Tales of Manhattan Page #3
- UNRATED
- Year:
- 1942
- 118 min
- 149 Views
COMPLAINING ABOUT YOU,
ABOUT IT IS THAT HE MISSED ME.
NOT HIS,
THE COLONEL'S.
I'M AFRAID, SIR,
HA HA HA.
OH, YOU SHOULDN'T HAVE WORRIED
ABOUT YOUR WIFE, MR. HALLOWAY.
OH, SHE MAY BECOME INTOXICATED
YOU SHOULD HAVE:
SAVED THE EMBARRASSMEN OF TRYING TO MURDER ME.
PAUL, IT'S NOT TRUE.
I SAW IT.
YES...
YES, MR. HALLOWAY,
SHE MEANT IT,
SHE LOVES YOUR STRONG, MANLY WAYS
AND YOUR STALWART BANK ACCOUNT.
SHE LOVES YOU:
VERY DEVOTEDLY:
WITH HER WHOLE,
SIMPLE HEART,
GOD BLESS HER.
GOODBYE, ETHEL.
NOT A THING.
ORMAN, I DON' KNOW WHAT TO SAY.
IN A CANADIAN MOONLIGHT.
GOOD NIGHT,
MR. HALLOWAY.
GOOD NIGHT, CAPTAIN.
GOOD NIGHT.
ALL OVER?
YES.
WHERE TO NOW?
WHAT'S THE MATTER?
WHAT'S THE MATTER?
WHY, YOU'RE BLEEDING. YOU'VE
BEEN SHOT. WHAT'S HAPPENED?
MR. ORMAN?
WHO DID IT?
WHY, YOU'RE SOAKED!
CAN YOU TALK,
MR. ORMAN?
YES, YES.
STOP YELLING.
YEAH. SPOILED
MY NEW SUIT.
IT'S MY FAULT.
THE WRONG DUMMY.
I'LL GET A DOCTOR.
NO, ST. LUKE'S
HOSPITAL.
STEP ON IT.
REMEMBER,
AN ACCIDENT.
NO PUBLICITY.
I DON'T WANT YOU
HA HA.
I WAS SUPERB.
AND THAT GUY SAID THIS SUI WOULD BRING YOU GOOD LUCK.
AHH...
PERHAPS IT HAS.
YES! YES!
WAIT A MINUTE AND
GOOD MORNING,
EDGAR.
OH, IT'S YOU,
LUTHER. HELLO.
IS IT, UH...
MR. WILSON'S STILL ASLEEP.
LOOK OUT FOR:
BROKEN GLASS.
WHAT HAPPENED:
AROUND HERE?
MR. WILSON GETS
MARRIED TONIGHT.
OH, OF COURSE
IT'S TONIGHT.
WAS THE BACHELOR
DINNER HERE?
HAVE BEEN.
SOME FRIENDS AFTERWARDS
FOR A NIGHTCAP.
HAD A LITTLE TROUBLE
WHAT'S HAPPENED
THE GENTLEMEN WERE
THEY THOUGHT IT BES TO PLAY SEVERAL QUARTERS
OF A YALE-HARVARD GAME.
THESE WERE:
THE GOAL POSTS.
FALL ON YOU?
OH, THIS?
THAT OCCURRED:
WHEN THE GENTLEMEN
THE LAST FEW:
MINUTES OF PLAY.
A SCRIMMAGE?
NO, THEY
THAT'S DANGEROUS.
MR. WILSON
PERSONALLY TACKLED ME.
A TRIPLE THREAT.
WHERE ARE YOU:
TAKING THAT?
HERE, TO YOU
- THE VERY THING TO WEAR TO THE WEDDING.
MR. WILSON HAS
YOU MIGH LIKE TO WEAR I AS A MARK OF RESPEC FOR YOUR EMPLOYER.
ANY RESPEC I HAVE FOR MR. WILSON
CAN BE EXPRESSED
BY WEARING SHORTS.
I NEED $10.
