, you know.

Give your dentist nightmares. Yeah.

Brian Horse plus one? And a half.

Nothing down, sorry.

Yeah, there is. Look again.

Look, I got to go in there, right?

Look, if your name's not on there,

there's nothing I can do, mate.

Got a situation. Quick.

- Salmon, give me a pen.

- What do you need a pen for?

What do you need a pen for? Shut up.

Just a bit of fun.

NATASHA:
Oh, don't be a dick.

-(GIGGLES) He is there, look. "horsey."

-(BOTH LAUGHING)

DIXIE:
Come on, boys.

- Come on, come on, come on, come on.

- CROWD:
Prems! Prems!

Listen, it's packed out there.

There's people being turned away

and they're out on the street.

Let's do this thing, let's just do it.

Give me one minute, okay?

Give me one minute.

(CROWD CHANTING)

- Carl?

- Hi.

Listen, thanks for coming in, mate.

You liked the tape, yeah?

The tape?

- The tape I sent you.

- The tape! Yeah, yeah, yeah, yeah!

- Yes. Do you like it?

- Love it!

Brilliant. Listen, do me a massive favour.

Can you introduce the band?

- Oh, mate, you know...

- Please, come on, Carl.

They're massive fans. We're all massive fans.

No, no, you don't understand.

Dixie put me on the list.

- I understand loud and clear.

- You can ask him and all.

If your name's not on my list,

management says

you're not coming in the club.

Alan, how you doing?

You all right? You all right?

What's going on with these guys, man?

What, are you not on the list?

Has Dixie not put you on the list?

I thought...

These guys have come from America, man.

Where is he?

Well, I don't know. I saw him earlier on.

He blanked me, you know.

I had to pay to get in.

He's a dick.

This round-up there,

I think it's for the other band.

All right, tell him...

I'm just beyond pissed off, dude.

Sorry about that, Alan.

(CROWD CHEERING)

Ladies and gentlemen,

it is a great pleasure,

I humbly introduce to you

the only band in London worth listening to.

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Jonny Owen

Jonathan Tudor "Jonny" Owen (born 4 July 1971 in Merthyr Tydfil, Mid Glamorgan) is a Welsh producer, actor and writer who has appeared TV shows including Shameless, Murphy's Law and My Family. Owen won a Welsh BAFTA in 2007 for the documentary The Aberfan Disaster which he co-produced with Judith Davies.As a teenager he was a Welsh Boys Club Boxing champion. In his later teens he was in the 1990s indie band The Pocket Devils as bass player and lead singer/songwriter. Signed to Sanctuary Records in the UK and Pop Music Records in the US they finally split after Owen landed the part of Richey in the Welsh drama series Nuts and Bolts in 1999. From Nuts and Bolts he landed parts in UK Network series including Murphy's Law with James Nesbitt and Dirty Work with Neil Pearson. His meeting with Irvine Welsh when filming the Gene video "Is it over?" proved pivotal in Owen's career. He has since worked with Welsh (and his writing partner Dean Cavanagh) on several dramas including Dose for the BBC, Wedding Belles for C4 and Good Arrows for ITV (which Owen also produced). His 2006 film Little White Lies won several film festival awards and was featured at the Moscow Film Festival. He played a BNP thug, receiving positive reviews. In 2007 he appeared as Banana Boat in Russell T Davies's Torchwood. Owen has also worked extensively as a writer and producer for ITV Wales, including winning the Gwyn Alf Williams Award at the Welsh BAFTAs for the 40th anniversary documentary of the Aberfan disaster. It was revealed during shooting that Owen's father had been one of the first Welsh miners on the scene in the recovery operation. Owen also did a piece for Cardiff City's appearance in the FA Cup final for Match of the Day in 2008. It received positive reviews in the media (The Guardian said it was the best part of the day's coverage) and from football fans across the country.In 2009 Owen appeared as regular character Ady in Channel 4's Shameless, and continued in the role in 2010. 2009 also saw the release of the independent film A Bit of Tom Jones?, with Owen in the lead role. The film spread from a limited release in Wales to being shown in selected markets throughout the UK by Vue. He is the writer and creator of Svengali, a cult internet series which the Evening Standard and NME called 'the best series on the net'. He plays the manager of an up-and-coming band. It is based on his own experiences in the music industry to the point that he named the character 'Dixie' after the manager of his own band. The female lead is played by Smack the Pony's Sally Phillips. Former Creation Records head Alan McGee plays the Svengali whom 'Dixie' pursues in an effort to get the band he manages signed. In 2013 Svengali was turned into a feature-length film, directed by John Hardwick and written by Jonny Owen. The film stars Owen, Martin Freeman, Vicky McClure, Matt Berry, Michael Socha, Michael Smiley and Natasha O'Keeffe, and is the debut release from Root Films. It was selected to show at the 67th Edinburgh International Film Festival. It was also nominated for the Michael Powell Award, a prize which honours the best British feature film. Owen has written for The Guardian, Telegraph, Metro and Western Mail. He also was the voice for ITV Wales's Soccer Sunday programme from 2002–2008 and did weekly reports from France for ITV during the 2007 Rugby World Cup.In 2014 he played in the new Jack Thornes' series Glue on E4. On 10 March 2018, Owen was appointed as a director at Nottingham Forest to control the club's media output and video production. more…

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Submitted on August 05, 2018

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