The Alarmist Page #5
- R
- Year:
- 1997
- 92 min
- 44 Views
I thought--
It's really too absurd.
I thought that in some way...
you might have held me responsible
for what happened.
Why would I do that?
I don't know.
Just because
of the other thing and--
Just because.
- That's absurd.
- That's what I thought, right?
I thought it was too absurd.
Come here!
- You're ready to go back to work?
- Yeah, I'm ready.
Good. 'Cause idleness is no good.
It'll f*** with your mind.
- Yeah, I know.
- Good. Get the hell out of here, kid.
- Have a good night.
- Good night.
- See you tomorrow.
- Hold the elevator.
- Good night.
- See you there.
Yes, I understand.
I hope you have a great time.
Think about what I've told you,
and we'll pick up when you get back.
All right.
Have a safe trip.
No, thank you. Bye.
- Damn.
- Who was that?
That's the old lady on Irving.
I told you about her.
I've been trying to sell her a system
for weeks. She just won't bite.
She lives in this big house
right on the edge of Hancock Park.
It's crammed full of antiques,
jewelry, valuables.
Now she went
to visit her sister...
and she won't be back
until the day after tomorrow.
- I was that close to a sale.
You'll close the deal
when she gets back.
Hopefully.
- You ready for that drink?
- Sure.
Just give me a second.
I'll wash up.
- Who is it?
- Fielding?
- Yeah?
- This is your neighbor.
- Who?
- Who is it?
I saw some a**hole
lurking around the back.
Better take a look.
Who the hell is this?
- Don't go down there, Henry.
- Let go of me.
- Don't be a fool.
- Woman! You want him to hear us?
Judgment day.
Sh*t!
Damn it!
It's a beautiful day today, Susan.
Too bad you're at the desk.
Morning.
Sally, have you
seen Heinrich today?
- It's not like Old Heinny to be late.
- I wouldn't call him Old Heinny.
These donuts are special.
Do you mind?
Jesus, what happened to you?
I was mugged.
Can I see you in my office, please?
Shut the door.
That was a pretty crappy thing to do.
I don't know
what you're talking about.
I'm getting the distinct impression...
that you think I'm responsible
for your friend's death.
- Aren't you?
- Are you accusing me?
Because if you are,
just say so, don't ask.
Don't try to get me killed
and then ask if I'm responsible.
I saw you last night.
I know it was you.
Last night?
Yeah, I admit that.
- You do?
- Sure. You know that I did it.
I know that you know it.
Why would I deny it?
I broke into the old geezer's house
to steal...
because I am a piece of sh*t.
But that in no way proves I broke into
f***in' what's-her-name's house!
Her name is Gale,
and she's f***ing dead.
You're responsible.
In this country, first of all...
we have something called
presumption of innocence.
- You're a bastard.
- Right.
You have no remorse.
Remorse? No.
You know why?
Because I did not do the horrible
thing that you think I did.
I didn't.
Even assuming that I'm a thief,
which I am...
why would I break into the house
of your girlfriend, for God's sake?
Do you think that I care
so little for your happiness...
that I would do such a thing?
I don't know
what people like you care about.
Fine.
You got a beef with me?
Go to the cops, just like
every other normal human being.
Take your chance with them.
But I cannot be party
to your hotdog schemes.
I need to ask you one thing.
Are you still working here or--
What?
Then please get out.
Get the f*** out.
I loved you.
Don't forget that.
April, what are you doing here?
I'm sorry, Mr. Hudler.
Please don't be mad.
Why would I be mad?
I haven't had a single
night's sleep since Howard--
I know.
Why don't you come inside?
I know who killed
Howard and Gale.
Miss?
Don't I know you?
- Give me that.
- Don't!
Don't move.
We need to talk.
Talk about what?
Look, I thought
we put that issue to rest.
Give me that f***in' thing
before somebody gets hurt.
Halt or I'll shoot.
Are you f***ing crazy?
Ow. F***.
You f***ing b*tch!
Wait!
Get in!
- What are you doing?
- I'm going with.
- No, you're not.
- Yes. I'm the accomplice.
No, I'll call you
when the thing's done.
Bye.
Look, please, whatever
you're doing, it's wrong.
It's very wrong.
Just let me go. Please?
Tommy, don't!
Look, it's kidnapping!
Bad!
Wait! No!
What are we doing here?
- I just want to know the truth.
- The truth about what?
The truth is that I can't help you
because I didn't hurt your girlfriend.
Why don't you just confess,
knowing it will make you feel better?
I can't confess
because I didn't do anything!
I didn't kill her!
I didn't, goddamn it!
Yeah, I know you did.
Believe me, I know.
How do you know?
There's a lot of sick
f***in' wackos out there!
Haven't you learned anything
by being with us?
I know because Gale told me.
Did she tell you
before or after she was dead?
What do you think?
She couldn't have told me
before she was dead...
because you hadn't killed her yet.
God, this is not
going very well at all.
- I'm very angry.
- I know.
I loved her,
and you took her away.
I didn't.
Look, if I confess,
do you promise not to shoot me?
- Are you confessing?
- No, I'm not.
I'm just saying,
if I confess...
will you take me to the police
and let justice have its day?
No deal.
Fine.
Then just f***in' shoot me!
Go ahead! I killed the old broad
and her f***in' son, okay?
I killed them both, all right?
Does that make you feel good?
Is that better? Go ahead!
Don't.
What are you doing?
Please don't kill me.
pulling the trigger.
Of course you are.
Because you're not a killer.
You're a nice boy
who's very upset.
Look, if you shoot me,
the cops will find out.
And if they do, they'll put you away
until you're very f***ing old.
Don't talk.
Don't, Tommy.
Oh, God.
It's the phone.
You gonna get it?
Excuse me.
Hello.
Yes, this is Thomas Hudler.
Yes.
Thank you very much.
No, I'm not currently represented.
Yes, I'm very interested,
but, the thing is...
this is sort of a bad time.
Could I talk to you tomorrow?
That would be great.
Thank you!
All right. Bye.
- You won't believe who that was.
- Who?
An agent
from the William Morris Agency.
He saw my commercial.
- William Morris?
- Yeah.
-Yeah, that's a good outfit.
-He wants to send me out on commercials.
Not just local stuff.
National spots.
That's fabulous.
He said commercials
are just the beginning.
Could you imagine me on a sitcom?
Or maybe one of those hour-long
hospital shows?
Yeah, I could see you in one of those.
You'd be great.
I think you'd be fabulous.
I told you, right?
You're gonna be a star.
What did I tell you? You do one
commercial, and there you go!
Forget about it.
Things are looking up, right?
Come on.
What do you--
Let's get out of here.
Come on.
F***.
Tommy, look, just do me a favor.
Call the police to see if they've had
any breakthroughs before you do this.
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"The Alarmist" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_alarmist_19657>.
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