I THOUGHT I COULD
ALL RIGHT, LET'S
THIS IS:
MR. ORMAN'S COAT.
YES, BUT HE DOESN' NEED IT IN THE HOSPITAL.
SOMETHING OF:
A PERSONAL NATURE.
ISN'T I A BEAUTIFUL COAT?
MMM, YES.
HOLES?
MUST BE A MOTH.
PRETTY BIG MOTH.
YES, INCLUDING
.32 CALIBER MOTHS.
NOW, SEE HERE, EDGAR,
OR YOU DON'T. THERE'S
I'M NOT. I HAVEN'T TIME TO
ANOTHER INTERRUPTION.
OUR LONG FRIENDSHIP...
OUR LONGSTANDING FRIENDSHIP-
ALL RIGHT. BUT OUR
LONGSTANDING FRIENDSHIP ENDS
THANK YOU, EDGAR.
THANK YOU. GOODBYE.
GOODBYE-
OH, I SAID HELLO.
OH, GOOD MORNING,
MISS DIANE.
UH, WELL, YES,
IT MEANS MR. WILSON
IS STILL ASLEEP.
YES, UH...
STOP MUMBLING. JUST REACH OVER
AND VERY FIRMLY PRESS THE BUZZER.
WELL, WHO CARES
ABOUT HIS HEAD?
OH.
HELLO?
OH, HELLO, BABY.
HOW ARE YOU?
ONLY THE GIRL:
NOW, GET UP, DARLING.
WITH ME, REMEMBER?
I TAKE IT BY THA GARGLING SOUND YOU DO.
IT'S 11:
25,AND I'VE GOT A DATE
YES, DARLING. WELL, I'LL
GOODBYE.
ASLEEP AT THIS:
MARK MY WORDS-
MEANS A BRIDE:
THAT WEEPS.
THAT'S A HAPPY THOUGH FOR MY WEDDING DAY.
HELLO, ELLEN.
HELLO.
AH, DIANE,
MARRIAGE STINKS.
THAT'S ANOTHER
HAPPY THOUGHT.
WHAT'S THE MATTER,
ELLEN?
OH, EVERYTHING. MY
THIS IS NOTHING:
TO JOKE ABOUT.
I'M MISERABLE.
I'M GOING
TO DIVORCE JIM.
OH, THERE'S A WOMAN
WITH RED HAIR.
THAT'S A RELIEF FROM
I FOUND A COMB:
STAINED WITH HENNA
IN THE POCKE OF HIS TAIL COAT.
SHE DOESN'T EVEN
WHAT WAS I DOING?
NOTHING. I-
THE POST OFFICE:
YOU'D BE SURPRISED WHA THEY KEEP THERE. ONCE JIM-
STORY. I'VE GOT TO GET DRESSED.
I'M TOO GLOOMY
TO GO ANYWHERE.
YOU'LL BE
THE "SOMETHING BLUE"
TO THE BRIDE.
I'LL TELL MR. WILSON YOU'RE HERE.
DON'T WAKE HIM
HE'LL HAVE DOUBLE
WHAT'S THAT?
UM, A HEALTH DRINK.
JUDAS!
EMBALMING FLUID?
TABASCO SAUCE,
SPIRITS OF AMMONIA,
RED PEPPER, BRANDY, AND,
MISS DIANE.
OH, ELLEN, CHEER UP.
WHEN I KNOW:
WELL, IN A WAY,
IT DOES:
SERVE YOU RIGHT.
YOU SHOULDN'T BE
YOU NEVER LOOK:
IN HARRY'S POCKETS?
THE SUBJEC HASN'T COME UP YET.
WHEN IT DOES,
I ASSURE YOU-
WELL.
WELL, WHAT?
THE SUBJECT'S
COME UP, DEAR.
IMPLICITLY, I SUPPOSE?
EXACTLY.
MM-HMM.
BEFORE I'D MARRIED JIM.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Tales of Manhattan" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/tales_of_manhattan_19354>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In